STATEMENT from ALAN HAYES re DUBLIN BOOK FESTIVAL
I read, with some surprise, Julianne Mooney Siron’s history of the Dublin Book Festival (“Dublin Book Festival celebrates 20th anniversary in style”, The Irish Times website 7/9/26). As founder of the Dublin Book Festival (DBF) and artistic director for its first 3 years, I must correct some of Ms Siron’s misapprehensions.
To start, the first DBF was held in March 2008, thus this year’s event cannot be its 20th anniversary.
She incorrectly credits Michael O’Brien as the DBF instigator, however the late Mr O’Brien had nothing to do with the foundation of the festival – he was not even involved in the publishers’ association during the years of development work on the DBF project. For the record, I personally invited Michael O’Brien to join the publishers’ board in order to tackle outstanding power issues with one of his enemies in his forthright, formidable manner (he failed sadly). And many people regretted my decision.
More importantly, I created the DBF to develop opportunities for Irish publishers, Irish-published authors and the general public, and not for Ms Siron’s simplistic notion that “Ireland’s writers deserved a festival of their own”, because, of course, there were many other festivals that featured Irish writers.
Irish publishers have always struggled against the huge power, funding and opportunities that multinational publishers have, but the festival, under my remit, successfully demonstrated the quality and talent of Irish-published authors.
Thus, examining this year’s programme, I am saddened at the large amount of multinational publishers being championed yet again at the expense of indigenous publishing.
I developed the Dublin Book Festival in partnership with Dublin City Council as an essential entity in Dublin’s bid to achieve UNESCO status. As one of the founders of Dublin UNESCO City of Literature I reflect on the energy and enthusiasm from most people at that time while we achieved so much with so few resources. And I thank the Department of Arts, Foras na Gaeilge and the Arts Council of Northern Ireland who saw my vision and were essential partners in making it happen.
Proper research easily demonstrates the facts behind the Dublin Book Festival, including the extensive written archive, evidence from the management team, the key funders and literary resource organisations, as well as contemporary media coverage, including the Irish Times archive.
Why now this attempt to rewrite history?
Ultimately, when a festival does not know its origins and its history, how can it know its identity and its future?
@DublinBookFest @forasnagaeilge @artscouncil_ie @ArtsCouncilNI @ACNIWriting @IrishTimes @DeptCultureIRL