Underwater shoots usually take a lot of specialized gear, building underwater sets are extra expensive, and green-screen lighting has additional unique issues to overcome underwater.
Hybrid production makes underwater shoots much more accessible.
Made with Luma.
The production pipeline for our video exploration "Ichor" was highlighted by our Seedance 2.5 edit mode and our new keyframe interface.
This helped us get a more adherent performance and control the pacing of keyframe scenes. That direct control made the process faster and easier.
🔥 Editor + Motion Graphics Job Alert 🔥
LA-based
Dream Lab LA is Luma AI's studio where filmmakers + AI artists + tech nerds cook up what's next.
We want an editor who is built different to own our social edits w/ motion graphics.
Details below:
→ 3+ yrs editing, After Effects + Premiere Pro certified brain
→ Strong fundamentals in typography, composition, pacing, sound + storytelling — not just animation technique
→ Social-first instincts + a genuine love of emerging tech
One minute I’m at the park, the next I’m lost in another world.
Exploring how @LumaLabsAI can transform my original footage into an entirely new cinematic world, while preserving the original performance, framing, and camera movement.
What world should I explore next?
At the blue hour, a hitman crosses the marble floor to silence the one contract he never thought to question.
"L'heure Bleue" created by: Bryan Soegondo
@DreamLabLA
Made with Luma
/Dream Lab Weekly/ EP: 1
A series that shows our creative professionals and their weekly quests to build Luma into the best creative tool in the world.