Create Winning Ads With AI at Scale The Creative Layer for AI Agents

Introducing Ad Mutator. Your best ad just learned to mutate and spread: drop in one winning creative and swap actors, locations, outfits, products, and more. Find winners. Mutate them. Scale. Live in Maxfusion MCP.
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Seedance 2.5 Draft is LIVE on Maxfusion Generate your video as a 480p draft, at a fifth of the 1080p price. When a take works, turn that exact draft into 1080p. It keeps the draft's camera, motion, characters and timing frame for frame. Available in Studio, Flows, API and MCP.
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Jev (@typesafeai) coming soon to @MaxfusionAI 🫶
JEV is insane for competitor research! We gave it Resilia's ad library It classified 1,891 ads in 19 seconds for $0.12 costumer journey step + Ad style And a complete deep analysis of the account Coming soon to maxfusion MCP
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Introducing zero queue Time is money Waiting for creatives kills your team’s velocity So others take advantage of it and sell you “priority queue” Today we killed the queue On maxfusion everyone moves FAST! Still waiting? time to move
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Chatgpt image 2.5 vs. Chatgpt image 2.0 - Macro nature test Which model made it better? On AI UGC it is very mixed and on this? Made with GPT image 2.5 on Maxfusion AI
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Today we are launching enterprise features Starting with usage metrics The key to understanding your team’s performance Is to see better how your team works Every member on your team produces creatives Now you can see what models they are using the most How many assets does it take to generate a published ad Track usage and credits across members, projects and models Finding who is the best at certain models can help your team evolve by sharing the knowledge with other members Keep control over your costs and achieve more predictable budget goals This is just the start of our enterprise features with many more important pieces to come If this is relevant for your team Feel free to contact us for any additional information
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GTP-6 astra vs Fable 5.1 watercolor animation style eval Both brought something unique here who do you think does it better?
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Fable 5.1 vs Gemini flash 3.8 anime specific style eval animation Both brought something unique here who do you think does it better?
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paper craft animation eval on Fable 5.1 vs. Sol 5.6 Both showed extremely strong reasoning in creating this scene and chose different eras What do you think?
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Fable 5.1 vs Gemini 3.8 Flash - Anime animation test We know Fable 5.1 is the most capable model for reasoning but now Google launched Gemini 3.8 flash Did it do a good job?
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Fable 5.1 ran our August recap Minimax H3 MAX did the copyright violations Fable masked the green screen And scripted the slop The result is before you Enjoy
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Fable 5.1 vs Sol 5.6 - Origami paper animation test Fable 5.1 is the strongest model for reasoning and it should know how to handle the task of getting the correct prompt for the correct shot with ease What do you think?
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Your best performer + 5 minutes = a full testing matrix of new actors, outfits, and locations. Ad Mutator multiplies your winning creatives in a blink of an eye. Creative fatigue is solved. You're welcome.
Introducing Ad Mutator. Your best ad just learned to mutate and spread: drop in one winning creative and swap actors, locations, outfits, products, and more. Find winners. Mutate them. Scale. Live in Maxfusion MCP.
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Your winning ad can now mutate🧬 One winning creative in → endless variations out. Every mutation ready to publish and test. Live in Maxfusion MCP.
Introducing Ad Mutator. Your best ad just learned to mutate and spread: drop in one winning creative and swap actors, locations, outfits, products, and more. Find winners. Mutate them. Scale. Live in Maxfusion MCP.
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Your competitor needs a casting call, a location, and a reshoot to test a new actor. You need Ad Mutator. Replace actors, change locations and swap outfits in seconds. Live on Maxfusion MCP.
Introducing Ad Mutator. Your best ad just learned to mutate and spread: drop in one winning creative and swap actors, locations, outfits, products, and more. Find winners. Mutate them. Scale. Live in Maxfusion MCP.
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WAN 3.0 vs SEEDANCE 2.5 paper animation test We took a dynamic shot full of different elements and a very specific beat Who you think won? For us it is not even close...
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Gemini Flash 3.7 (high) vs. Opus 5 (max) Seems like a truly surprising result... we did not expect this
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Maxfusion 🤝 Grok Bot is LIVE ⚡️ Give Grok Bot your whole marketing stack. It learns on your competitors and trends. And makes ads for your business. On autopilot. 📁 Maxfusion for Grok Bot ┃ ┣ 📁 Research ┃ ┣ 📁 Competitor ads from Meta Ad Library ┃ ┣ 📁 Viral organic content ┃ ┣ 📁 TikTok, what's working in your niche ┃ ┗ 📁 Amazon reviews of your product ┃ ┣ 📁 Video ┃ ┣ 📁 UGC ┃ ┣ 📁 Claymation ┃ ┣ 📁 Pixar style ┃ ┣ 📁 Medical 3D ┃ ┣ 📁 Vox-style explainers ┃ ┣ 📁 Paper cut ┃ ┗ 📁 and more, every style pre-built ┃ ┣ 📁 Image ┃ ┗ 📁 Statics, product shots ┃ ┗ 📁 Audio   ┣ 📁 Voiceover   ┗ 📁 Music The whole marketing department runs on Maxfusion inside Grok Bot.
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People say they can tell the difference between reality and AI Well they can’t anymore - This video is the final nail in the coffin Full prompt: 16x9 video, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
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Seedance 2.5 1080p is live on Maxfusion - DAY 0 The most powerful video model in the market In perfect resolution Go try it out now!
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