Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky
NYC & beyond
- Tweets 10,056
- Following 1,666
- Followers 24,278
- Likes 27,057
Premiering today at #NYFF, Lee Chang-dong's brilliant career high point POSSIBLE LOVE.
@kimchimarx reviews, writing about how the film both embodies and transcends the term "literary" and how it reflects Korean movements and political histories.
reverseshot.org/reviews/entr…
5
43
9,721
James Gray's superlative family drama PAPER TIGER kicks off our extensive #NYFF2026 coverage. My review of this worthy follow-up to the great ARMAGEDDON TIME.
reverseshot.org/reviews/entr…
4
29
1,977
In true John Wilson fashion, THE HISTORY OF CONCRETE explores the foundational material that holds New York City together, before going off on wildly disparate tangents. @sadfilmcritic chats with Wilson about Mamdani, Wiseman, concrete ramps, and more.
reverseshot.org/interviews/e…
5
23
3,057
"There is barely the pretense of a traditional first act before HOPE hits the gas, seldom relenting over two and a half hours of alternating chases and tense investigations."
@FateSailor reviews Na Hong-jin's very long monster movie:
reverseshot.org/reviews/entr…
13
64
6,411
Reverse Shot retweeted
David Lynch’s final theatrical feature was also his most surreal and formally audacious film since his 1977 debut.
Don't miss INLAND EMPIRE when it screens on October 2, part of our @reverse_shot presents series.
🎟️: movingimage.org/event/inland…
1
11
185
10,858
Reverse Shot retweeted
Love Me Tonight, @MovingImageNYC at 1 in 35mm, has one of the great soundtracks—indelible songs (by Rodgers and Hart) and musicalized dialogue, lively singers (Maurice Chevalier and Jeanette MacDonald); Rouben Mamoulian's direction is busier than stylish; still, go and hear!...
1
1
28
4,245
We adored CHRONOVISOR, one of the most intellectually expansive and legitimately thrilling movie mysteries in recent memory. Jeff Reichert reviews this strange and singular debut:
reverseshot.org/reviews/entr…
15
148
7,286
A crash course in the career and art of the incomparable Barbara Hammer, the documentary BARBARA FOREVER opens this week.
@sadfilmcritic spoke to director Brydie O'Connor:
reverseshot.org/interviews/e…
5
14
1,498
Reverse Shot retweeted
Our @reverse_shot presents series returns with Jane Campion's highly unusual, evocative, and exquisitely shot erotic thriller IN THE CUT.
Screens in 35mm on September 5.
🎟️: movingimage.org/event/in-the…
3
31
6,409
"A rejection of traditional linear structures and the willingness to submit to the flow of nature allow Robb Moss to capture the deeply moving ordinariness of human experience."
Farihah Zaman talks to Moss about his wonderful film THE BEND IN THE RIVER:
reverseshot.org/interviews/e…
5
12
1,889
David Robert Mitchell's latest complicates nostalgia with a streak of anarchic nastiness. @justinstew on THE END OF OAK STREET:
reverseshot.org/reviews/entr…
9
986
Reverse Shot retweeted
For my latest Text of Light column @reverse_shot, I wrote about Carlos Casas's KRAKATOA, Stan Douglas's BIRTH OF A NATION, Johann Lurf's FOREVER… FOREVER, and seeing experimental cinema in the proper and intended context and format. reverseshot.org/features/348…
6
8
1,242
Reverse Shot retweeted
Had the great pleasure of reviewing Kurosawa Kiyoshi's THE SAMURAI AND THE PRISONER, one of the most stunning films of the year and an unlikely culmination of its master filmmaker's aesthetic and genre interests, for @reverse_shot: reverseshot.org/reviews/entr…
1
24
127
6,362
Reverse Shot retweeted
Talked with Kent Jones, the consummate cinephile/ critic/archivist/programmer who is now a full-fledged director. Glad to talk about LATE FAME and DIANE with him for @reverse_shot
reverseshot.org/interviews/e…
4
16
1,863
Reverse Shot retweeted
I had the absolute privilege of sitting down with director Ngozi Onwurah to talk about her explosive 1995 film, WELCOME II THE TERRORDOME for @reverse_shot.
it was incredible watching the new restoration from @janusfilms!
reverseshot.org/interviews/e…
1
21
101
7,874
Reverse Shot retweeted
I wrote about TEENAGE SEX AND DEATH AT CAMP MIASMA for @reverse_shot. I think it is an extraordinary film - a dizzying, unabashedly kitschy stoner rom-com. I sung its praises + did a temp check on "Trans Cinema" below:
reverseshot.org/reviews/entr…
5
47
633
61,344
Though heralded as a return to form, Gregg Araki's I WANT YOUR SEX turns out to be a fairly conventional coming-of-age story that coasts on its lead actors’ charisma. Review by @woahitsjuanito:
reverseshot.org/reviews/entr…
5
30
4,252
An appreciation from @Eng_Matthew of Sissy Spacek, "at once of this earth and flung out of space," in one of the great horror performances of all time.
CARRIE plays on 35mm this weekend @MovingImageNYC.
reverseshot.org/features/347…
3
14
1,766
Reverse Shot retweeted
Some words on Take Care of My Cat, one of my longtime letterboxd top 4 and among the greatest Korean films of this century so far, for @reverse_shot. Thank you @kani_releasing for bringing this gem to North America at last!
6
49
400
14,807
