Yesterday, my boys and I vibe coded a game together. They tell me what they want in their game and I prompt it into Opus 5.5 to build it. And of course they picked "Zelda Breath of the Wild" inspired game, where they can explore an open world, do dungeon puzzles, fight mini bosses and a final boss. The twist is that the hero holds a giant paintbrush as a weapon, each color had a different attack and effect (red = fire, blue = ice, yellow = bounce, green = vines). And oh they also wanted to fly on the paintbrush. We spent our whole saturday playing and iterating on the game. It was great fun. I told them, the future is all about Imagination, whatever they can imagine, it will be manifested in a digital experience. At the end of the day, the game had: - 2 biomes (1 island and a bunch of floating islands) - Paintbrush-based combat (4 colors representing different effects and mechanics) - 3 dungeons with puzzles - An undeground cave - Unlockable flying paintbrush when you activate 4 crystals around the island - 30+ enemies and elites - 1 giant boss As you can see in the gameplaye video below, its not the most polished video game but it's so satisfying to see my boys getting bewildered when whatever they asked for, the game is built before their eyes. Of all the games I have vibe coded so far, this was the most satisfying because my boys were actively co-creating it and playing it. This is definitely not the last game we're making together, they have already started brainstorming their next game, hint: "Peak with grappling hooks and TNTs." You can play the game here, works only on desktop: wildbrush.vercel.app/

This is what $2,175 of Opus 5.5 tokens can do! Let him cook on my gaming laptop and do whatever it takes, also gave Unity, Blender and APIs. 36 hours, 7.85 B tokens, $230 for 2d/3d/music generation and I got playable old school MMO RPG. That is just insane...

Day 16. Building the game I've dreamed of for 15 years with AI. I built this Dryad from start to finish in about a day and a half, including her animations and VFX. Opus 5.5 and Gpt-6 Astra is dream combo😍 She crawls across the ground on her roots. More roots reach out to drain enemies, and when too many attackers crowd her, a wall of leaves protects her. Even the leaves on her body move, and she sheds more as she travels. Those little details make her feel alive. The key to my workflow is going in small steps and checking the result at every stage. First I sketched out the effects and worked out how they should behave. Then I made the animations. Once those worked, I built the VFX around them, reviewing and adjusting each part as I went. Watching her crawl into a fight with all of this working together feels like magic. I'll definitely make a video breaking down how I built these VFX, step by step. I think a lot of you will find this workflow useful.

🚨 Já que vocês gostam de fofoca, trago uma jurídica 🚨 Antes de ontem o Visor recebeu a primeira notificação extrajudicial da CloudWalk, a mesma empresa da InfinitePay e do Pierre, aquele do gato preto e um dos nossos concorrentes mais conhecidos. A primeira coisa que me veio à cabeça foi a Apple. Em 1989, a Apple Corps, gravadora dos Beatles, processou a Apple por usar a marca em produtos com som. Um dos engenheiros batizou um alerta do Mac de “Sosumi” e disse que era japonês - lido em voz alta soava “so sue me” - que se mantém no mac até hoje. No nosso caso, o motivo da notificação foi a página “Visor vs Pierre”. A CloudWalk nos exigiu tirar a página do ar em 24 horas e nunca mais comparar o Visor com o Pierre. Se a gente não removesse, eles levariam ao CONAR e à Justiça. A notificação apontou três pontos: “Independente de banco ou fintech: Pierre = não, da CloudWalk.” Segundo eles, isso induz o consumidor a erro. O interessante é que a própria notificação diz que a CloudWalk é “titular e responsável pelo aplicativo e marca Pierre”, e os termos de uso do Pierre pedem autorização para compartilhar os seus dados do Open Finance com as empresas do grupo CloudWalk, inclusive para oferecer novos produtos (cláusula 11.2), e para consultar o seu histórico no SCR do Banco Central para análise de crédito (cláusula 18.1). O Visor recebe apenas pela sua assinatura. Não vendemos nem repassamos seus dados para bancos ou anunciantes. O status “Parcial”, segundo eles, “sem critério objetivo”. O critério era simples: a projeção de saldo do Visor considera contas fixas, parcelas, assinaturas, recebimentos recorrentes e alocações em metas. Quando um app não considera todos esses itens, a gente coloca “Parcial”. Agora isso está escrito, com data de comparação, abaixo da tabela. “Só no plano R$ 200” para o servidor MCP. Quando publicamos a página, o MCP do Pierre só estava no plano Premium (R$ 199/mês). No Visor, o MCP está em todos os planos. Depois da nossa página, o Pierre passou a oferecer o MCP também no plano Pro. Com a grande inspiração que tenho da Apple, consultei o @lucasmourao_, nosso advogado, para ver como poderíamos responder à altura, e ele bolou uma contranotificação: […] “Chega a ser curioso que a Notificante considere potencialmente enganoso o ato de informarmos aos consumidores a sua exata e verdadeira filiação corporativa.” […] “O descritivo não é subjetivo, mas sim a nomenclatura mais branda e comercial que encontramos para traduzir as reais limitações sistêmicas do Pierre.” […] Nosso foco no Visor é ser o máximo transparente com o usuário final. Agora, a nova tabela destaca ainda mais a filiação do Pierre com a CloudWalk, com total transparência da fonte dos dados (abaixo da tabela, dos próprios termos de uso deles), e metodologia das linhas. Publicidade comparativa é permitida no Brasil, desde que seja objetiva e comprovável. Apenas a linha do MCP precisou ser ajustada porque havia ficado desatualizada, algo que resolveríamos com um simples aviso amigável. A comparação está no ar novamente, e a escolha continua sendo sua. Somos um time pequeno, mas não abaixaremos a cabeça para grandes corporações. Estamos dentro da lei.

GPT-6 Sol and Luna are out. Not only are they a very significant improvement across the board, but also in writing and general "you know when you try it" quality. We are also permanently reducing the API price by 50% making both of them viable for a ton of new usecases and making your usage go further too, even on the subscriptions. And one more thing. We are loading a banked reset into all accounts of our Plus, Pro and Business users. Let's go! openai.com/index/introducing…

Claude Opus 5.5 is available today.

Burned more than four full Codex $200 subscriptions on this Warcraft 3 style game. I turned that work into skills, for people who want to build something like this: > creature-animation > game-art-reference-packs > game-model-cleanup > humanoid-animation > meshy-asset-production > unity-asset-integration That's how the models in the post below got to looking like that. Reset in 4 days. That's why I've been quiet. After that, the whole subscription goes back into this game and I'll keep posting what I build. I currently have to wait 4 more days for a new reset. That's why I’m not sharing much these days. I'm putting my entire Codex subscription into this game, and I'm going to share what I build. Follow if you want to see more of this.

🚨 GPT-6 Sol Second Output Got LEAKED The output looks absolutely insane This kind of quality is terrifying It beats GPT-6 Astra in coding and frontend generation and it will be a lot cheaper OpenAI have left Anthropic FAR behind

The Tripo x Astra 3D Workflow Challenge is officially live. Turn a single character reference into a rigged, animated 3D asset using Tripo and Astra, and win free API credits. Challenge details and rules below.

AI isn’t going away. Barring unprecedented global government coordination, it isn’t even slowing down. The only real decision is whether to further centralize the power, or disperse it. Do you fear the technology? Or the small number of people controlling the technology?

mandaram essa foto em um grupo que eu tô. isso não é normal gente. precisamos falar sobre os devs viciados em ia. isso tudo são contas 20x. não é possível uma coisa dessas