New Media Contemporary Art studio Based in Los Angeles and Madrid

Madrid, Spain
Our artwork “250K” is currently part of the collective show “Haunted” at Borusan Contemporary @borusancontemporary Here is an image of the installation, plus a beautiful view of the opening last weekend. If you’re in Instanbul, don’t miss it! On view until August 15 ,2027
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We’re glad to announce that our artwork “250K” will be part of the collective show “Haunted” at Borusan Contemporary. If you’re in Instanbul, don’t miss it! On view September 19, 2026 – August 15 ,2027
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We’re delighted to announce the opening of “Scanner Salamanca”, an installation in the towers of La Clerecía in Salamanca. It is part of the exhibition project “Latiendo” which offers an expanded route that redefines the Scala Coeli experience.
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A tangle of electrical, telephone, and computer cables hangs from the ceiling, while lines of light are projected onto them, transforming the installation with a sparkling effect that appears to travel along the length of the cables. If you’re in Salamanca, don’t miss it!
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We’re excited to announce that our artwork “Mirada” (1999) is part of the X Biennial of Contemporary Art by @Fundacion_ONCE at @centrocentro Opening on July 1 On view until October 10, 2026
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Studio Daniel Canogar retweeted
bitforms gallery @bitforms and Rip Space present 𝑪𝒐𝒏𝒕𝒊𝒏𝒖𝒖𝒎, a LA–based exhibition marking the first in an ongoing series of collaborations, featuring work by 𝐃𝐚𝐧𝐢𝐞𝐥 𝐂𝐚𝐧𝐨𝐠𝐚𝐫 @DanielCanogar , 𝐍𝐚𝐭 𝐃𝐞𝐜𝐤𝐞𝐫, 𝐀𝐮𝐫𝐨𝐫𝐚 𝐌𝐢𝐭𝐢𝐭𝐞𝐥𝐮, 𝐂𝐚𝐬𝐞𝐲 𝐑𝐞𝐚𝐬 @REAS , 𝐚𝐧𝐝 𝐒𝐚𝐫𝐚𝐡 𝐑𝐨𝐭𝐡𝐛𝐞𝐫𝐠 @sarahrothberg . Co-curated by Vera Petukhova. Join us at Wilshire Online on Thursday, May 14, 6–9 PM to celebrate the opening. RSVP at luma.com/kp96pt0n The exhibition traces an intergenerational lineage of artists working with software-based practices, foregrounding how code operates as both a time-based and spatial medium. The partnership pairs bitforms’ long-standing engagement with the histories and infrastructures of digital and time-based work with Rip Space’s process-driven approach to experimentation and ideas in motion. 𝑪𝒐𝒏𝒕𝒊𝒏𝒖𝒖𝒎 coincides with bitforms gallery’s 25th anniversary, reflecting a legacy of supporting artists who have defined generative and software-based practices. Pioneers like Daniel Canogar and Casey Reas, whose work helped establish code as an artistic medium, are presented alongside artists such as Sarah Rothberg, whose practice engages interactive systems and AI to explore the social and psychological dimensions of technology. Their influence extends to artists like Aurora Mititelu and Nat Decker, who treat software as both material and environment, developing installation-based and networked practices that expand how digital systems inhabit physical space. 05/14 – 06/20, 2026 at Wilshire Online || 6135 Willshire Blvd Opening reception: May 14, 6–9PM Hours: Thurs 11-7 | Fri 2-9 PM | Sat 2–9 PM Photo Credit : Sarah Rothberg, Sophie For You (software), 2023-2025, Custom software (color, sound)
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Excited to share a selection of images from the creation process behind the poster we designed to announce the @clubmatador Summer Party, which took place last Saturday, June 20. It has been a pleasure to develop this series at Manolo Gordillo’s print lab, @lafactoriadepapel.
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Glad to announce that “Abacus” will be exhibited at Vanderbilt Hall at Grand Central Terminal as part of the exhibition “The Art of Investing: Questions That Will Shape the Future,” coordinated by @pgim . 📆April 27–29 ⏰Open after 5 PM EST. 📍Grand Central Terminal, NYC
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We have presented “Vértice”, a commemorative sculpture honoring 15 journalists who lost their lives in action since the beginning of democracy. The piece is now installed in front of the @aprensamadrid, on Juan Bravo Street, with the support of the Madrid City Council.
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It is with great pride that we have contributed to this important tribute to a profession that works tirelessly to keep society informed and free. May they rest in peace.
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We are glad to announce our participation in the Zero 10 section in Art Basel Hong Kong with @bitforms We will be showing our works “Diorama I”, “Levels” and “Zero-Day” Booth Z14, @ArtBasel Dates: March 27–29, 2026 (Public Days). Preview: March 25–26, 2026 (Invitation only).
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We will be present in ARCO Madrid 2026 with six of our recent works: “Aéreo”, “Gatherings”, “Iconoclast”, “Levels”, “Spool” and “Zero-Day”. Booth 9B22, Galería Max Estrella Booth 9D21, Galerie Anita Beckers Booth 9D41, Proyecto Extremadura
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We are happy to announce our participation in “Una Escena”, an exhibition at the Patio Herreriano Museum featuring our work “Photosynthetic Remembrance”. The piece is showcased in dialogue with a 1957 work by artist Gustavo Torner. On view until 31 December, 2026.
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We are extremely excited to share the final documentation of “Shuttle”, a generative sculpture recently installed at the Red Sea International Airport (RSI). Commissioned by Red Sea Global (RSG) in collaboration with The Aimes. Documentation: Lorenzo Arrigoni
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Mixing heritage with technology, “Shuttle” reimagines Sadu weaving through digital tools and a custom algorithm. The animation displayed on its spiraling shape responds to environmental data, showcasing colorful patterns inspired by the natural beauty of the Red Sea.
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We are thrilled to announce our participation in Untitled Art Miami Beach with “Orbital”, one of our latest dataworks. This piece will be presented by @bitforms 📍 Booth A57– bitforms gallery 📅 December 2–7, 2025
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“Zero-Day” is our most recent generative artwork. The piece draws data from websites that gather information related to cyber threat intelligence. The piece is currently on view at our solo show “Panoramic” at Wilde Gallery in Geneva! 📸 : Studio Eric Bergoend
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Stunning image of our artwork “Orbital” exhibited as part of the collective show “Off Camera. Moving Image”, curated by Susana Sanz, at the Central Academy of Fine Arts Museum (CAFAM) in Beijing. 📍On view until December 28, 2025 📸 : CAFAM, 2025
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Co-organized by the Spanish Ministry of Foreign Affairs, European Union and Cooperation; @AECID_es; the Embassy of Spain in China; and CAFAM.
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Studio Daniel Canogar retweeted
“Me interesa investigar cómo la tecnología transforma al ser humano y a la sociedad”, manifiesta #DanielCanogar referente internacional de la vanguardia del arte digital. El artista y académico indaga en cómo han evolucionado las formas de mirar y de ser mirados, desde el siglo XIX hasta hoy, y el resultado de esta investigación se proyecta en las ocho piezas que pueden verse en la exposición "Panoramic" en la galería madrileña Max Estrella, cuyo proceso creativo nos descubre en nuestra edición de octubre. tendenciasdelarte.com/entrev…
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