Tomorrow. Or tonight. 9pm PST.

#MIKEANDNICKANDNICKANDALICE: the new film from @bdgrabinski fucking rules. Balanced a tight rope of tones and genres to deliver the goods on action, comedy, and its full of heart. So many awesome needle drops, a fantastic ensemble with Vince Vaughn (X 2), James Marsden, Eiza González, Stephen Root, Jimmy Tatro, and more! The set pieces kick ass and man this was a blast with a @BeyondFest audience. 20th Studios continues to let filmmakers make dope films and when this one drops on @hulu on Friday, don’t miss it. Really fun time!

Time travel is a killer Mike & Nick & Nick & Alice is streaming only on @Hulu and #HuluOnDisneyPlus March 27th.

This was a blast to shoot! Can't wait for you all to see it!

Behind the scenes photo of Henry Cavill's Superman in the capitol hearing scene from Batman v Superman shared by @larryfong on Instagram.

"Standing in the freezing rain in Detroit with Ben Affleck as we brought Gotham to life for Batman v Superman: Dawn of Justice." 📸 Zack Snyder (IG)

First look: MIKE & NICK & NICK & ALICE, with Vince Vaughn, James Marsden, & Eiza González premieres at @SXSW . Streaming on @Hulu and #HuluOnDisneyPlus 3/27. The film follows two gangsters and the woman they love on the most dangerous night of their lives. Also: a time machine.

Eiza Gonzalez’s upcoming projects 🌟 - ASH (March 21, 2025) - In The Grey - Fountain of Youth - Mike & Nick & Nick & Alice - I Love Boosters - Maria Felix’s Biopic

Eiza Gonzalez as Alice 🆕 🎬 | BenDavid Grabinski ‘Mike & Nick & Nick & Alice’ writer and director, shared this instagram storie about the film! 💥 👀

Guess which one was shot on IMAX? 🙂

Fun interview, thanks guys!

A little excerpt from our interview with the fantastic @larryfong @I_Minutemen #Iminutemen

Good times. Hilarious. #Lost

:)

Coincidence? Or....?

Fun fact: it was an overcast day, but we got the tallest crane possible and put the brightest light available on it. That way we got the flare, the backlight, AND an eyeline for the actor!

Zack came up with the CG cape idea on '300' in order to get maximum graceful flow when necessary (impractical to do every shot that way obvi). Same on 'Watchmen' and every film since. But considering the wire/stunt work for this shot, something tells me it's CG.