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If Republicans win the House of Representatives and the Senate in the 2026 Midterm Elections, I’m going to give all adult citizens in the United States of America, $5,000! Thank you for your attention to this matter, and I look forward to signing those checks!
Community note
This $5,000 “Trump Dividend” promise was first made in Sept. 2026. Similar prior DOGE and tariff check pledges have not been paid out. It would cost ~$1.2 trillion and require congressional approval.
pbs.org/newshour/polit…
washingtonpost.com/politics/2026/…
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Yep, saw the writing on the wall for this game when I saw the first trailer. Shame.
They marketed this game as Marcus and Dom back together.
>>It’s not.
They’re cardboard in this game.
E-Day spends more time dealing with Mags and Reyes’ trauma dumps and MUH FEELINGS than the actual Locust invasion.
I am heartbroken.
This is shit. 💩
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Yep, I’ll be passing on this game. ✌🏻
Gears of War E-Day is getting backlash after adding 20 “pride” profile customisation emblems to the game, some of them I didn’t even know existed lol
Abrosexual
Agender
Asexual
Bigender
Bisexual
Demisexual
This is not the first Gears that added them, so not a new thing
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Can’t wait to see more! Better storytelling than any movie I’ve seen in a good bit.
TALES OF GRIMWICKE — Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist:
The model: Seedance 2.5 (@ByteDanceSeed_ ) via @Segmind_ai. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish.
Characters and locations came out of @midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (@GoogleDeepMind run on @fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results.
A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film.
The tools I built: a portal (Node on @flydotio) that holds the bible, the refs, every prompt and every take, with a Claude agent (@claudeai) that writes the prompts to the house rules. A Premiere Pro (@AdobeVideo) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through @ElevenLabs speech-to-speech. Music from @Artlist_io.
None of this would exist without @PJaccetturo and @Kavanthekid. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it.
Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!
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A new report from Luminate has found that long gaps between seasons of streaming TV shows are leading to major losses in viewership.
More than a 1 year gap is seen to largely cause a significant loss in viewership.
(Source: luminatedata.com/reports/202…)
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Damn, you just know this post was created by a chick. Not a great way to market this game. No guy wants an emotionally charged wolverine video game. What are we doing here Sony? FFS 🤦🏻♂️
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