The home of archaeology & arthistory enthusiasts. Designs by archaeologyart: archaeologyart.shop

United States
Ancient art, made wearable. archaeologyart.shop is now live in the US, UK, EU and Canada. From kylix figures to mosaic fragments, cave paintings to classical symbols, each design is inspired by the visual world of antiquity.
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Jean Cocteau From: “Le Livre Blanc” 1930
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Miles Cleveland Goodwin, The Happy Couple, 2018.
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Alahan Monastery consists of ruins of a 5th-century monastic complex in the mountains of Isauria (modern Mersin Province) built during the reign of Emperor Leo I and expanded by Emperor Zeno who was from the region.
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Ppl don't realise how much this conflict was important, this was the Finnish success to resist to soviets that made Hitler and German Riech thinks invading USSR would be easy, because, "if even Finns can fight them while being less in power and numbers, Germans would win easily"
The Winter War, 1939–1940: How Finland Survived the Soviet Invasion. Map animation and editing by me.
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Although the origin of the name of the European continent also has a linguistic side, it takes its name from an ancient story of love and kidnapping. According to mythology, Europa was a very beautiful princess of Phoenicia, a country in the Eastern Mediterranean. When Zeus saw this beautiful princess playing with her friends on the beach, he fell in love with her at first sight. Zeus wanted to get close to her, so he came to the beach in the form of a calm, snow-white bull. Europa was impressed by how peaceful and beautiful the bull was, so she got on its back without being afraid. But at that moment, the bull suddenly ran into the sea and disappeared between the strong waves. Zeus crossed the sea with the princess on his back and took her to the island of Crete. Because the princess was taken from the east and brought to the west, this land was called "Europa" by the ancient Greeks in her memory. As the lands west of the Aegean became larger, the princess's name slowly became the common name of the whole continent.
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Sophie Lécuyer (French, b. 1987, Épinal, France) - Picking Water, 2015 Lithograph
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The Partitions of Poland, 1772–1918: Divided by Three Empires, Reborn in 1918. Work by me.
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Le jardin de Melle Lili - 1923 - via Gallica
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Beauty in common things - illustrated by Emily Hepburn - 1874 - via Internet Archive
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The moon, a few stars and the grim reaper. La lámpara maravillosa. 1916.
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Ver sacrum - 1899 - via University of Heidelberg
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Raznye zveri - Evgenij Ivanovič Čarušin - c.1931 - via Paris bibliotheques
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California poppies - c. 1899 - via LOC
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Emanuel Frinta, Bez názvu,1920 (Prague City Gallery)
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L. Prang & Co. - Trade card - c. 1876-1890 .
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Trompe l’oeil still life with flower and playing card - French School - 20th c. - via Sotheby’s
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The rubáiyát of a bachelor - illustrated by Harold Speakman - 1915.
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Collection Jaquet (detail) - Henry Gerbault - c.1880-1920 - via Gallica
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What survives 2,100 years after a burial? Not the coffin. These are the masterpieces owned by Liu Sheng, King of Zhongshan (enfeoffed close to today's Beijing) and older brother of one of ancient China's most powerful rulers, Emperor Wu of Han. Liu Sheng's coffin was made in two layers and coated with lacquer. But after 2,100 years, the lacquered wood had long since decayed. What survived to speak for that age were the gilded bronze rings attached to the coffin. They did not rot away. They still gleam today, and the moment you look closely, they reveal craftsmanship of the highest order. Top left: 23.4 cm long and 13.2 cm wide, tiger-shaped mythical beast bronze ring, made of gilded bronze. Do not underestimate the words "gilded bronze." China was among the earliest civilizations in the world to master fire gilding, with the technique appearing roughly 2,400 years ago. The process sounds almost astonishing today: gold was first dissolved into mercury to create a gold amalgam, which was then carefully spread in an even layer across the bronze surface. The object was then heated, causing the mercury to evaporate and leaving the gold firmly bonded to the bronze. That is how a radiant, golden mythical beast like this was created. Top Right : 12.2 cm long and 7.3 cm wide, silvered bronze ring. It contains an entire mythological world. At the top sits a divine figure. Below crouches a mythical creature resembling an ox or sheep. On either side, dragons serve as decoration. The ancients compressed an entire world of belief into a single ring. Bottom Right: 19 cm long and 14.9 cm wide, silvered bronze ring. It is astonishingly intricate. Upper section: two symmetrical groups of dragons and phoenixes are arranged one behind the other. The most remarkable detail is the phoenix, it almost looks as though it is reaching out and patting the dragon on the shoulder. The pose feels unexpectedly alive. At the center: a tiger-like mythical beast holds a ring in its mouth. And the ring itself: is formed by two symmetrical dragons and two phoenixes. Layer upon layer, detail within detail. The longer you look, the harder it is to look away. 2,100 years ago, when people were laying the dead to rest, they were willing to pour their finest craftsmanship and most imaginative visions into a few seemingly insignificant rings. Wood decays. People pass away. Empires rise and fall. But this devotion to beauty and detail has endured for two millennia. 2,100 years later, they still shine, and speak.
These jade seals belonged to Liu Sheng (刘胜), an elder half-brother of Emperor Wu of Han (汉武帝), more than 2,100 years ago. Liu Sheng ruled a kingdom roughly a hundred kilometers south of modern-day Beijing. And compared with his fiercely ambitious younger brother, he seems to have lived almost the opposite kind of life. While Emperor Wu was crushing the Huns and opening the Silk Road across Eurasia, Liu Sheng was busy enjoying the pleasures of royal life, and fathering more than a hundred children. By the standards of both his own age and ours, he might seem like the perfect example of a prince who never amounted to much. But history has a sense of magic. What truly kept Liu Sheng's name alive was one of his descendants: Liu Bei (刘备). Centuries later, in an age of chaos, Liu Bei began life with remarkably little. According to traditional accounts, he supported himself by weaving and selling straw sandals and mats. He had no army, no territory, and almost no political power. Yet defeat after defeat, he kept coming back. Over time, his reputation for benevolence, loyalty, and perseverance drew extraordinary men to his side, including Zhuge Liang (诸葛亮), one of the most celebrated strategists in Chinese history, and Guan Yu (关羽), one of its most legendary warriors. Against far more powerful rivals, Liu Bei eventually carved out a kingdom of his own in southwestern China. And strangely enough, at the beginning of that entire family story stood Liu Sheng, the ancestor who seemed to have spent much of his life doing very little of historical importance. Yet he did one thing that would frustrate tomb robbers for two thousand years: He buried himself, literally, inside a mountain. Liu Sheng had an enormous burial complex carved directly into the rock. After his burial, the entrance was sealed and packed with layers of stone, hiding the underground palace so effectively that it remained undisturbed for nearly two millennia. Then, in 1968, PLA soldiers carrying out construction work accidentally blasted into the mountainside. After nearly two thousand years of silence, the secret buried palace was opened to the world once more. There, on the stone coffin bed, two large seals lay beside Liu Sheng's body. Their handles were carved in the form of tigers. But there was something strange about them. Neither seal had a single character carved on it. Archaeologists have suggested that they may have been funerary copies of the seals Liu Sheng used as the Prince of Zhongshan. His official seals belonged to the world of the living and could not simply follow him into the grave. So blank versions may have been made for his burial, so that even in the next world, Liu Sheng could still be a king. And deep inside the sleeve of Liu Sheng's world-famous jade burial suit, archaeologists found two tiny seals, each less than a centimeter across. They were engraved with the characters: "Xin (Seal)" and "Si Xin (Private Seal)." His younger brother, Emperor Wu, spent his life building a formidable empire, the kind of life almost designed to be remembered. Liu Sheng, by contrast, devoted himself far more to pleasure and fathered more than a hundred children. Two thousand years later, looking back at this strange contrast between the brothers, history delivered one final twist: Liu Sheng became unportable too. Emperor Wu built an empire. Liu Sheng built a vast family and a tomb. Both, in very different ways, found immortality in history. Sometimes, living well can cast a longer shadow than anyone expects.
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Spanish Civil War from July 1936 to April 1939. Work by me.
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