Pretty cool that this essentially confirms the merger deal was slowing down production on things over at DC Studios, but at this point? I’m kinda over ‘early production’ news. It’s cool that they have ideas of ideas, but I’m at a point now where I need some actual greenlight news.

Lanterns isn’t an action heavy story while this is. I’m beyond trying to understand why that’s so hard to get for y’all.

I think #VisionQuest is an example of how rich a shared universe can be. We have so many threads from different projects converging seamlessly.

What could've been man what could've been so many great ideas 💔

This is really only true when you confuse 70/30 or 80/20 with 50/50, or just rely on the twitter space to get an idea of what the general populace thinks. I thought Creature Commandos kinda sucked and I don’t think I’m alone in that sentiment, but surprisingly there’s a lot of people who love that show.

David Corenswet talks to People Magazine about ‘Man of Tomorrow’ “The suit itself is a little bit different, they re-engineered it to be slightly more functional and ready for a fight.” 📝|| people.com/david-corenswet-t…

Wes Craig only manages to up the ante with Superman: The Stranger in it’s second issue and continues to increase my awe that a book like this even exists in 2026! Offering us a wider scope into the world whilst still keeping us grounded with the character, we learn a lot more about this version of Metropolis and how Clark connects directly to it’s overarching theme of the false American Dream. The working class immigrant who comes here to give his life purpose, only to be disregarded and unable to match the rhythm of the city’s culture which pushes him to create his own. And while Lois is as spunky and tough as ever, I actually quite like the meet-cute between Clark and the jazz lady as it not only sets the tone of this Clark as a man who’s a hopeless romantic instead of the ‘aw shucks’ trope, but showcases how that conflicts with his deeper desires which is to fight injustice. If I had one issue with the series so far, it has to be Lex Luthor. On paper I quite like the idea of framing Lex as an industrialist tycoon in this period piece setting, but I’d be lying if I didn’t say I don’t find myself as intrigued with the presence of him as Wes himself does. It’s a lot of aura maxing while lacking any reason for me to care about the character to begin with. Though, the series still has time to turn things around with him. ★★★★☆

RT @clubsadie: #LANTERNS × #EPICTHEMUSICAL : here in the Underworld, the past seems close behind

Just insane aura. Every time. Screw Batman. Superman invented this shit and it still looks better on him.

#Clayface tickets are now on sale‼️

GAHHHH MY GOAATTT!!! (Don’t know why I was kinda anticipating a black Lois Lane in this rendition but we vibe!)

Love a Clark Kent who can get serious and down to business. That man is a yearner.

Clark’s face, man. He’s right where he wants to be and I can’t blame him at all😭😭

Starting issue #2 of my new favorite series now! Cover is just dripping with aura.

It looks so sick when you flip it upside down to see how the shot really looks too

First teaser for Mike Flanagan's ‘THE EXORCIST: MARTYRS’, starring Scarlett Johansson. The film follows a detective who watches a serial killer's execution - only for his murder spree to continue in demonic ways. Trailer releases on Friday.

Two episodes for the first three weeks is pretty cool! Should make these Wednesdays super eventful.

The release schedule for Marvel Televisionʼs ‘VISIONQUEST’ has been revealed. • Ep. 1-2 on October 14 • Ep. 3-4 on October 21 • Ep. 5-6 on October 28 • Ep. 7 on November 4 • Ep. 8 on November 11

Episodes ranked: 1.) Episode 6: “Bad Optics” 2.) Episode 3: “OutKast” 3.) Episode 1: “Pilot” 4.) Episode 4: “The Weenie” 5.) Episode 2: “Trust Fall” 6.) Episode 5: “Lights Out” 7.) Episode 8: “Dirt and Stars” 8.) Episode 7: “The Jordan Boys’ Legacy”

Boy oh boy oh boy I sure am looking forward to another Superman (2025) cinematography discourse to compare it to a new movie like we do every time! Look, I personally don’t agree with this narrative that Superman looks ugly and flat. I still think it has some amazing shots and is one of the greater looking CBMs in recent years to be shot on digital even if Gunn did chicken out in the Final Cut and lose the blue tint with nothing as equally cinematic to really replace it with. I also really appreciate that most of the color palette is established not through post production but set design and wardrobes that all captures a natural warmth with golden highlights and Superman’s own color scheme. But I also am completely fine with BnD fans (which includes myself) who likes more contrast and richness in their shadows instead of everything feeling exposed. It’s an amazing look that brings a level of texture and depth to the scenes which I really appreciate. I just personally don’t see a film that’s automatically visually superior like The Batman, but rather two movies that are attempting to convey two different things with their visual language. The discussion also has me very curious for how Man of Tomorrow will look after Gunn’s intentional swapping of cinematographers. I see a lot of what you guys love visually with Spider-Man in Peacemaker, so it’ll be interesting to see how that translates to the upcoming film. (Peacemaker collage by @Mandevil23)