I/AM the love that is you: an endless vibration in an endless multi-dimensional stream, hiding from myself in myself, looking for myself in myself. In love/now.
here/there/everywhere/nowhere
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A MUST read!!!
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I spent 4 years reading the literature on LNPs, from Moderna's and Pfizer's own data to the latest single-cell and cryo-EM work. The shot doesn't stay one thing.
Inside the body, it becomes 5 different entities, each with different sizes, time frames, and fates/outcomes. Same product. 5 biodistributions. Like confetti.
See my substack. Link in next tweet.
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6/ Then came an accidental turn.
Kozlov later said that when his saxophone was stolen in 1971, he immersed himself in British progressive rock and “Jesus Christ Superstar.”
The detour helped push him toward a radically different project: Arsenal.
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13/ Then the story came full circle.
The Alexey Kozlov Club opened in Moscow in 2012, initiated by the ArtBeat foundation. Kozlov was not its owner, but his name, presence and musical outlook shaped it.
Today its four stages host 1,300+ events a year.
I play there regularly.
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14/ After his death, artistic director Araik Akopyan wrote:
“There are people who leave behind recordings, books, photographs. And there are people whose absence changes the very space around them.”
Kozlov’s life makes that line feel almost literal.
kozlovclub.ru/nekrolog/
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1/ "GOAT on the Sax" Alexey Kozlov died yesterday in Moscow on September 25, aged 90.
Most Western music fans never heard his name, Yet his life runs through the story of post-war Soviet jazz—from the underground to fusion, Carnegie Hall and a club that still bears his name. 🧵
Made with AI
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5/ A year later came a breakthrough.
At Warsaw’s Jazz Jamboree in 1962, Kozlov played baritone sax in Vadim Sakun’s sextet—the first Soviet jazz ensemble to perform at a foreign jazz festival.
The program included Kozlov’s own “Autumn Reflections.”
ALT The first professional recording of the post‑war generation of Soviet jazz musicians: the sextet led by pianist Vadim Sakun, with Alexei Kozlov on baritone saxophone, performs at the Jazz Jamboree festival in Warsaw, 1962.
ALT The first official publication of recordings by the post‑war generation of Soviet jazz musicians in the USSR: in 1964, three pieces performed by Alexei Kozlov’s ensemble were released in the audio magazine “Krugozor,” which came with an accompanying set of flexible records.
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4/ In 1961 Kozlov helped open Café Molodezhnoye, a pioneering Moscow jazz café operating under Komsomol patronage.
That mattered. A scene needs more than records and musicians; it needs a room where players can meet, experiment and find an audience.
ALT Baritone player Alexei Kozlov and trumpeter Andrey Tovmasyan. Cafe Molodezhnoe, 1962
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3/ Soviet jazz history is more complicated than “the regime banned jazz.”
Official attitudes shifted between restriction, tolerance and sponsorship. Musicians worked in a grey zone: informal gigs, state institutions, youth organizations, cafés and festivals.
ALT Kozlov, 1965, with the first professional Cohn saxophone, which was later stolen from the back room of the Pechora club.
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2/ Kozlov was an unlikely jazz pioneer: an architecture graduate who taught himself saxophone.
Kozlov later recalled taping BBC and Voice of America jazz broadcasts in the 1950s, memorizing solos by ear, and hunting for American records and instruments in Moscow.
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General/Lord Melchett: "Are you looking forward to the big push?"
Baldrick: "No sir, I'm absolutely terrified"
Melchett: "The healthy humour of the honest Tommy! Don't worry my boy…remember that Captain Darling and I are behind you!"
Blackadder: "About 35 miles behind you…"
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General/Lord Melchett: "Are you looking forward to the big push?"
Baldrick: "No sir, I'm absolutely terrified"
Melchett: "The healthy humour of the honest Tommy! Don't worry my boy…remember that Captain Darling and I are behind you!"
Blackadder: "About 35 miles behind you…"
News🇬🇧🔥🇷🇺: "Over the next few years we may have to go to war, some of you may die? but this is about doing your DUTY".
Watch as @Jacob_Rees_Mogg goes into new levels of pomposity rarely seen in British politics, since Lord Kitchener pointed at British men and cried "Your country Needs You".
Mogg demands and expects that most white working class Brits go 'over the top' for a King and Government who treat them with sheer contempt.
Under JRM's best friend and fellow bumchum at Eton, Boris Johnson, the UK was intentionally flooded with around 5 million Islamist loving migrants and African former military, blighting the nation for decades to come perhaps forever.
Sir Jacob gushes over King Charles III, who is more interested in the "wisdom of Islam", than speaking out against the planned invasion of our/his Kingdom.
This former Tory MP is laying the table for the UK and Europe being involved in a full-scale war with Russia. He demands that you and your sons head over into the meat grinder to satisfy his sense of "duty".
Going into the slaughterhouse of Ukraine, where perhaps over 1 million white Christian men have died, is not the Falklands, or any form of conflict which threats British sovereignty under the Thomas Aquinas Just War Theory.
The Thomas Aquinas war in his work 'Summa Theologiae', arguing that war is not always a sin if it meets strict moral criteria.
Ukraine is a proxy war for EU expansion and theft, by an institution which has destroyed Europe via 'net-zero, mass immigration and super demonic DEI diktats.
Tell me @Jacob_Rees_Mogg, when will you and yours be popping of into the Zelensky/EU/NATO killing machine to satisfy your deities and quench your thirst for patriotic blood, by a King and government who abandoned indigenous Brits decades ago?
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"It's always the founder!" Rick Rubin shared on #DiaryOfACEO that a friend of his who works in venture capital (VC) will invest, no matter what the business is, because of the founder—not because of the premise of the business.
"If I believe in the person, I'll back him!"
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