This is the outcome AI companies wanted. They were in the wrong, didn't care, they knew it would result in a fine & they could carry on with the data. In a fair market creators would be protected & in control of their work & AI companies would be forced to negotiate licensing.

No creo en dar pautas para el uso de IA. Hay que dar pautas para aprender a pensar, a resumir, a estudiar. Aprender a delegar en la IA es no entender el concepto de estudio.

En #ElTrujamán seguimos a vueltas con la IA, que parece estar «hasta en la sopa». Por cierto, ¿conoces el sello de traducción humana...? No te pierdas el artículo de Javier Roma. ¡#Felizmiércoles! - cvc.cervantes.es/trujaman/an… @VVCCrevista @acetraductores #Traducción #Tecnologías

Reading the Papal Encyclical again, it strikes me that not only is there no mention of the theft of creative work behind AI - there is no acknowledgement that pre-training data includes people’s creative work at all. This is an unfortunate omission. It mentions data several times, but mostly referring to things like health data and personal data. There is no recognition that the pre-training data on which much of the AI industry is built is people’s books, music and art. This reinforces a common misunderstanding of ‘training data’ as something anonymous, technical and obscure, when in fact it is people’s life’s work - their novels, their paintings, their songs. Readers of the encyclical who are new to AI will, I think, misunderstand what ‘training data’ actually is. This is a coup for the AI industry, which greatly benefits from rebranding ‘people’s creative work’ to ‘training data’, since the rebranding makes it less likely that governments will protect creators’ rights. It is hard to reconcile this omission with a letter that elsewhere, admirably, reiterates the need to “promote the dignity of every person”, and that says “justice concerns every phase of economic activity, [including] resource acquisition”. We must remember that training data is not ‘data’ in the sense most people understand it. It is the work of people - often highly creative work.

En Cero (@bibliocarfax), de #KatheKoja, dos amantes se obsesionan con un extraño agujero que aparece en su trastero. Escrita en un estilo agresivo, juguetón y desestructurado, afín al splatterpunk, entrará como un tiro a los devotos de lo extremo: fabulantes.com/2026/05/cero-…