The most influential voice in sci-fi, fantasy & horror since 1977. Creating, collabing & unleashing the unexpected with artists who define culture ↓
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Heavy Metal #5 featuring GLADIATRIX! cover by @johnstanisci is available at comic shops, newsstands worldwide, Barnes & Noble, Books-A-Million and select gaming stores--ask for it! HM #5 delivers a landmark issue filled with daring new visions Fantasy, Sci-fi, shorts and more!
Creators include @michaelwconrad @IliasKyriazis @cparlapanides @Vlas_P123 @fxala2 @AndyBelanger @WAYSHAK @shintarokago @FernandoDagnino @flopscomics
and many more Edited by @FrankForteArt @PopCultureHound @rgllarena Check this: @ComicCrusaders @CBR @Newsarama @DailyDeadNews
Also available at the HM webstore: shop.heavymetal.com/collecti…
#comics #NCBD #comicbooks #scifi
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Dave Dorman was one of the most important artists in expanding the Alien universe visually beyond film, especially through Dark Horse Comics. His most recognized work is Aliens: Tribes (1992), an illustrated novel featuring 24 paintings that earned him an Eisner Award in 1993. @DaveDorman
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His style translated H.R. Giger’s biomechanical influence into more realistic and cinematic painting, with Xenomorphs, marines, weapons, industrial interiors, and action scenes treated with great detail. He also created some of the earliest Aliens vs. Predator artwork and designed an Alien/Predator hybrid for a film project that was ultimately never produced. His work helped establish one of the most recognizable visual interpretations of Alien during the 1990s.
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Jeff Easley is an American artist (born in 1954) best known for his iconic fantasy paintings for TSR and Dungeons & Dragons throughout the 1980s and 1990s.
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Influenced by Frank Frazetta, he developed a distinctive heroic fantasy style filled with warriors, dragons, monsters, and battle scenes, becoming one of the most important artists behind the visual identity of AD&D. He also worked on Dragonlance, Forgotten Realms, Magic: The Gathering, numerous video games, and other fantasy projects. 🐉⚔️
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Diego Yapur is an Argentine comic artist and illustrator working across science fiction, fantasy and horror 🇦🇷 @Diego_Yapur
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For Heavy Metal, Yapur illustrated Sun Eater, written by Dylan Sprouse and Joe Harris, and The Rise, written by George C. Romero. On The Rise, he provided pencils and inks for the series, as well as covers and additional illustrations exploring his process 🔥
His work combines traditional and digital techniques ✍️
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The Latest edition of Heavy Metal Taarna shells are officially live!🚀
They snap right onto your @heavysaudio headphones for an instant upgrade.🎧
Built for ultimate sound.🔊
Styled with iconic Heavy Metal art by Claudia Ianniciello🔥
Get yours before they vanish:
HEAVYS x Heavy Metal Taarna Shells
🔗: heavys.com/products/heavy-me…
Stay heavy, metal heads. 🤘
#heavysaudio #heavymetalmagazine #heavymetal #audiophile #headphones #taarna
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Gandahar (1987) is one of those films that feels like it came from a parallel universe of French animation. It is René Laloux’s third and final feature film, following Fantastic Planet and Time Masters, and is based on the 1969 novel Les Hommes-machines contre Gandahar by Jean-Pierre Andrevon 📚
Set in a seemingly peaceful utopian future, the film follows Sylvain as he investigates an army of mysterious machine-men threatening Gandahar, leading him into a story involving evolution, genetic experimentation, and time travel
The most important figure to understand it is Philippe Caza. Laloux began developing the project with Caza in the mid-1970s, shortly after Fantastic Planet. Caza designed the characters, creatures, and environments, and his aesthetic is essentially what makes Gandahar what it is: strange bodies, organic architecture, gigantic plants, and a futuristic civilization that looks like it came straight out of a 1970s European science-fiction illustration. Caza himself has explained that the project spent years struggling to secure funding before finally becoming a reality 🎥
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Claude Serre (1938–1998) was a French comic artist, illustrator, and engraver who trained for eight years as a stained-glass craftsman in Max Ingrand’s workshop. He worked in stained glass, lithography, engraving, and screen printing before dedicating himself to graphic humor. He published illustrations in magazines such as Hara-Kiri, Planète, and Lui, and showed an interest in fantasy and the fantastic from his earliest works, including the book Asunrath 🖌️
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In 1972, he published Humour noir et Hommes en blanc, an album focused on the medical world that received the Prix de l’Humour noir Grandville in 1973 and began his long collaboration with Glénat. Throughout his career, he published numerous books about everyday subjects such as sports, automobiles, music, and vacations, featuring highly detailed drawings and visual humor with almost no text ✍️
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Esteban Maroto is a Spanish comic book artist known for his fantasy and science fiction artwork. Born in Madrid in 1942, he began publishing professionally in the 1960s and became part of the Spanish artists’ generation that worked extensively for international publishers 📚
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