"I have always felt that there's a dangerous hubris in assuming anything about songwriting," Feist says upon her induction into the Canadian Songwriters Hall of Fame dlvr.it/TVfRj1
How Long Gone #1000: @themjeans and I chat with @graceives4u about loving the struggle, Rhyme Zone, Fiona Apple, new words, L.A. “turtle shells,” her Pitchfork 8.4 twice in a row, having a Toyota Corolla on her vision board, Animal Collective, and Prozac — howlonggone.com/1000-grace-i…
Almost exactly 20 years after the first 𝙐𝙣𝙛𝙤𝙧𝙜𝙞𝙫𝙖𝙗𝙡𝙚 was uploaded to YouTube, I tracked down star/cocreator Gunnar Stansson for an in-depth oral history of how it happened, and everything that came after.
Now live at my blog: elementxcinema.substack.com/…
Daisy Chain Fields was patterned after Lillith Fair, but I thought a lot about Woodstock—the promise of a generational awakening, and the question of whether girlypop could ever be anything like counterculture. theatlantic.com/culture/2026…