Theo van Rysselberghe painted. Lady Reading in 1885, following Whistler’s request to paint after Harmony in Black, No.10, identifies not only this picture as Whistlers but further their shared influence of Vermeer.
Leonardo incorporated the zig zag form does double duty in connecting the background to her figure it also adds verve to his portrait releasing the static stillness of symmetry.
Fantastic and now one of mine!The Romanesque design in the horseshoe arch (Islamic in origin)and that of the zig zag form was reinterpretation by Leonardo in his Portrait of Mona Lisa, 1503-06 or later.Starting with her sleeve and around connecting the figure in the background landscape.
De 6.000 a 120.000 euros...
La mejor venta de la tarde en @duransubastas ha sido la de este manetiano Retrato de la Señorita Carmen Díaz Pérez (O/L, 60 x 50 cm), que firmó el francés Robert Henri el 10 de septiembre de 1908 en Madrid.
Obra inédita, y primera vez en el mercado,
One of my favorite songs plays during the final scene of "La Vie en Rose". Marion Cotillard performs to Edith Piaf’s original voice, creating a deeply moving moment that captures the spirit of one of France’s most iconic singers.
"Never play to the gallery… Never work for other people in what you do. Always remember that the reason that you initially started working is that there was something inside yourself that you felt that if you could manifest in some way, you would understand more about yourself and how you coexist with the rest of society."
- David Bowie
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What makes this so intriguing is the sitter is in two different places at the same time. Notice the position of her chair and her hip with her arms holding the right arm of her chair. Her asymmetrical position holds our attention and is mimicked by her hat feathers.
Whistler said, No one could paint a sky like John Constable. John Constable RA1776-1837, Seascape with a Rain Cloud, 1827 and an earlier one Brighten Beach looking West, 1824-28.
Ralph Curtis’s painting, Whistler at à Dinner Party, 1879-80, depicts possibly one of his famous Sunday breakfasts or an evening meal with the same white cup and saucer with pink and blue design as recorded in Harmony in Black, No.10, 1885.