¿Cómo puede un partido que pretende hablar en nombre de todas las mujeres no haber tenido nunca a una mujer al frente?

Xavier es el ejemplo de que se puede hacer política sin complejos, ni prejuicios, en el nivel más cercano al ciudadano que son los municipios. Lejos del aparato del partido algunas veces se puede ver lo mejor de los políticos. Endavant Xavier!

Hace 18 años nos dejaba Paul Newman… La última vez que lo vimos en pantalla fue en Camino A La Perdición (2008) Que manera de despedirse, de cerrar una carrera histórica.

On this day in 1982, one of, if not the greatest TV intro was launched! Knight Rider celebrates its first air date....

La incompetencia y la desidia de @ppopular @PSOE @compromis han condenado al Principal. Debajo de las moquetas rojas, q tanto les gusta pisar, avanzaba irremediablemente la carcoma. Toda una metáfora de nuestra “clase politica”. @lasprovincias lasprovincias.es/culturas/di…

Hay fotos que pasan cada muchos años, y esta planificación es una de ellas. La próxima vez que se pueda repetir este encuadre con luna llena será en 2035. 🌕 A pesar del madrugón, ha sido un placer, como siempre, compartir risas con @Javi_Rosano. Gracias, @photopills!

#horizonte @cuatro @navedelmisterio Os podéis cargar la audiencia que tenéis con estos maratones de anuncios que, entendemos, sirve para pagar tu sueldo Iker pero los telespectadores tenemos un límite. Buenas noches, cambio y cierro.

Los únicos culpables de lo que pasa en España, somos nosotros, el pueblo...por cobardes, indiferentes, y conformistas.

❌🇵🇹 Portugal prohíbe desde hoy el uso del burka y el niqab en lugares públicos con multas de hasta 3.000 euros elespanol.com/mundo/europa/2…

RTVE impone un curso contra los bulos y la plantilla se mofa: «¿Para qué, si luego se emiten en antena?»: okdiario.com/espana/rtve-imp…

I want my Trump TV!

“People ruin the calmest souls and call them toxic when they finally react.” - Albert Camus Albert Camus devoted much of his writing to exploring the absurd, human freedom, mortality, rebellion, and the conflict between our desire for meaning and a universe that offers no clear answers. In works such as The Myth of Sisyphus, The Stranger, and The Plague, he examined how individuals confront existence when traditional beliefs and comforting explanations no longer provide certainty. Rather than embracing comforting illusions or concluding that life is worthless without an ultimate purpose, Camus argued that we must confront the absurd without surrendering to despair. For Camus, recognizing life’s inherent uncertainty could become an act of liberation. When we abandon the expectation that the universe must provide us with meaning, we gain the freedom and responsibility to determine how we live. Yet he believed this freedom carried an ethical obligation toward others. Rebellion against injustice and suffering becomes significant because human vulnerability is something we all share. Even in a world without a predetermined purpose, Camus maintained that we can choose compassion, human dignity, solidarity, and resistance, creating meaning through the way we respond to life and to one another.

She was seventeen years old. Her rapist offered her “honor.” She said no. In 1965, Franca Viola was kidnapped in Sicily and held captive for eight days. She was beaten and sexually assaulted by Filippo Melodia. Then he offered her a way out. Marry him, and the shame would disappear. Under Italian law at the time, a rapist could avoid punishment by marrying his victim through a practice known as “reparatory marriage.” Families were expected to accept it. Communities demanded it. Refusing could bring lifelong shame. Franca refused. When police rescued her, she rejected the marriage, rejected the silence, and refused to let her attacker decide her future. Her community turned against her family. Their vineyards and olive groves were burned. Neighbors stopped speaking to them. The message was unmistakable: this was the punishment for saying no. But Franca’s father, Bernardo, stood beside his daughter. In 1966, Franca entered an Italian courtroom and publicly testified against her attacker. She was only seventeen. But her voice forced an entire country to confront a law that treated a woman’s “honor” as something that could be repaired by marrying the man who had violated her. Melodia was convicted and sentenced to eleven years in prison. Franca became the first Italian woman to publicly reject reparatory marriage and successfully prosecute her attacker. The law remained. It was finally abolished in 1981. Franca never wanted fame. She wanted justice. In 1968, she married Giuseppe Ruisi, a childhood friend who had stood beside her through the ordeal. They built a quiet life together in Sicily. She had survived something terrible. But she refused to let it define her — or any other woman after her. 🌹

La agencia Tass (no le han cambiado ni el nombre soviético) dice que el candidato de Putin en Chechenia gana por el 99,8% de los votos. Para q disimular…

La muerte de la empatía humana es uno de los primeros y más reveladores signos de una cultura a punto de caer en la barbarie.

Todos estos días estamos oyendo mensajes preocupantes y apocalípticos sobre la IA. "En un principio, los hombres confiaron su pensamiento a las máquinas con la esperanza de que esto los liberara. Pero eso solo permitió que otros hombres, con máquinas, los esclavizaran.”F Herbert

Todo bebé merece la oportunidad de nacer y ser amado.

College football will not exist without what a University should be: a place for creating knowledge and learning. Sports are secondary, an entertainment,no more… QB students living in better houses than University presidents or Dept Chairs is simply nuts wsj.com/real-estate/luxury-h…

🔴 #DIRECTO | Aznar pide "militarizar" la respuesta a la invasión de Ceuta y denuncia "la incompetencia, cobardía y traición de Sánchez" elespanol.com/espana/politic…