focus now: AI for creativity, cpo @magnific • before: AI for support, founder @replydotai (acquired) • former @meta @cern

🇪🇸 in Málaga
"what will happen when big tech copies you" was the typical reaction from VCs and was mostly bullshit as incumbents moved slow and didn't matter. now, they crush you in under a month. and as you already have an agreement with the incumbent you just go with it. 🫂 jev
Introducing Microsoft-Decision-1, our new model for fast decision-making. It delivers top performance on structured decision tasks, outperforming both LLMs and other decision models in latency and quality. We’re already testing it across Microsoft for everything from incident response and quality control to scientific discovery.
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Prompt: > Poster design with the text ''MAGNIFIC ONE'' and ''es la caña'' in the other line
Magnific One A new way to bring art direction into image generation Unlimited in Magnific Desktop until October 15
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Omar Pera retweeted
Claude Opus 5.5 with Codex-level computer use would be unbeatable
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yo no sé vosotros pero yo termino el día de trabajo exhausto, muchísimo más que antes de la IA antes me tiraba todo el día debugeando una cosa, siguiendo el rastro paso a paso hasta encontrar el fallo, lo fixeabas... o estabas una semana entera focus solo con una feature nueva. ahora estoy con herdr con 4 tabs y 4 terminales en cada uno, tirando agentes a fixear y otros creando. en paralelo. a la vez que estás de reuniones y respondiendo slack, con el pc al 99% de cpu porque ya no caben más worktrees no escribo ni una línea de código pero acabo con la cabeza totalmente rota
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putting genAI to the limits, banger from @javilopen
Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!
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Omar Pera retweeted
Magnific Originals by Javi Lopez Tomorrow, 5 PM CEST / 8 AM PT You do not want to miss this one
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Omar Pera retweeted
my browser before Magnific Desktop 😭 Seedance 2.5 prompt + best features below 👇
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once you get used to it, there is no going back
Remove the friction Magnific Desktop is live for macOS and Windows Sync folders, native shortcuts, tabs that remember and local processing. Every part of your process, with no friction on your desktop Live webinar today at 6pm CEST · 12pm ET. We'll show you every detail
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Omar Pera retweeted
This video was almost faster to make than to watch Unlimited MiniMax H3 Max for the next 3 days, exclusively in Magnific → Generate as much as you want at 480p → Pay credits to upgrade to 768p and 2K at full speed → For Premium+ and Pro users Available now on Magnific
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Omar Pera retweeted
We added 3D Motion Control just for you Create the scene with 3D Use keyframes while moving the camera Add the footage as video reference The model does exactly what you give it
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Omar Pera retweeted
It’s way simpler than you think, friends. 1. You won’t build anything exceptional without occasionally working extremely hard and making big sacrifices. 2. You also won’t build anything exceptional if you can’t sustain the journey. Both things are true.
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Omar Pera retweeted
Magnific Plugin inside Premiere Pro, After Effects, DaVinci Resolve, and Final Cut Pro → Choose, generate, upscale, relight, reframe, remove background → Add AI music and voice to your edit → Search and drag in from 250M stock assets Available for Mac and Windows now
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Omar Pera retweeted
On the night of San Juan, we jump over the fire. We talk, we drink, we kiss, until it's just embers In this story, the creators went the other way. Back to the moment before everything turns gray. Even in the ashes, there's still warmth. And you will always remember how the fire started Candela is made by people, using Magnific. From the music, to the characters, to the story This is created by the team at Magnific Studios
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must read to understand the future of software development
Our internal data shows Claude is accelerating AI development—a possible path to recursive self-improvement, or AI autonomously building a more capable successor. It’s happening faster than we thought, and the implications deserve greater attention. anthropic.com/institute/recu…
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Omar Pera retweeted
Most AI agents are built to replace creatives, we built ours to stay by your side For the first time, what Agents learn is shared across your team. You direct, watch the process in real time, and edit it live Agents + MCP + Flows, just launched at Upscale Conf SF
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FML
spent my 11-hour flight back from europe working on a very long report. started as a slack message but morphed into a several pages long doc. wifi was as shitty as it gets. after finally making it home i realized that the computer had forcefully restarted. opened slack: draft was gone :( hail mary: claude pls save me, no clue how but pls try it checked APFS snapshots, time machine, slack indexeddb, write-ahead logs, service worker / http caches, local storage, app logs, hibernation image... nothing. all gone but then... it realized i have alfred installed. so it checked the clipboard snapshots alfred keeps in sqlite. sad news: alfred clipboard memory gets deleted after 24h. aggressive retention policy. however! when sqlite runs DELETE, nothing gets actually deleted. it only marks pages as reusable, but it doesn't override the physical bytes. so claude decided to do a raw-scan of the db, reverse eng alfred data format, figure out the portion containing the timestamp, stitched everything back together across overflow pages... and handed me the exact final version of my report, the last one i cmd+C'd all this, in a single shot ... day 200 of "what if you had an elite hacker you can ask anything to"
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Omar Pera retweeted
Designers don’t think in prompts. They think in shots, lighting, framing, and space. @magnific's 3D Scenes uses Marble to turn a single image into a controllable 3D environment, giving creative teams control and consistency for campaign visuals. Read the case study ↓
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Omar Pera retweeted
This is what launch day actually looked like from the inside April 28, 7:30 a.m. Málaga. The day Freepik became Magnific → 25K+ project hours → 72 language migrations → 14B+ redirected URLs Once we started, there was no going back To the team behind it: thank you
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