Chronicling the pulse of power.

New York City
With Caribbean art anchoring two of this year's curated sections, background reading on colonialism, Surrealism, art history and regional identity will sharpen how you read the work on view. trib.al/DcUQHHc
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Rolex, Omega and Panerai references build in regatta-specific functions. Garmin's Quatix 8 can control a boat's autopilot and navigation systems. Some prioritize rugged utility; others lean into luxury, and complications vary widely across the group, reflecting how differently watchmakers define what belongs on a sailor's wrist. trib.al/N7DqpIh
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Held for the first time in the Breuer Building, the fair offers a more curated, less overwhelming alternative to the mega fairs. This year, several presentations focus on overlooked women artists working at the intersection of mysticism, healing and spirituality—part of a broader curatorial trend toward reframing modernism. trib.al/a6YwnIP
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The artist has been thinking lately about time. And life. And the solar system, humanity and human connection. Even for Koons, who recently partnered with Swiss watch brand Hublot on two very different timepieces, that’s a lot to unpack, and a conversation with him is anything but run-of-the-mill. trib.al/eL2EVnB
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While interest in the Pacific Northwest has traditionally centered on the coastal side, an inland region defined by an emerging wine country is steadily gaining traction. trib.al/dRQyRmw
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Ahead of "Sojourn" at Hollis Taggart, the artist admitted that he remains skeptical of his own artistic success and described a career built more on persistence than any singular breakthrough moment. trib.al/sYEV5lg
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A garden of pollinators and perennials hosts native and invasive species. A giant teddy bear slide invites play. Resonant poetry competes with the sounds of the city. This is 'Among The Flowers I Learned to Love: A Garden of Decreation,' the celebrated Nigerian-American artist's MoMA PS1 courtyard commission. trib.al/Q2BKPhd
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José Campos has shown across Seoul, Brussels, Miami and New York and has pieces in the collections of the Parrish Art Museum and Pérez Art Museum Miami. His latest works translate his experiences of migration and displacement into vivid images and immersive environments where color and community inform new ways of thinking about home. trib.al/MFdbrXJ
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She recently succeeded Ron Clark, who led the program for more than half a century, and is herself a graduate of the museum's Independent Study Program, having arrived as a Helena Rubinstein Critical Studies fellow in 2006. trib.al/qcMcx7z
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