Reintroducing Intangible. The difference between being misunderstood and getting greenlit.

Get the shot you want without setting up a physical shoot: 1. Create the setting from a reference image 2. Arrange the people and props in 3D 3. Choose your camera angles Then use AI to turn your spilled ramen into 4K visuals.

Turn your character design into an animated scene with control over its look and movement. Apply a character sheet, arrange the scene and animate the action in 3D, then visualize it with AI.

Get the camera angles you want from a single reference image, without building the scene by hand. Intangible gives Astra the 3D models and tools to assemble environments and set up cameras directly in the browser. Try Astra with Intangible today through MCP using your own tokens.

Arrange the stage, seating and production setup in 3D Then use AI to visualize how the space could look and feel when the lights come on and the crowd arrives

Build the scene you have in mind without modeling everything from scratch: 1. Start with a ready-made space 2. Arrange the furniture 3. Set the pose 4. Add visual references to individual objects Your layout and look built with 3D + AI.

Build a 3D world. Direct it through conversation. > Describe your scene > Position the camera > Explore 8 lighting moods Turn your creative direction into a 3D scene with @ChatGPT + Intangible MCP

Direct the action before you hit generate: 1. Draw your movement path 2. Refine the action 3. Set the timing Decide where & how things move with AI + 3D.

This camera move started with a line I drew 🤯 Motion Paths lets you choreograph how cameras and objects move through 3D space.

🚨 ICYMI: WE VISUALIZED @SpaceX STARSHIP CHOPSTICK CATCH 🚨 3D for the - flight path - camera moves - timing and @imagine for the final render @HeironymusFox breaks down how he made it using @grok in Intangible

This is what it looks like when you direct AI, instead of AI directing you.

Stop describing the move. Start drawing it. Motion Paths in @intangibleai lets you draw the route your camera and objects follow with precision. Draw the exact route on real geometry, set the line, and watch your scene follow your choreography. Here’s how ⤵️

When your scene is real 3D, the camera works like a camera. Aim it, lock it on a subject, have it move on the exact path you drew out. The shot that renders is the shot you called.

To the creatives and founders who've felt misunderstood trying to convey a big idea, this one's for you.

This is a huge upgrade for scene control Intangible just shipped Motion Paths, letting you choreograph cars, aircraft, products, and other objects along routes you draw directly into the scene You control where they go and how the movement plays out

ONE PHOTO IN, A WHOLE 3D LOCATION OUT, YOU PUT THE CAMERA ANYWHERE INSIDE IT • three ways in > Type a prompt. > Drop in a single photo. > Upload a few angles of a real place. • what comes back > A full 3D world as a Gaussian splat, the light and materials of the place, not a flat generated clip. > It sits in the scene like any other object, so your models snap straight onto its surface. > Move the camera through it and shoot the same location from any side, shot after shot. Location scouting just turned into a file you already have. -> A place you can walk a camera through is the one thing nobody can fake. Prompt to shootable location, live in Intangible right now ↓

Here's how to generate Gaussian Splats: ➜ Type a prompt ➜ Drop in a photo ➜ or upload a few angles of a place They come back as full 3D worlds you can move a camera through and shoot from any side.

CRAZY... you can now draw a camera move with your mouse and watch the scene actually run it. Intangible shipped Motion Paths. You draw a spline in the 3D scene, attach an object, and it travels the exact route you drew. Cars, aircraft, a follow shot, parts down an assembly line. You're blocking the move. Not prompting for one. Here's how it works:↓

I DREW A LINE IN THE SCENE. THE JET FLEW IT. that's the whole feature. the video is one take, no cuts. prompt-to-video rerolls the entire shot every run. a path is a spline that lives in the scene, so the second take is the same shot with your one change in it. WHAT YOU'RE WATCHING draw a line. attach an object. it travels the line. that line is the choreography and it holds while you change everything around it. - orientation on, the nose follows the route. - roll on, it banks through the turn. - zero rotation keyframes. DO IT YOURSELF, SIX STEPS 1. select the object. 2. compose mode, three dots on its toolbar, Draw Motion Path. 3. draw freehand, or place points with the pen. 4. drag the object onto the path. snaps and parents it. 5. keyframe how far along the path it sits. 6. render with Video (from scene). WHY IT MATTERS object and route animate independently. a chase is two lines with offset timing. change one line, run it again. same shot, one variable, no reroll. that's blocking. oldest job on a set, and the one a generator can't fake, because there's nothing for it to fake it from. live in @intangibleai now. what's the move you wanted to shoot and couldn't?