Pink trees LWCC 🙂
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THE HERO WE DO NOT DESERVE
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Plotter has been repaired, larger painting now in progress. #plottertwitter #generative
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worked through the entire night to save ~$6M worth of NFTs and all I'll be able to think about is the $1.7M in WETH I wasn't fast enough for. Fuck scammers.
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No idea whats going on here but I just watched this wallet drain 3832 NFTs from 100s of different wallets May be a good idea to revoke all NFT permissions if you have any valuables in your wallet Seems to be funded from a wallet possibly linked to @0xQuit so maybe a whitehat?
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Gm🌿 Art by @zancan 💚
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Drifella 2 @bis__cut 🔫
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a few thoughts here. Being an innovator in our sorry of a country seems to be the greatest evil. Filing for bankruptcy is also a lengthy and draining process, in addition to being costly. So a guy who just wanted to make art and singlehandedly built the ideal platform for his art to exist and thousands of other artists', ended up choking under tax and bureaucracy and having his soul crushed. And stopped creating. Meanwhile the ever-moralizing state pockets millions without doing nothing but impede; in the name of "Social justice" Entrepreneurs and debt are the sole source of funds for the greedy state. Yet, capital is labeled the enemy. I'm angry. I am sorry too, and ashamed, for all the collectors who genuinely wanted to support and empower the kindest, most hardworking and innovative artists and builders: your money didn't go to them. @ciphrd my brother I have so much empathy, and I measure the courage it takes to write about our failures. Our system is designed to bully the successful individuals, and make sure they never elevate above the global mediocrity. But you did. You uplifted generative art and a vibrant community gathered around your vision. You gave thousands an equal chance to exist on that scene. You also always put others before yourself, and took on your shoulders more than it is physically acceptable. You changed our world, and we had the time of our lives !!! I wrote it, I'll write it again, and again, you are a hero. Through hard times, DON'T. YOU. EVER. FORGET. THAT
Hey everyone, I've been meaning to share some updates about fxhash with you for many weeks, but have struggled immensely to do so. A little while ago, as we were trying to secure a loan to keep fxhash going, we received pretty bad news. As some of you were aware, fxhash was under compliance review by the French tax authorities; it was a lengthy and draining process that lasted more than 2 years. At the end of it, despite our goodwill and the lack of regulation applicable to our case, we were fined ~€500k. This would consume almost all of the loan, essentially putting a nail in the fxhash coffin. This really took a toll on me, as things were already pretty depressing future-wise. I had been operating the company (arguably poorly) almost alone, handling admin stuff / trying to secure some money. This news essentially voided all these efforts and meant there was no future for the business anymore. At that point I sort of dissociated from this situation, as I had reached my limits in terms of handling this business. I took some time off April/September to work on myself, my art, and try to figure out what to do next. Taking this time off didn't really come from an active decision, but rather from a need to understand what to do next. As many of you saw, I was becoming less and less present online as I had very little energy left for that. I needed to focus back on myself. During this time, cosi announced the closure of the project. It was hard to watch silently from the sidelines, but I was eventually grateful that he had the composure to inform you folks about the state of things. I wanted to respond publicly to many of you, but I felt like I couldn't just come out of the shadows at such a time without at least offering a few explanations, which somehow felt like an impossible task to me. I also know fxhash meant a lot to many of you. People put their art, their time, and their trust into this project, and formed friendships along the way. Its closure is a loss for many people beyond those of us who worked on it. I'm sorry my silence left you with so few answers from me during that time. I'm deeply grateful for everything you brought to fxhash over the years, and sad that we couldn't keep it going. So here we are now. The business is insolvent. I'll declare bankruptcy in the near future and see how we can pay some of those debts back with the few assets left. As for the future of the project itself, I'm not sure. I took some steps to secure IPFS content on a low-cost dedicated instance in case this happened, as a safety mechanism. But eventually, if we want the art to survive over time, the community will have to organize itself around preservation. I've seen a few initiatives already; hopefully this keeps going for the sake of the art. I think there's a bit of work left on my end to ensure the community can properly take over hosting & distribution of the assets. I'll look into that in the following weeks. On my end I've been working on art again and it feels great. It hadn't felt great for a long time. I would love to find energy and ideas again to contribute positively to the cryptoart space, but it's gonna take a bit of time to get there. In the meantime, I'm very grateful to those who reached out to offer help/a shoulder to lean on. I hope we can keep these friendships going throughout life.
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Hey everyone, I've been meaning to share some updates about fxhash with you for many weeks, but have struggled immensely to do so. A little while ago, as we were trying to secure a loan to keep fxhash going, we received pretty bad news. As some of you were aware, fxhash was under compliance review by the French tax authorities; it was a lengthy and draining process that lasted more than 2 years. At the end of it, despite our goodwill and the lack of regulation applicable to our case, we were fined ~€500k. This would consume almost all of the loan, essentially putting a nail in the fxhash coffin. This really took a toll on me, as things were already pretty depressing future-wise. I had been operating the company (arguably poorly) almost alone, handling admin stuff / trying to secure some money. This news essentially voided all these efforts and meant there was no future for the business anymore. At that point I sort of dissociated from this situation, as I had reached my limits in terms of handling this business. I took some time off April/September to work on myself, my art, and try to figure out what to do next. Taking this time off didn't really come from an active decision, but rather from a need to understand what to do next. As many of you saw, I was becoming less and less present online as I had very little energy left for that. I needed to focus back on myself. During this time, cosi announced the closure of the project. It was hard to watch silently from the sidelines, but I was eventually grateful that he had the composure to inform you folks about the state of things. I wanted to respond publicly to many of you, but I felt like I couldn't just come out of the shadows at such a time without at least offering a few explanations, which somehow felt like an impossible task to me. I also know fxhash meant a lot to many of you. People put their art, their time, and their trust into this project, and formed friendships along the way. Its closure is a loss for many people beyond those of us who worked on it. I'm sorry my silence left you with so few answers from me during that time. I'm deeply grateful for everything you brought to fxhash over the years, and sad that we couldn't keep it going. So here we are now. The business is insolvent. I'll declare bankruptcy in the near future and see how we can pay some of those debts back with the few assets left. As for the future of the project itself, I'm not sure. I took some steps to secure IPFS content on a low-cost dedicated instance in case this happened, as a safety mechanism. But eventually, if we want the art to survive over time, the community will have to organize itself around preservation. I've seen a few initiatives already; hopefully this keeps going for the sake of the art. I think there's a bit of work left on my end to ensure the community can properly take over hosting & distribution of the assets. I'll look into that in the following weeks. On my end I've been working on art again and it feels great. It hadn't felt great for a long time. I would love to find energy and ideas again to contribute positively to the cryptoart space, but it's gonna take a bit of time to get there. In the meantime, I'm very grateful to those who reached out to offer help/a shoulder to lean on. I hope we can keep these friendships going throughout life.
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"Drone Strike, 1994" An exclusive generative art piece for @kentocards Now entering the last week of the kickstarter campaign 🔥
Replying to @haydclay
5/ BUT THESE AREN’T JUST CARDS. Every Kento card connects to an original digital artwork. Scan the QR code → claim the artwork on-chain → own the digital work alongside the physical card. Or keep the card unopened. Your collection, your ritual.
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Garden, Monoliths #92 by @zancan Sold on @objktcom for 3238.21 ꜩ Collector: tz2MYt...Vwqe objkt.com/tokens/KT1KEa8z6vW…
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LWCC 🌿🖤
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A green paper @zancan work. ABF 🌿💚
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I’m building up the layers of washes for a rather special ´Garden,Monoliths’. This one will end up being more ´human’ than ‘machine ´, and I’m deeply enjoying the process 💚
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Shadow, by @wubbushi 🤌 From, the Rapture, released on @braindrops_art
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The artist @zancan 🤌🌿 ABF
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A dream is what makes us us. A Bugged Forest #639, by @zancan 🫡🌿
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gm ‘the knowing laugh’ by @thesarahshow, 2020. a superrare 1/1 video drawing made with original digital animation, a 1991 sony video painter, 8-bit drawing and actual vhs. what i love about the process is that the work moves through three different technological eras. digital imagery becomes a video signal, that signal gets physically scarred by magnetic tape, then the analog result is brought back into the digital world and made into a unique object on ethereum. decades of technology folded into one strange little laughing face. and somehow the idea behind it is even better. sarah described that moment when you get a glimpse behind the curtain and suddenly understand how beautiful and absurd all of this is. you try to bring something back from it, but “the laughter is our only souvenir.” a year later she wrote that what she ultimately wanted from her work was to elicit “the knowing laugh of one who has seen.” some things only look obvious in retrospect. every once in a while something lands in front of you and you get to decide whether to recognize the moment or wait for everyone else to recognize it first. i’m trying to build a collection around the work i believe will age well, not the work the market has already agreed on. this one felt like one of those moments. thanks again @RDToTheMoon for getting this in front of me.
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