The creative impulse and its resulting complications.

For a deeper dive into the creative process, I released a "maxi-single" of 40 Trees, which includes instrumental & acoustic versions plus a truly raw mix - the full song with no effects whatsoever, just the raw audio of all tracks. Peek behind the curtain: kevingamble.bandcamp.com/alb…
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An inspired pairing!
Toronto 🔥 Voivod opens for Angine de Poitrine, Sun July 18, 2027 @ RBC Amphitheatre. Presale sign-up open now until Oct 25, 3pm ET. On-sale Fri Oct 30 @ 10am.
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How many of the artists who lecture audiences from the stage actually devote their *art* to talking about the issues they lecture audiences about? Seems like many of the artists using their captive audience for a protest rally play it safe with generic pablum as product.
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The talk of "politics" in music right now seems more about risk-free social credit. The real work, & courage, is giving the art itself the job of conveying ideas that make the listener think & build beliefs on their own. Selling junk food while lecturing from a stage isn't it.
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Kevin Gamble Music retweeted
In recognition of today being #WorldStandardsDay, our CEO Keith Kupferschmid shared a blog about the importance of the #copyright system that supports the safety standards of innovation. Read more here: copyrightalliance.org/world-…
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The music appreciation/education video series from @pdbass74 is pretty much everything that's good about the medium of YouTube. They are uniformly wonderful & this one is a great example. Having seen Rush last week, I could relate to so much in this. youtu.be/88CJ5UuJjKs
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Kevin Gamble Music retweeted
Replying to @JoshDaws
Art isn't ideas, it's the exploration of them through craft. If you skip that part - yes, the cameras, the puppets, the literal craft of whichever medium you're in - you're just automating the making a product and leaving out the entire part of the process that is what art is.
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Kevin Gamble Music retweeted
小孩问庄子,什么是诡辩。庄子反问:我家来了两个客人,一个很干净,一个很脏。我请他俩洗澡,你觉得谁会洗? 小孩脱口而出;肯定是脏的那个! 庄子摇摇头:不对。干净的人爱干净,脏的人不在乎脏,应该是干净的人洗。 小孩赶紧改口:那就是干净的洗。 庄子又笑了:又错了。干净的人没必要洗,脏的人才需要洗,是脏的洗。 小孩情了:那到底是谁洗? 庄子说:干净的人有习惯,脏的人有需要,两个人都洗。不等小孩反应,他又补了一句;其实俩人都不洗,干净的不用洗,脏的不爱洗。 小孩彻底迷糊。 庄子这才点明:这就是诡辩。逻辑都通顺,但答案却不一样,很多人跟你争论,逻辑听着都没问题,但结论可以随意变换。 绕来绕去,目的不是求真,只是把你绕晕。 遇到这种诡辩,不必争辩。
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Kevin Gamble Music retweeted
Replying to @exQUIZitely
I really think there is something to the idea that "primitive" graphics make your brain and imagination do more work, almost like reading a book. Your mind is constantly filling in blanks, interpreting, making up understanding, rather than just passively noting photorealism.
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Kevin Gamble Music retweeted
I resent that I cannot look at anything anymore without having to wonder, “is this AI?” Art should not have to be labelled and identified. It should be experienced first, questioned and scrutinized later. We have lost something sacred.
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We are hurtling with unchecked speed into the "mass psychosis" stage of humanity's social media experiment.
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Kevin Gamble Music retweeted
Well for one because they are flooding streaming services with this crap. And since my pay from streaming is a federally mandated <complicated formula to get a monthly pool of money> DIVIDED by the streams. A bunch of AI crap counted in the denominator lowers my royalty rate. See 37 C.F.R. Part 385 Subpart B.
So, what’s the point of even worrying about guys like this? Let the world split into two factions, people who sit at home working with and for capital extraction tools that hold no value other than transferring dollars from citizens to wealth hoarders. And then, normal human beings who will share human made music with one another and gather at concerts etc? We should just leave losers behind and let them play with their toys.
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Replying to @JRRStebbins
The thing is, children are no longer profitable and that's why Lego is switching to an adult customer base. Every 1st world government now wants to send middle schoolers to work in the mines. I guess they have outlived their usefulness.
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Replying to @arttavana
I have a feeling that Lucas's own ideas would have been a bit baffling and not satisfying nostalgia comfort. But, as with the prequels, we'd always know they were *his* ideas, and that means a lot. Though I think all Disney really needed to do was not crap on/tear up the OT.
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For Disney it was the easiest layup in movie history: Introduce a new set of heroes with a warm, affectionate handoff from the old guard, with them & all their resolved stories safely intact, to fight a new kind of threat that doesn't undo the old resolved progress.
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Kevin Gamble Music retweeted
还在为不会摄影而烦恼吗 在没钱学摄影的年纪 遇见了取景定位黄金比例尺 这工具就是为小白而做的
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Kevin Gamble Music retweeted
My favorite AI joke: Current models are getting close to PhD-level intelligence. After that, they're expected to achieve the intelligence of someone who decided not to do a PhD.
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Kevin Gamble Music retweeted
The correct take is we would be just fine without AI and we don’t need it.
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Eliminator, musically and visually, has to be one of the all-time examples of a few key decisions completely transforming a band's prospects. They did *exactly* what worked *perfectly* with the precise moment they were in. With stunningly enduring results.
ZZ Top hanging out on the California coast with the iconic Eliminator coupe in 1983. Photographer Robert Alford caught this shot as the band was transitioning into MTV royalty. Their Eliminator album had just dropped that March. To help push the new sound, Billy Gibbons had this custom 1933 Ford coupe built, and it instantly became the ultimate symbol of the band. Within a few months, this car and these exact looks would be all over television screens everywhere. Who out there remembers when these videos first started taking over MTV back in '83? What is your favorite track from the Eliminator record? Let’s hear your memories in the comments! 👇
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That's one heck of an Occam's razor, I'd say.
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Each 9/11 anniversary is a reminder of many heroes. This story reminds me of the reality that one of the greatest forces holding social order & civilization as we know it together is simply people taking their jobs seriously & doing them. So many examples today of the opposite.
🚨 HERO -- This is an American Badass: The Inspector Who Sent the 20th Hijacker Home Jose Melendez-Perez did his job. On August 4, 2001, that took courage. He was an immigration inspector at Orlando International Airport and a retired Army soldier - 26 years in uniform, two tours in Vietnam. His job that night was to decide whether a foreign traveler should be allowed into the United States. The traveler was Mohammed al-Qahtani, a 26-year-old Saudi. He had a tourist visa, a one-way ticket, no hotel, little money, and a story that kept changing. He would not tell Melendez-Perez who was picking him up. When he was placed under oath, he stopped talking. Another inspector warned Melendez-Perez he would get in trouble for turning a Saudi away. Melendez-Perez said he could not do the work with dignity if nationality decided who got in. He refused him entry anyway. Al-Qahtani was almost certainly the intended 20th hijacker - the extra man for United Flight 93, the plane that crashed in a Pennsylvania field after the passengers fought back. The other three hijacked jets that morning each carried five men. Flight 93 carried four. Al-Qahtani had trained in Afghanistan and sworn allegiance to Osama bin Laden, the leader of al-Qaeda. 9/11 Commission staff later said he was likely the only Islamic terrorist denied entry into the United States before the attacks. Waiting at that same airport was Mohamed Atta. Atta was the tactical leader of the September 11 plot. Eight weeks later he flew American Airlines Flight 11 into the North Tower of the World Trade Center. He had come to Orlando to pick up “the friend who is coming as a tourist.” He waited all day. Then al-Qahtani was put on a plane out of the country. Commission member Richard Ben-Veniste later told Melendez-Perez that stopping him “may well have contributed to saving the Capitol or the White House.” Before September 11, inspectors already knew the unofficial rule. A Saudi passport got gentler handling than the law required. If you delayed one of those travelers, or sent him home, the complaint did not stay at the airport. It could become a letter from a member of Congress to the agency. Supervisors feared those letters. They feared standing behind an inspector who said no. Melendez-Perez said that out loud. The 9/11 Commission wrote it down and never named who sent the letters. (RAIR is fighting to uncover this) The same pressure existed overseas. Visa officers were pushed to keep Saudis moving into the United States. At American airports, a line inspector learned that pressing a Saudi traveler too hard was a career risk. Melendez-Perez pressed anyway. The special treatment did not stop on September 11. After the attacks, the Saudi embassy asked the U.S. government to help get members of the Saudi royal family - and relatives of Osama bin Laden - out of the country. White House counterterrorism official Richard Clarke passed that request to the FBI. A private Boeing 727 was hired for the job. The jet, Ryan International Flight 441, left Boston at 2:05 a.m. on September 20. Besides the crew, 26 passengers were on board. Most were members of the bin Laden family. The pilots at first refused to take them. They were paid extra and flew the route anyway. FBI agents questioned most of the people on board. They detained no one. Al-Qahtani was later captured in Afghanistan, sent to the U.S. prison at Guantanamo Bay, and released after officials concluded he had been tortured (BOO-HOO). His lawyer, Ramzi Kassem, is now chief counsel to New York City’s mayor. The men in the plot were Muslims. They trained, entered the country, and murdered nearly 3,000 people in the name of Allah. Officials still treated the Saudi passport and the fear of being called hostile to Islam as the thing that had to be managed. Question the traveler too hard, and you were the problem. Say the threat out loud, and you were the bigot. That pressure was already on inspectors before the first plane hit. It was still there when the bin Laden family got a night flight home. It is still there when the man who came to kill Americans is spoken of as a victim, and the inspector who stopped him is a footnote. One HERO inspector. One refusal. Jose Melendez-Perez. He did the job they hoped he would not do. SEE THE REPORT HERE: rairfoundation.com/american-…
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Kevin Gamble Music retweeted
We have a need for an enlightened, watchful articulate opposition. We have no need for semi-secret societies who are absolutist, dictatorial and would substitute for a rule of law and reason an indiscriminate assault on the institutions that must be held sacrosanct. Rod Serling
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