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Debbie McGee is set to play Miss Lynch in the new UK and Ireland tour of Grease the Musical.
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Paddington the Musical has announced its new cast as it celebrates its first anniversary on the West End.
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Lisa Nandy has rebuked criticism from some quarters of the arts sector that she “doesn’t understand theatre”.
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Monitoring diversity is not an end goal for arts organisations. What’s needed is incentivisation and reward for those organisations that can show sustained progress in their diversity ambitions, writes Amanda Parker 👇
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Milo Rau’s play inspired by Gisèle Pelicot’s high-profile rape case has landed its UK premiere at the Young Vic after being blocked by Belgrade International Theatre Festival last year.
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★★★★ Review: Death of a Salesman – Rich reworking of Arthur Miller’s tireless classic
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★★★★ Review: La Bohème – Fifty shades of grey in a bleak but well performed production from Floris Visser
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★★★ Review: Amanda: The Night Before Me – Divina De Campo excels in a knotty solo musical exploring a life before transitioning
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ACE is not doing its job if it doesn’t have the confidence to make hard, probably unpopular, decisions that will provoke squeals of outrage, says Lyn Gardner 👇
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Actor, writer and director Reece Dinsdale is fronting a refreshed campaign to save the shuttered Square Chapel in Halifax, which has now been closed for more than a year.
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Playwright Ava Pickett has urged the theatre industry to "nurture writers" through their second and third plays, warning that support can “drop off" after a writer’s debut.
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Theatre will become “one of the most valuable forms of art there is” due to its immunity from AI interference, actor Danielle Fiamanya has claimed.
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Winners at The Stage Debut Awards 2026 have called for greater support for freelancer theatremakers, many of whom are working multiple other jobs to sustain performing arts work.
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Actor Marisha Wallace has called on the industry to “go out and find talent”, claiming there is a tendency to sometimes "only hire the same five people”.
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★★★ Review: Happy Days – Vivid staging of Beckett’s sand-bound two-hander. (@pitlochryft)
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★★★ Review: Ecstasy of the Virtues – Sincere but confused production from Mahogany Opera
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Actor Ralph Fiennes has urged young actors to ‘be prepared to do anything’, make work themselves and not ‘wait for the phone to ring’
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Actors Touring Company artistic director Matthew Xia has claimed theatre critics are currently being too harsh on debut works and have a duty to be more sympathetic.
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Jordan Luke Gage has vouched for the importance of hiring up-and-coming artists in a landscape in which productions often "recycle" the same creative teams.
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