Male, Frustrated Fudanshi with a lot of repressed anger. This account is my little space to vent, and to thirst for fictional men!
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I’m Proship, anti censorship, Bisexual and a bit politically incorrect. No DNI just don’t be any kind of extremist or snooze fest who looks at everything from a hyper political lens. Other than that I can get along with anyone regardless of political or social views. DMs open!
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Mafuyu retweeted
“Vampires as a metaphor for queerness” “pomegranates in poetry” “cannibalism for all consuming love” wrap it up 😕
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Not to sound like a boomer but you really don't see wholesome romance like this in movies and its really sad. This genuinely made me shiver, its so cute!
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Honestly most of my current problems stem from the fact that I'm just not employed right now and that gives me anxiety. Once I land a job I'll literally be fine. I get too comfortable dooming about everything and I really gotta stop. It's really not that bad
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Breaking News: Japanese people are people, and like all people have different values and ideals. More at 11
Can we finally have the conversation on how lots of manga actually do spew progressive values, and that racist white dudes in the western world just ignore it for their agenda posting on how “Japan isn’t woke” or whatever the fuck
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Mafuyu retweeted
using a male character's feminine appearance to say they could never be straight actually shows you're less woke than you think you are and perpetuating some stereotypes
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gen z doesn't want to put in the effort for friendships and just drop them over a minor disagreement or even if the other person has a different opinion. i'm not joking. this is why i also am against "dni" rule lists on straw pages 💀
Social media has normalized treating others as disposable playthings, ready to unadd/block over minor inconveniences, or once your "usefulness" has worn out, and I hate it
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Mafuyu retweeted
In most contemporary literary novels, you'll find a lot of dialogue and stream-of-consciousness rants; rarely, on the other hand, will you find elaborate physical descriptions of places or people.
Why is that? For one, the literary establishment tends to dismiss descriptive passages as slow or unnecessary, but the better explanation is that writing good descriptions is just really, really hard.
It's relatively easy to jot down thoughts and feelings, especially in the first person—after all, such writing is really just a replication of your inner voice. Similarly, you can master dialogue by paying attention to day-to-day conversations or by watching movies.
But describing the physical world requires an entirely different level of literary craftsmanship—and the only way to attain it is by reading great literature.
But because contemporary writers are increasingly influenced by other contemporary writers, all of whom have been taught to prioritize minimalism and immediacy, we've produced a generation of authors who know how to describe the pangs of global warming but who have no idea how to capture the world it affects.
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