Spoke to Tyla for @NME.
We discussed A*POP, circumventing what a new age pop star can look and sound like, dancehall, media scrutiny and yes, some answers on “Mr. Media”, it’s completed visual and when it *could* potentially drop.
Live on YouTube: piped.video/7z3m9Kesc1Q?is=WmV1…
Last night I was having so much fun at the club, dancing, getting lit.. and my girl turns to me and says “I can see in your eyes you’re sad” and I wonder how many other people notice
Nah, I’m extremely proud of Bree, Jae, and Nashe. Showing up their white counterparts the music is so much more interesting, nuanced, experimental. Sorry, all some can do is watch then bite them. Kudos
Seeing all the black pop girls and fanbases coming together to support Tinashe is everything.
It’s no secret how hard she’s worked, delivering quality year and year. She deserves it more than anyone.
NME awards Tinashe’s ‘Popstar’ a five-star review in its latest critique.
‘[…] ‘Popstar’ is an equilibrium of confidence and introspection on which Tinashe lets the world in – not to vie for their approval, but to showcase the trials and tribulations of a Black woman in Hollywood.’
Victoria Monét reveals the tracklist for her sophomore album — Frequency of Love 🤍 Coming out Oct 2. Features include:
— Hazel Monét
— Leon Thomas
— Lucky Daye
— SZA
— Bruno Mars
— Bryson Tiller
— Chlöe
🎵 → victoriamonet.lnk.to/frequen…
Jae Stephens’ arrival couldn’t have been timed more perfectly. There’s a yearning for Black women in pop and new eras, archetypes, perspectives and heights of success. Her giving her debut album the name ‘Audacity’ is a call to action, a potent framing and motif. This era will set her foundation.
Congrats to her.