Umuganda rusange usoza ukwezi kwa Nzeli 2026 turimo kuwukorera i Nyarurama mu Murenge wa Gatenga, nyuma y'umuganda Umuyobozi Nshingwabikorwa w'Akarere @a_mutsinzi arageza ubutumwa ku baturage bujyanye no kwirinda ibiza biterwa n'imvura ndetse no kwirinda inzoga z'ibyuma.
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Ubuzima bwacu ni ubw'agaciro! Kuri twe, ku bacu , no kugihugu. Twe kubwangiza #SoberGen
Nyuma y'umuganda, abitabiriye banyuzwe n'umuziki wa @AndyBumuntu wanibukije urubyiruko ububi bw'inzoga z'ibyuma anabasaba kugendera kure ingeso zose zihabanye n'umuco Nyarwanda.
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The moment we’ve been waiting for is finally here ❤️ My book launch is tomorrow at Kigali Convention Center, come celebrate with me as we open this new chapter together. Thank you @tomcloseOG for standing with me and helping me bring this moment to life. 🙏🏾
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It takes courage indeed! Proud of you! Keep going and can't wait for the drop 🔥💪🏾
One year clean🙏🏾 It hasn’t been easy, but getting help gave me a chance to heal! Forever grateful and Proud of how far I’ve come. One year at a time🫶🏾 NEW MUSIC SOON
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This was beautiful! Thank you to all the incredible artists who contributed 🙏 #KwitaIzina🦍 | #GreenRwanda🇷🇼🌿
WATCH: A contemporary performance by Rwandan creatives Malaika Uwamahoro and Nyambo Masamara, alongside artists Bushali, Marina, Teta Diana, Kenny Sol, and Abdul Makanyaga. The performance highlights the importance of conservation for communities, gorillas, and the country.
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Abana 22 b’ingagi bagiye guhabwa amazina: Kurikira uko umuhango uri kugenda (Amafoto) 🔗 ➡️ tinyurl.com/fccd7ns7
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Congratulations to @MalaikaWamahoro & Masamara for such an amazingly creative play ! Kudos to all the team! #kwitaizina @Kwitaizina Credits📸 : @IgiheOfficial
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Ubu wajya impaka, yewe ugatanga ibitekerezo ku myambarire n'umuco uhereye ku byo ubushakashatsi bwagaragaje ku myambarire y’#Abanyarwanda n'uko yagiye ihinduka; kuva mbere y’umwaduko w’imyambaro mvamahanga kugeza ubu, cyane cyane ku isano iri hagati y’#imyambarire, umuco n’iterambere. Soma igitabo: 𝗜𝗠𝗬𝗔𝗠𝗕𝗔𝗥𝗜𝗥𝗘 𝗬’𝗔𝗕𝗔𝗡𝗬𝗔𝗥𝗪𝗔𝗡𝗗𝗔 𝗠𝗨 𝗡𝗗𝗢𝗥𝗘𝗥𝗪𝗔𝗠𝗢 𝗬’𝗨𝗠𝗨𝗖𝗢 𝗡’𝗜𝗧𝗘𝗥𝗔𝗠𝗕𝗘𝗥𝗘 ⤵️⤵️⤵️ rwandaheritage.gov.rw/filead…
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Utaye umuco atora ico! Uyu ni Umwanda.
Mu Rwanda ibi bintu bijyamo abantu bose ndetse n'abana bato baba barimo Ntabwo byakomeza kugenda gutya. Biba bisekeje iyo nta mwana wawe ubirimo! Abaye arimo video zikajya hanze nibwo wakumva ingaruka zabyo. There's always a line not to be crossed! @Rwandapolice ingamba mukomeze muzikaze ✊🏿 tubashyigikiye turi benshi.
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I have been reflecting on the debate around how some of our young people dress, and I wonder whether we are asking ourselves the deeper questions. When concerns are raised about increasingly revealing fashion trends, the conversation quickly becomes: “Why does the State want to police our bodies?” But perhaps we should also ask: who is shaping these trends in the first place, and why? Parents in different parts of the world have pointed out something interesting: clothes marketed to little girls are often shorter, tighter or more appearance-conscious than equivalent clothes for little boys of the same age. Why? Why are girls introduced so early to the idea that femininity is connected to displaying the body? And why, as they grow older, is that message reinforced through fashion, advertising, music, dance, films, music videos and social media, where the female body is so often presented through the lens of sexual desirability? This is not an argument that the female body is inherently provocative. It is not. Nor should women and girls be made responsible for managing other people’s sexuality by simply being told to cover themselves. The question is not what is wrong with the female body. The question is why our culture and commercial industries so persistently commodify it. And there is another dimension to this conversation that matters to me: cultural identity. For many years, much of what we wore was imported—not only the clothes themselves, but increasingly the ideas of what was fashionable, modern, attractive or desirable. But modernity does not have to mean cultural erasure. Across our continent, we can see powerful examples of societies that have made their cultural identity part of contemporary fashion. Nigeria, among others, has demonstrated how local fabrics, patterns, craftsmanship and aesthetics can be worn with pride and continuously reimagined for modern lifestyles. That should challenge us too. What does contemporary Rwandan fashion look like when it is confident enough to draw from who we are, while remaining creative, youthful and open to the world? This is not about freezing culture in the past, prescribing one acceptable way of dressing, or rejecting influences from elsewhere. Culture has always evolved. The question is whether we are participating in that evolution as creators, or simply consuming what others create for us. Industries manufacture aspiration. Algorithms amplify it. Celebrities normalize it. Markets profit from it. And when we do not produce enough of our own cultural references, other people’s definitions of beauty, desirability and modernity can very easily become our own. So before reducing every conversation about these trends to “the State wants to control our bodies,” perhaps we should encourage our young people—girls and boys alike—to exercise something even more important than the freedom to choose: the critical thinking to interrogate the choices being presented to them. Who benefits from this trend? Who defined this as desirable? Why is sexual visibility so disproportionately expected of the female body? What parts of ourselves are we losing when we imitate without questioning? And what could we create if we looked at our own culture not as something belonging to the past, but as material for the future? Freedom is not only the ability to choose. It is also the ability to understand what is shaping our choices—and the confidence to create alternatives of our own.
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Weekend yari nziza pee! Ruhumuriza yaduhaye ibyishimo by’iminsi 2, Murera yahinyuje iby'inka y'umwami yariwe⚽️😀 i Rubavu na ho byari Fire 🔥 idakenera "fire department" yacu 😉. Ariko nyuma y’ibirori dutangire icyumweru n’ubuzima buzira umuze twita cyane ku bijya mu mibiri yacu. Izo Nzoga zitujuje Ubuziranenge ‘Si Zo Zawe’ bwira na mugenzi wawe ko zitakigezweho ‘STOP’🚫 Icyumweru cyiza!
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Pressure vs Focus
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Kigali International Peace Marathon 2026 🏃🏿‍♀️ ✅ Today was a beautiful reminder that being able to move, breathe, run, and enjoy the beauty of our country is a privilege and a blessing we should never take for granted.
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It’s back! 🇷🇼🏃🏽‍♂️ The 21st edition of the Kigali International Peace Marathon returns, and it’s bigger than ever. For the first time, the race will take place over two days: 📅 June 13 – Run for Peace 📅 June 14 – Half & Full Marathon Join us as we run for peace. #IRun4Peace #KIPM2026
🚨The countdown begins!🚨 Join thousands of runners from around the world for 2 days of the 21st Kigali International Peace Marathon : - June 13th - Run for Peace - June 14th - Half & Full Marathon #KIPM2026 #Irun4Peace
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LESS THAN A MONTH TO GO🇷🇼🏃🏾 #KIPM
🚨The countdown begins!🚨 Join thousands of runners from around the world for 2 days of the 21st Kigali International Peace Marathon : - June 13th - Run for Peace - June 14th - Half & Full Marathon #KIPM2026 #Irun4Peace
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B'UMUNTU retweeted
Art belongs to everyone, but the business behind it belongs to professionals✅
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Follow the GABA #BeBETTER channel on WhatsApp: whatsapp.com/channel/0029Vb7…
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B'UMUNTU retweeted
In times like this, I always reflect on this speech by H.E. Paul Kagame in 1995.
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The Youth played a tremendous role in the 1994 Genocide against the tutsi. Today we must also be the ones to rebuild our nation, reject genocide ideology, educate ourselves and hold ourselves accountable #Kwibuka32
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B'UMUNTU retweeted
Mu gihe twibuka ku nshuro ya 32 Jenoside yakorewe Abatutsi mu 1994, Umuryango FPR Inkotanyi wifatanyije n’ Abanyarwanda bose, by’umwihariko abarokotse Jenoside yakorewe Abatutsi. Kwibuka bitubere umwanya wo kurushaho gushimangira ubumwe bw'Abanyarwanda no gukomeza kwamagana ingengabitekerezo ya Jenoside. Twibuke Twiyubaka. #Kwibuka32
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