FX Motion Designer Building theorigins.art collection @theorigins_xyz
London, England
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Each time I have a chance to collaborate with @sidefxhoudini I think of my whole #houdini journey. First time I had a chance to witness Houdini Hive was in 2017 at LA #siggraph where I got my hands on my first Houdini t-shirt that is still holding with only one little hole💪
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The week of Feudal Age came to an end :)
Let’s finish with a cute little turntable to celebrate the entry into Historical Epoch.
There's something fascinating about giving Bitcoin data a form you can almost reach out and touch.
FEUDAL takes that idea somewhere unexpected.
Age IV of The Origins, in motion.
go.theorigins.art/fd17537a
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This week I had the pleasure of meeting and connecting with @R4vonus
Discussing state od the digital art and brainstorming on how it can be brought to better light it deserves.
We also talked about his endeavours of developing unique pipeline to store artworks directly on blockchain chain and shared thoughts on how this could benefit the digital art ecosystem in general.
It was also great to hear about his one of a kind experimental procedural art system diven by generative code.
Great boost of optimisim and excitement to keep creating and building💪
This is part of why I’m building Keel around generative code.
You’re storing the rules that create the scene. Change the pixel resolution and those same rules can render it at a different level of detail. Trees, terrain, textures—all generated instead of manually making assets for every scale.
The hard part was never making the pixels smaller. It was writing every system behind them and making everything stay consistent as the detail changes.
Procedural generation isn’t new. AI makes the sheer amount of specialized code needed to build this way much more practical.
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Really proud of the evolving patter system in Feudal Age.
It gives each piece a truly signature look.
Let’s see where this journey leads ;)
This week's higlight is Fedual Age breakdown, illustrating the evolution and thinking behind the visual language.
Enjoy the journey and explore the archive through the link in our BIO.
#TheOrigins #BitcoinHistory #GenerativeArt #BitcoinHalving
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Jakub Spacek retweeted
Bitcoin didn't need permission to cut its block reward in half.
On November 28, 2012, block 210,000 reduced the subsidy from 50 BTC to 25 BTC, exactly as programmed.
No vote. No committee. Just a rule being enforced.
That moment, reimagined through FEUDAL in The Origins.
go.theorigins.art/fd17537a
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What a journey to get here! Time, energy, resources and years of gradual progress.
I am excited, humbled and grateful for where I was able to build this project.
The work continues as I am getting close to the release.
Bitcoin Block Header transformed into Art
2 blocks for every day since 3th of Jan 2009
6 Epochs / 16 Ages
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Let’s end the week with a bang ✨
Feel like this Dynasty block works uniquely well in this lighting 🤔
Let’s end this week od the Dynasty Age with a turntable beauty.
Every artwork in The Origins collection connects to a date in Bitcoin history, translated through its blockchain data and a distinct visual language.
Explore the archive and join the whitelist through the link in our BIO
#generativeart #digitalart #collectible
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For some reason I just really enjoy the idea of an Archive! ... Why do I think of Indiana Jones? :D
Satoshi didn't announce a goodbye. He simply moved on.
April 23, 2011 marked his final known email. Bitcoin continued without its creator at the centre.
One of its defining moments, preserved through The Origins.
go.theorigins.art/fd17537a
#GenerativeArt #DigitalArt #AlgorithmicArt
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haha Indiana Jones is spot on! First person I am hearing bringing this reference up in 20 years!!
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Another Week Another age ✨
From historical record to artwork.
The Origins uses Bitcoin Block Header data to shape unique pieces across 16 visual Ages.
Today we take a closer look at The Dynasty Age. Time of lost civilisations and the treasures they left behind.
Explore the archive through the links in our Bio.
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This week I'll be showcasing the Dynasty Age and it's behind the scenes, historical event and more.
From History to Form
Epoch: Ancient
Age: Dynasty
Dawn
2011-06-06
Chuck Schumer criticizes Bitcoin and pushes to shut down the Silk Road drug site amid anonymity concerns.
#history #blockchain #generativeart
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En esta prueba he querido poner Claude al límite con Houdini (modelo Opus 5.5). He montado toda la escena hablándole al iPhone para ver dónde está el límite, y mi conclusión es que no hay límite. Esto que veis es donde he puesto el freno, hay cosas que corregir aún pero quiero seguir experimentando con otros proyectos.
El render ha tardado 50 horas en mi 5090 dado lo compleja que es la escena, volumétricas etc.
El color grading lo he hecho en Davinci trabajando en Aces y también lo hice hablándole al teléfono con el MCP de Davinci.
Me cuesta imaginar un futuro donde no vayamos a trabajar con esto de forma masiva.
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Another day Another block
Week of Prehistoric Age is ending. It continues from Genesis and while it preserves the narrative it still introduces fresh style for its own importance.
The iterations are surprising and always satisfying to witness.
Created with #houdinifx #redshift and lots and lots of data pushed through procedural magic ✨
Stay tuned for next week’s Dynasty Age
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This week is about Prehistoric Age and today we are looking at how this visual style moves away from Genesis Age while still holding the notion of continuation within our narrative of evolution.
Aside from myriad of technical obstacles and nuances that had to be fine tuned, one of the important decisions was how to get across the look of first human marks and drawings while still respectign the digital nature of The Origins collection.
Enjoy the sneak peak behind the scenes and into some iterations leading up to the final look.
Join us at our discord for more insights and discover the collection's website to explore all the Ages.
#digitalart #collection
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So happy how the Prehistoric Age came together.
This week is about Prehistoric Age and today we are looking at how this visual style moves away from Genesis Age while still holding the notion of continuation within our narrative of evolution.
Aside from myriad of technical obstacles and nuances that had to be fine tuned, one of the important decisions was how to get across the look of first human marks and drawings while still respectign the digital nature of The Origins collection.
Enjoy the sneak peak behind the scenes and into some iterations leading up to the final look.
Join us at our discord for more insights and discover the collection's website to explore all the Ages.
#digitalart #collection
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Mythical Cloth - Houdini & Copernicus
An early 2026 client rnd exploration
#copernicus #vellum #neuroaesthetics
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A week inside The Origins and Genesis Age moves between history, artwork and process.
Every finished piece hides a chain of decisions.
What should the Age feel like?
What wasn't working?
What changed through the iterations?
From the creative problem to the iterations to the final artwork.
Which part of the process stood out to you most?
Join us at our discord and visit our site through links in the bio ;)
Created with #houdini #redhisft #pdg
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An Age starts with a question: what should this period feel like?
From there, it becomes a series of decisions, tests and iterations.
This is a look at how I approached building the visual language for one of the Genesis Age in The Origins.
#houdini
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