‘Musically, this revival had other significant strengths too, not least the taut conducting of Michael Papadopoulos, alert to every nuance of Verdi’s edgy drama.’
⭐️⭐️⭐️⭐️
✍️Mark Pullinger
Read the full review on the Opera Now website!
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From Little Women to Family Guy, opera sets the scene in more Hollywood movies than you might think...
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Hannu Lintu’s arrival at the Singapore Symphony Orchestra could well take the distinguished recording orchestra to even greater heights ✨
Read the full story on Gramophone now! #ad
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⭐️⭐️⭐️⭐️
Huffman's new Tosca at @glyndebourne
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The Guildhall School of Music & Drama is currently recruiting for a Professor of Voice. They’re is seeking an inspiring educator who will motivate undergraduate and postgraduate singers within its internationally renowned Vocal and Opera departments ⭐️#ad
opera-now.com/content/featur…
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‘Debuting as Lady Macbeth, Davidsen thrilled and chilled, with tigerish hauteur and colossal presence and strength’
⭐️⭐️⭐️⭐️
✍️Andrew Mellor
For the full review head to our website!
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‘Making her house debut in the pit, indeed her first time conducting opera in Germany, Karina Canellakis drew great playing from the orchestra’
⭐️⭐️⭐️⭐️
✍️ Mark Pullinger
Full review online now!
opera-now.com/content/review…
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‘It all feels superficial in a production that, below the surface, could easily be half a decade old’
⭐️⭐️⭐️
✍️Hugo Shirley
Read the full review online here: opera-now.com/content/review…
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‘Unfortunately this production is held back by the disappointing source material.’
⭐️⭐️
✍️Jonathan Whiting
opera-now.com/content/review…
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Tenor and director Rolando Villazón stars in a new short film to celebrate the United Nations International Day of Forests🌲
For the full story head to our website! #ad
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‘Magdelena Kožená is an ideal match as a suavely suited Fox, the mezzo’s voice as mellifluous as ever.’
⭐️⭐️⭐️⭐️
✍️ Hugo Shirley
opera-now.com/content/review…
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‘Conductor Stuart Stratford and the orchestra evoked a surreal timeless atmosphere bolstered by Shozan Hasegawa’s mesmerising breathy note-bending shakuhachi passages’
⭐️⭐️⭐️
✍️Susan Nickalls
Full review: opera-now.com/content/review…
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‘Mariotti is a master in this repertoire and conducted with great affection for Verdi’s score, highlighting the Tyrolean colouring and driving climaxes with spirit’
⭐️⭐️⭐️
✍️ Mark Pullinger
opera-now.com/content/review…
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‘In their different ways both James Newby’s bottled-up, frequently verge-of-serious-anger Count and Liam James Karai’s more happy-go-lucky Figaro hit exactly the right vocal spots’
⭐️⭐️⭐️⭐️
✍️George Hall
opera-now.com/content/review…
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‘Sebastian Fagerlund and Gunilla Hemming’s new opera presents a powerful snapshot of a society in the grip of sudden crisis’
⭐️⭐️⭐️⭐️
✍️Andrew Mellor
opera-now.com/content/review…
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‘There’s no arguing with the way Wilde and Culpajevs rise to Korngold’s sometimes outlandish vocal demands’
⭐️⭐️⭐️⭐️
✍️ Hugo Shirley
opera-now.com/content/review…
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Opera Now magazine retweeted
Ralph Fiennes takes his curtain call after making his opera directing debut @operadeparis
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‘A stylish, faithful Onegin marks Ralph Fiennes’ opera directing debut’
⭐️⭐️⭐️⭐️⭐️
✍️ Mark Pullinger
opera-now.com/content/review…
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'Giacomo Sagripanti’s conducting was incredibly precise'
✍️Francis Muzzu
opera-now.com/content/review…
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'With singing this glorious, it’s wise to steer directorially clear'
⭐⭐⭐⭐⭐
✍️Robert Levine
opera-now.com/content/review…
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