ALT Song by T. S. Eliot displayed as follows:
When we came home across the hill
No leaves were fallen from the trees;
The gentle fingers of the breeze
Had torn no quivering cobweb down.
The hedgerow bloomed with flowers still,
No withered petals lay beneath;
But the wild roses in your wreath
Were faded, and the leaves were brown.
ALT Mr. Grumpledump’s Song by Shel Silverstein displayed as follows:
Everything’s wrong,
Days are too long,
Sunshine’s too hot,
Wind is too strong.
Clouds are too fluffy,
Grass is too green,
Ground is too dusty,
Sheets are too clean.
Stars are too twinkly,
Moon is too high,
Water’s too drippy,
Sand is too dry.
Rocks are too heavy,
Feathers too light,
Kids are too noisy,
Shoes are too tight.
Folks are too happy,
Singin’ their songs.
Why can’t they see it?
Everything’s wrong!
ALT Only a Word by Frances Ellen Watkins Harper is displayed as follows:
Till our world, so sad and weary,
Finds the balmy rest of peace—
Peace to silence all her discords—
Peace till war and crime shall cease.
Peace to fall like gentle showers,
Or on parchéd flowers dew,
Till our hearts proclaim with gladness:
Lo, He maketh all things new.
Moon writes the "Teach this Poem" series for the Academy of American poets and is a Co-Founding member of The Starlings Collective, a BIPOC adoptee writers and artists collective.
ALT The Plain Sense of Things by Wallace Stevens displayed as follows:
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
ALT Silence Comes from Somewhere Else
by Nikola Madzirov
translated from the Macedonian by the author
When at evening I hear the voice of my dead mother,
I summon deer to my side—
they who understand all the languages of fear
without saying a word.
I would invite them into the courtyard of quiet changes
and ask them about the sins of the unborn,
about the distance between the blood
of two enemies after the war.
I would ask them to lock the silence—
secret of the open eyes.
Meet the Poetry Coalition’s 2026–27 Fellows!
Eight emerging literary leaders will gain hands-on experience and professional development opportunities at poetry organizations across the country, with support from the Mellon Foundation.
Meet the fellows: bit.ly/4d1P8Nz
The first course is almost here! 🍽️
Join @poet_major for a four-session virtual seminar exploring poetry, food, memory, and what nourishes us.
Starts October 6.
Scholarship deadline: September 29.
bit.ly/4j4olDQ
ALT The Plain Sense of Things by Wallace Stevens displayed as follows:
After the leaves have fallen, we return
To a plain sense of things. It is as if
We had come to an end of the imagination,
Inanimate in an inert savoir.
It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.
The chimney is fifty years old and slants to one side.
A fantastic effort has failed, a repetition
In a repetitiousness of men and flies.
Yet the absence of the imagination had
Itself to be imagined. The great pond,
The plain sense of it, without reflections, leaves,
Mud, water like dirty glass, expressing silence
Of a sort, silence of a rat come out to see,
The great pond and its waste of the lilies, all this
Had to be imagined as an inevitable knowledge,
Required, as a necessity requires.
ALT "Sharks’ Teeth" by Kay Ryan displayed as follows:
Everything contains some
silence. Noise gets
its zest from the
small shark’s-tooth-
shaped fragments
of rest angled
in it. An hour
of city holds maybe
a minute of these
remnants of a time
when silence reigned,
compact and dangerous
as a shark. Sometimes
a bit of a tail
or fin can still
be sensed in parks.