"It all started with The Beatles. All the Beatles albums really . . .
"The quality of life in socialist Yugoslavia [in the 1960s] was getting better. Being the leading non-aligned country in the world, we were trading with the East, West, South and North. Many people from the country went to work in Germany, Austria, Switzerland and they returned with western goods, big cars, fancy clothes, magazines, records. Working families were rapidly introducing modern household machines and equipment: fridges, washing machines, B&W TV sets, telephones, gramophones, etc. Politics was fairly liberal for a communist country and the official state art direction was modernism, with a touch of socialist realism. We started to get specialised magazines in shops, comic books, socialist soft porn adult magazines, magazines dedicated strictly to pop music and culture . . .
"The Beatles were the symbols of all this growing excitement. They were everywhere and everybody loved them. All the kids wanted to be John, Paul, George or Ringo. Soon there was also a whole bunch of uniformed electric bands all over Yugoslavia who looked like the Beatles, but dressed in different uniforms and called themselves Red Boys, Blue Boys, Blue Stars, Electrons, Hurricanes, Birds, Chameleons, Red Chorales, Pharaohs, Dynamites, Young Lions, Silhouettes, etc . . .
"And then Sgt. Pepper's happened. With its complexity, with all those enigmatic faces on the cover and with 'A Day In The Life' as the 13th song on the album. Something serious happened with this album, something dangerous, which we couldn't explain. We all talked about it, analysed it, kids were gathering in basements, listening to songs together, trying to understand what the whole thing was about.
"Dark clouds were gathering with it and soon the Russians entered Czechoslovakia, Martin Luther King and Robert Kennedy were assassinated, the Vietnam War escalated, and the era of the Beatles was over."
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#IvanNovak of
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Source: The Quietus, 2016