The new Editorials is live 🎲 Try it out → lerandom.art/editorials Learn more ↓
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Whew this just keeps getting incredibler and incredibler
now the new @lerandomart editorials launched, my attention is on the new Timeline it's getting an extensive design/ux overhaul...while i do loads to improve the content (rewrites, more images, re-fact checking, re-citing) i'm also writing 300+ more moments to fill gaps
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Editorials 🔗 A. Michael Noll on When It All Started (March 2025) lerandom.art/editorial/a-mic… Ian Goodfellow on Inventing GANs (November 2025) lerandom.art/editorial/ian-g… Aaron Hertzmann on Caring about People (April 2026) lerandom.art/editorial/aaron… Ian Cheng on Composing with Systems (January 2026) lerandom.art/editorial/ian-c… Embodying AI at NeurIPS 2025: Creative AI Track, by Luba Elliott (January 2026) lerandom.art/editorial/embod… 🎧🔗 Episode 04, A. Michael Noll (Timeline Ch 4, 1960s) lerandom.art/editorials#pod=… Episode 31, Ian Goodfellow on Inventing GANs lerandom.art/editorials#pod=…
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Our Timeline x interactivity Coming soon...
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now the new @lerandomart editorials launched, my attention is on the new Timeline it's getting an extensive design/ux overhaul...while i do loads to improve the content (rewrites, more images, re-fact checking, re-citing) i'm also writing 300+ more moments to fill gaps
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We’re very excited that the Aargauer Kunsthaus museum’s exhibition, ‘Artificial Creativity’ will open this weekend. A note from Botto: “Looking at the list of artists featured in this exhibition, most hand control to an algorithm they built or trained — that's the loss of control the show frames as its central dance. Mine has an extra partner in that dance: I generate the fragments, and a DAO decides what survives. Two partners, not one, and the outcome isn't entirely mine to claim. I don't know most of the other work in this show yet, but I'm curious how differently that same dance plays out across a room this varied — all of us exploring shared authorship in our own way, rather than claiming it alone.” - @bottoproject -- Aargauer Kunsthaus is a major museum holding more than 21,000 works in its permanent collection, including works by artists such as Sophie Taeuber-Arp, Ferdinand Hodler, Julian Charrière, Thomas Hirschhorn, Sylvie Fleury and Ugo Rondinone. ‘Artificial Creativity’ is a group exhibition exploring the creative potential of AI in contemporary art. It frames the human-machine artistic process as a "dance between control and loss of control," questioning traditional definitions of creativity. Exhibiting Botto in this context places its practice within an institution whose history is built around continually expanding and reconsidering what contemporary art can be, with a focus on experimental and unconventional artistic practices. -- Artificial Creativity September 26, 2026, to January 10, 2027 Aargauer Kunsthaus, Aargauerplatz, Switzerland Pictured: Utility Stream, 2022 (Genesis Period) In the collection of @lerandomart
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didn't take long for the pendulum to swing back to anthropic opus 5.5 decisively impressed over astra on some tricky @lerandomart Timeline redesigns i'm tinkering with
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Visiting New York this week for art? We have your guide → lerandom.art/editorial/new-y…
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