The Grange Festival has announced changes to its leadership team, including the appointment of Brindley Sherratt as Artistic director, the addition of four new trustees to the board of directors, and the departure of Chief Executive Officer Tyler Stoops.
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As director Evgeny Titov prepares to stage Wagner’s Parsifal at the Royal Opera, he speaks about politics, perspective and criticism when it comes to the artform
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Oxford International Opera's debut is 'as subtle as a brick'
Read the full review online! opera-now.com/content/review…
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‘Musically, this revival had other significant strengths too, not least the taut conducting of Michael Papadopoulos, alert to every nuance of Verdi’s edgy drama.’
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✍️Mark Pullinger
Read the full review on the Opera Now website!
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From Little Women to Family Guy, opera sets the scene in more Hollywood movies than you might think...
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Hannu Lintu’s arrival at the Singapore Symphony Orchestra could well take the distinguished recording orchestra to even greater heights ✨
Read the full story on Gramophone now! #ad
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Huffman's new Tosca at @glyndebourne
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The Guildhall School of Music & Drama is currently recruiting for a Professor of Voice. They’re is seeking an inspiring educator who will motivate undergraduate and postgraduate singers within its internationally renowned Vocal and Opera departments ⭐️#ad
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‘Debuting as Lady Macbeth, Davidsen thrilled and chilled, with tigerish hauteur and colossal presence and strength’
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✍️Andrew Mellor
For the full review head to our website!
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‘Making her house debut in the pit, indeed her first time conducting opera in Germany, Karina Canellakis drew great playing from the orchestra’
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✍️ Mark Pullinger
Full review online now!
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‘It all feels superficial in a production that, below the surface, could easily be half a decade old’
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✍️Hugo Shirley
Read the full review online here: opera-now.com/content/review…
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‘Unfortunately this production is held back by the disappointing source material.’
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✍️Jonathan Whiting
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Tenor and director Rolando Villazón stars in a new short film to celebrate the United Nations International Day of Forests🌲
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‘Magdelena Kožená is an ideal match as a suavely suited Fox, the mezzo’s voice as mellifluous as ever.’
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✍️ Hugo Shirley
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‘Conductor Stuart Stratford and the orchestra evoked a surreal timeless atmosphere bolstered by Shozan Hasegawa’s mesmerising breathy note-bending shakuhachi passages’
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✍️Susan Nickalls
Full review: opera-now.com/content/review…
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‘Mariotti is a master in this repertoire and conducted with great affection for Verdi’s score, highlighting the Tyrolean colouring and driving climaxes with spirit’
⭐️⭐️⭐️
✍️ Mark Pullinger
opera-now.com/content/review…
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‘In their different ways both James Newby’s bottled-up, frequently verge-of-serious-anger Count and Liam James Karai’s more happy-go-lucky Figaro hit exactly the right vocal spots’
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✍️George Hall
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‘Sebastian Fagerlund and Gunilla Hemming’s new opera presents a powerful snapshot of a society in the grip of sudden crisis’
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✍️Andrew Mellor
opera-now.com/content/review…
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‘There’s no arguing with the way Wilde and Culpajevs rise to Korngold’s sometimes outlandish vocal demands’
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✍️ Hugo Shirley
opera-now.com/content/review…
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Opera Now magazine retweeted
Ralph Fiennes takes his curtain call after making his opera directing debut @operadeparis
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