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Aubrey Plaza says a director told her to suck on Robert De Niro's nipples during their 10-hour sex scene Aubrey Plaza: "He's a dirty grandpa, and I'm a dirty... girl." Jimmy Kimmel: "You have a sex scene with him." Aubrey Plaza: "Yeah. It was fun." Jimmy Kimmel: "For you it was fun. Was it fun for him as well?" Aubrey Plaza: "I can't speak for him. You know, it was a long day. They allotted an entire day for it." Jimmy Kimmel: "They did, really? How many hours?" Aubrey Plaza: "Say about nine, a solid nine, maybe ten. "And there was a lot of interesting stuff that went down, you know. One thing in particular was, the director, who's British, Dan Mazer, who is awesome and I loved him, it was a little bit of like we didn't totally plan out the scene. We didn't know how it was going to go down." "So there was a lot of moments where Dan would call me over and he'd be like, 'In the next take, Aubrey, why don't you suck on his nipples, try that.'" "And I'd be like, 'You want me to do it?' I'd rather not. And then he'd be like, 'Yeah, suck on his nipples.'" "Then I would go and I'd try to do it, and I'd try to get in there and suck on his nipples, and he was like batting me away, and I didn't know if it was like in character or not, 'cause you never know." "Then they cut the camera, and then Dan called me back and he's like, 'Bob does not like his nipple area paid attention to.' So, don't do that." "And I was like, great, well now he thinks that I wanted to do that."
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the older i get the more that i see my parents aren’t heroes, they’re just like me.
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sometimes you just gotta let spotify play recommended tracks.
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this scene from bugonia😹 it’s like watching the mona lisa being painted
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me to manifest rn.
odeio perder tempo assistindo filme ruim
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H.E.R. wows in new selfie 🤍
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it’s that time again
性爱小技巧:帮女生舔胸教程
(胸的敏感度差很大,先试探,再加深。) 开始从女生躺着或跨坐、你从锁骨靠近开始。先不要含住乳头。手从腰侧滑到胸下缘托住,嘴先落在锁骨和乳房外侧,等她把胸往你脸上送,再进中间。 舔胸要爽,靠的是“先养敏、再含、再吸”,不是一上来又咬又拧。 第一阶段:先整只,不碰乳头(1分钟) 用唇贴着乳房外侧和胸下缘慢慢吻,舌面从下往上舔过皮肤,不停留在乳头上。手掌托住底部,拇指在外缘画慢圈,像把整只胸暖热。 她开始挺胸、呼吸变深,或手按你后脑,再靠近乳晕。这一段禁止隔着衣服又掐又拧,也禁止两只手同时大力抓。 第二阶段:乳晕先于乳头 舌尖绕着乳晕画圈,由外到内,圈越画越小。唇贴上去含住乳晕,轻轻吮一下就松开,再换另一侧。乳头可以蹭到,但先不当主攻。 两侧要轮。一直含同一边,那边会麻、另一边会空。手在你没含的那一侧托着,指腹擦过乳晕边缘,保持两边都有感觉。 第三阶段:本套节奏——含、吮、舔、停 乳头充血变硬之后,才进入主节奏。一次只做一种,循环: 1含:把乳头连同乳晕含进嘴里,舌面贴住,停 2 秒 2吮:轻轻吸 3–4 下,力度像含住一颗软糖,不是吸奶到痛 3舔:吐到唇边,用舌尖点乳头顶端,或左右慢扫 4停:改吻胸上缘或锁骨 2–3 秒,让乳头接触空气 停很重要。一直吸,神经会钝,她也会从爽变成烦。停的那几秒里,用手指把刚离开的乳头按一下再放开,温差会把敏感送上去。 想加一点“欲”,可以在含住时让她看见你抬头看她,再慢慢松开,而不是埋着头狂吸。 第四阶段:手怎么配 嘴负责一侧,手负责另一侧,或手托住你正在含的那只: •指腹夹住乳头两侧,轻轻向外带一点,再松开,不要拧转 •掌心包住下缘往上托,让乳头更容易送进嘴里 •她喜欢压的,用掌根轻轻压住乳房往胸壁推,同时含住乳头 牙齿可以轻轻蹭,不能咬合。真想用牙,只允许用齿缘极轻地刮过乳晕,立刻改回唇。她一缩肩、一躲,当天就不再用牙。 第五阶段:和下面一起,才更容易整个人爽 舔胸单独也能有感觉,但多数女生要叠上下面才会过线。叠加时一次只加一件: •你含着乳头,手到阴蒂上点或画小圈 •她在上面骑,你抬头含住,她自己决定磨的速度 •手指在里面时,嘴里只做慢吮,不要两头同时加速 她快到时,含住不要换花样,吮的力度保持刚才她已经在送胸的那一档。忽然改成又咬又扯,容易把高潮打断。 怎么判断她是爽还是在忍 可以继续的信号:挺胸、手按你头、乳头明显变硬、呼吸变短、自己把另一侧也送过来。 该减的信号:缩肩、躲开、乳头被含住后整个人往后退、说麻了、说痛。麻了就换边或改用舌面贴着不动;痛了就回到吻外侧,当天不再吸那一侧。 有人乳头几乎不敏感,有人只碰一下就受不了。不敏感就不要死磕乳头,改舔胸下缘、腋下内侧和锁骨;极敏感就隔着湿润的唇含住,少用舌尖点。 实操注意 •润滑或唾液要保持湿,干舔和干拧都容易痛。 •两边轮流,含的时间单侧别太长。 •建议做 5–8 分钟作为前戏主段,或插入时当持续背景刺激,不要指望只靠舔胸替代所有事。 一句记住:
先养整只胸,再绕乳晕,再含乳头;吮要软,要会停,牙齿基本不用。
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"how did you see him coming? lady how the hell???" 😭
the half-baked acting in manifest s1 is absolutely horrendous had to force myself to sit through it just because i made the mistake of starting.
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you’re infinitely 10x happier when you choose not to explain things to people. mr priest knows ball.
>Be a priest >Get seated next to an end times crazy who hates Catholicism >Have him start nagging you about the identity of the antiChrist. >Say "I don't know." >Go to sleep.
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Zendaya arrives to the #Emmys.
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the half-baked acting in manifest s1 is absolutely horrendous had to force myself to sit through it just because i made the mistake of starting.
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how about this one?
brandon*
Replying to @EndWokeness
Dodged a lot of bullets this past year.
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Gillian Anderson says society has normalized sex everywhere but still hasn't moved past the shame around women's desires and fantasies "Because of the degree to which porn is such a big part of society today, because of how much sex we see, it's everywhere, magazines, on telly, on our phones, and it feels like it is so at our fingertips..." "I had assumed that the conversation around it, or the concept of fantasy and desire, and particularly women's desire, was going to have properly moved on" "And it hasn't, as much as I would have thought that it would have, because I think there's a lot still about..." "it's not just about shame about the fact that we even have fantasies, or even shame to admit that there is a fantasy that one might think about when either masturbating or having sex." "But the biggest one for me was shame around the very idea of talking about it with one's partner, or even asking for what you might want in the bedroom."
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Gillian Anderson says the story of Amy in Sex Education should teach women an important lesson about how to deal with sexual trauma "Well, Amy Lou Wood played a character called Amy, who was on the bus one day, I think, on the way to school, and was sexually assaulted, a man ejaculated on her jeans while she was standing on the bus." "And it really traumatized her, and she didn't actually realize the degree to which it impacted every area of her life. It impacted her sleep patterns, it impacted her friendships, it impacted her relationship." "And it was only somebody else, I think Maeve, her best friend, when Amy told her what had happened, said, 'Amy, you've got to report this.'" "I think what I found interesting is the way in which we, as women, and maybe it's anybody, but how we have a tendency to brush things under the carpet when potentially, or ostensibly, traumatic things happen to us." "I know I certainly do, and have, for my whole life. I just kind of get on with my life, and it's not until somebody else with some objectivity says to me, 'Whoa, whoa, wait a minute, what's going on here, you need to take care of yourself, or you need to address this, or you need to report this.'" "So Amy, the character, came to my character Jean at one point to talk through this, and I gave her some advice as a therapist, as a professional." "So much of it was about taking it seriously, taking what happened to her seriously, not brushing it under the carpet, accepting the fact that it was actually having an effect on her life, not trying to trivialize it, and addressing the bigger issue, which is the degree to which women are sexualized, women can be attacked, and what we now classify rightly as a sexual attack" "I think sometimes people would prefer to see it as actually something much smaller than how we classify it."
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Olivia Wilde says Edward Norton delivered a surprise monologue for 'The Invite' that ultimately became the 'missing link' in the film "Edward Norton has a scene towards the end of the film where he tells a story. And it's a monologue that he wrote on his own." "And he said, 'Can I tell a story in this scene?' It wasn't planned, wasn't on the page. We were shooting it the next day, and he said, 'I want to tell a story, I don't know if you want to hear it ahead of time.'" "He said, 'What if I just tell you for the first time while you're on film?' And I thought, 'Okay, let's do this.' So we set up the camera, we had two cameras that day, we set it on me and Seth." "And Edward performed this incredible monologue that was so far beyond anything I could have imagined. It was the missing link." "It was this kind of emotional ramp from one tone to the next tone in the film. And it was perfect and beautiful, and we kept it in the film. And he was so shocked that a director would give him that kind of trust."
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Robert De Niro says Donald Trump is a deeply insecure sociopathic narcissist who is 'extremely dangerous' and needs to be gotten rid of "Yeah, he's so fucking stupid. I mean, look, look at the lame, inane things that he said. He's so stupid, he can't even say anything clever or smart." "He's a fucking moron but he's a scary one. And in all seriousness, and we know it here, people have to get out and vote, and vote, and vote, and vote." Jimmy Kimmel: "Do you think he pretends to be dumber than he is to confuse people and make them think..." Robert De Niro: No, I don't think so. Jimmy Kimmel: Why do you think...I'm curious why you would guess that. There's a big group of people in this country who believe that he cares about them." Robert De Niro: "I am totally dumbfounded, baffled by that. I can't understand it. And it's a thing that we've seen over decades and decades, and it's, he's a... what's it, Tammy Faye and the other one?" Jimmy Kimmel: "Yeah, televangelist" Robert De Niro: "The same thing, you know, give us your money, save you... it's just the same thing, and it's so obvious. I just don't understand how people could buy it." "I just don't know. In a certain way, it's all out of insecurity. He's deeply, deeply insecure. He's a malignant narcissist, he's a sociopath." "He's created some new language as far as describing somebody in his mental condition. It's so frightening and scary, and he's dangerous. We got to get rid of him." "Shame, shame on those Republicans that don't have the nerve, the balls, to go after him." "What do they tell their kids? What do they tell their grandkids later, when it's written in history books how, what their role is, and what they did, and they allowed him to do this. "He's a outright fucking criminal, and they're still buying it. They still buy it."
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Gal Gadot says anyone who watches her new movie 'Runner' will be completely hooked until the very end "When you watch the movie, I think it's like go, go, go from the moment you started, right? It's like it grabs you and it doesn't let you out until the end of the film." "It felt the same way for me when I filmed the movie. It was like go, go, go, and only when we finished filming, I was like, 'Okay, back to self.'"
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Gal Gadot says she channelled her inner 'Tom Cruise energy' for Runner and ended up on crutches "The hardest part of it was the physicality of having to run all day long for months and months." "But it's also amazing. I was like, 'Tom Cruise, just manifest Tom Cruise energy to me, and just, if he does it, I can try and do that.'" "It was, a lot, I finished the film on crutches, because there's only so much you can take. It was go, go, go."
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Olivia Wilde says The Invite was built around one core argument about healthy relationships "Within one long-term relationship, one can have several relationships. That became the kind of North Star of the story." "Recognizing that you have this opportunity in a relationship to end that relationship, no one's forcing you to stay, but you must make it a choice to be there." "And you have an opportunity to reinvent, to start a new relationship with this person. Anyone you know who's been in a very long relationship will say they've had several relationships with that person." "And I find that to be something that if we talked more about, people wouldn't, first of all, expect their partner not to change." "And second of all, wouldn't feel that quote-unquote failures, conflict within a relationship, things that inevitably go wrong, are a sign of disaster." "It could be the point that forces you to communicate on the level that could lead to the change you need, whether that's separation or reinvention."
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FT Olivia Wilde | @vogue
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Olivia Wilde says her 12-year-old son was left traumatized after watching her talk about pegging in The Invite "The problem is I keep making movies that are rated R that my children just cannot possibly come to set" "Although on The Invite, I was in the sound mix at one point and my son came to visit, and I thought it would be cool" "'cause we were at Abbey Road and he's a musician, and I was like, 'Yeah, come to Abbey Road.'" "And he sat in and watched these scenes that I realized only then were the most inappropriate scenes to be showing a child, and I was like, 'I have failed in several ways now.'" "I have traumatized him. It's literally me talking about like pegging. It's not okay and I'm like, 'This child has seen too much.' So I'm still working it out."
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FT Olivia Wilde | @vogue
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