In the early 1950s, Madam Noor Jahan was invited to sing at a concert organised by Punjab University under the rule of General Ayub Khan. Huge crowd. When madam shared her playlist which included a revolutionary poem by Faiz Sb. An officer asked Noor Jehan not to sing “Mujh Se Pehli Si Muhabbat” because the govt opposed Faiz’s leftist poetry.
She replied: “Then I will not sing at all.”
Moments later, the young officer came back and requested saying that the General will not accept this and you don’t know strict he is. Madam replied, “Go and tell your general, that I’m more strict than him, I will sing this poem or I'll not sing at all”
The organisers feared public wrath if she did not sing and expected government displeasure if she sang the poem she had chosen.
A few minutes of hand-wringing and worrying about the consequences followed and then they agreed to let her sing whatever she wanted.
Her mellifluous voice rose through the venue as she launched into the song – and was carried across the country by Radio Pakistan.
Hundreds of kilometres to the south of Lahore, 14 people were gathered in a prison in Hyderabad around a transistor radio tuned into Radio Pakistan.
The most prominent among them was Faiz himself. They were all waiting to hear Noor Jehan sing – to ameliorate the monotony of their life in confinement, to escape from the weariness of their existence in captivity.
“Mujh se pehli si muhabbat” the refrain came in her golden voice.
They were all pleasantly shocked by what they heard. After a moment of disbelief at her act of defiance to state censorship, they broke into impromptu chants of Zindabad Noor Jehan.
Faiz is said to have been so impressed by her daring act.
He once famously said of his nazm, "Woh geet ab mera kahan, Noor Jehan ka ho gaya hai." "It's not my song any more, it belongs to Noor Jehan now."
- Anas Olia