Soundtrack to a travelling t-shirt pop-up 👕🎸
Sydney, Australia
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It’s the 15 year anniversary of ASWDE so we are re-releasing it as a special edition on vinyl ⛓️💥 sleepmakeswaves.bandcamp.com…
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Hop in babe, we’re going across the border to discover dark truths about man
Cormac McCarthy’s estate is auctioning off his 1995 Lotus Esprit S4S on Hagerty Marketplace, if you’re interested. 18k miles. Highest bid is currently $2,600 (I expect it to go a good deal higher, of course). Close of auction is April 27th.
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There’s probably a clip of us somewhere opening a post rock track with ‘this is our most hardcore influenced song’
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“Losing My Edge” at 25: haha fuck yeah!!! yes!!
“Losing My Edge” at 35: well this fucking sucks. what the fuck.
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They want you to feel hopeless and believe that nothing can improve.
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sleepmakeswaves - Something Like Avalanches | Post. Festival, 2024
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Drone.
This is for all the people who have supported Karnivool over the last 20 years. Thank you for the patience, support and all the love you’ve shown us. We truly love what we do and are grateful beyond words to do it. We hope it makes you smile.
This is just the beginning.
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“God Only Knows” is the most beautiful song pop music has every produced. It’s never been matched, I don’t think it ever will.
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Los australianos @sleepmakeswaves visitaron por segunda vez los estudios de Audiotree
subnoise.es/foro/videos/audi…
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we made it back to @audiotreemusic 🥹
Wake up! You don’t want to be caught sleeping on Sydney’s post-rock stalwarts @sleepmakeswaves’ epic return to Audiotree.
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well enjoy them, because thanks to generative AI, nobody is ever crafting an aesthetic over decades again, and no market will exist to support those who try it. hypothetical future generations will have an almost exact fossil record of when culture stopped
A troubling paradox: iconic aesthetics from artists like Hayao Miyazaki & Studio Ghibli, crafted over decades, are now commodified into quick, consumable, even vapid content.
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here’s angelo badalamenti describing the process of coming up with Laura Palmer’s Theme with the help of David Lynch. beautiful
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