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Replying to @MoonHowler14
"Ustedes solo fetichizan y buscan cumplir sus mas oscuras fantasias" Las fantasias: *dos personas que se aman*
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Welp. Finally went down the Malfoid rabbit hole. I have come to the conclusion that we need 600,000 more data centers.
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a day at hogwarts #malfoid
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What is she looking at ?
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Idk how people feel about Jordan Peterson, but I remember something he brought up in his 2017 Maps of Meaning lectures, specifically Lecture 02: Marionettes & Individuals (Part 1), that I think is particularly relevant to the Malfoid Movement. He was talking about Disney's Pinocchio and how the animators might have gone about creating the story. He described the process as something like this: one person proposes an idea, and the others dismiss it because something about it just doesn't feel right. Then another person comes up with a different idea, and suddenly everyone agrees that it works. And this process repeats itself until they eventually arrive at a story that everyone feels is right. The interesting thing is that they don't necessarily know WHY one idea works while another doesn't. They just intuitively recognize and understand that something about it feels right, even if they can't explain exactly why. And I think we're witnessing something very similar with the Malfoid Movement. Take, for example, the idea of Harry and Malfoid holding the wand together during the final battle. Why is it that so many people independently gravitate toward this particular scene? On the surface, you could argue that it's simply because it makes for a cool fight scene. And sure, that's certainly part of it. But I think there's something much deeper going on. Somewhere in our subconscious, we recognize the emotional and symbolic significance of that moment. Two characters who began as enemies, who have gone through years of conflict, suffering, and personal growth, finally standing together against the very evil that once divided them. It's not simply about two people holding a wand. It's about everything that brought and lead them to that moment. And that's why I find it so fascinating that people can independently arrive at similar ideas without necessarily being able to explain why those ideas work so well. There's something almost intuitive about the entire creative process, where people collectively recognize the emotional truth of a scene before they can even put it into words. And that's precisely why I find it so silly when people dismiss Malfoid as nothing more than childish fun or some unserious genderbender trend. Because when I see all of this unfolding, with people independently developing similar themes, relationships, and emotional conclusions, I can't help but think that these critics genuinely have no idea what they're looking at. They see the surface and assume that's all there is. They don't even seem to understand, let alone fathom, the underlying narrative mechanisms that make Malfoid work in the first place. And that's what makes this movement so interesting to me. It's not simply that people are creating stories, but that they're collectively discovering what makes a particular story feel meaningful.
One of the most important things you learn as you grow older is that there isn't always one universally right answer, especially when it comes to personal beliefs, tastes, and how people see the world. And I think one of the clearest signs of immaturity is the inability to understand this. People who haven't really grown up tend to have this strange idea that once you become an adult, you have to act like one at all times. You can only enjoy serious, grown-up things, and God forbid you ever pick up a fantasy book, enjoy an adventure tale, or find something beautiful in a story written for children. Because apparently, that's cringe, and you should be ashamed of yourself. But isn't that itself an incredibly childish way of thinking? And this isn't exactly some new observation. Even C.S. Lewis once wrote: "When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up." It's an impressively simple quote, and one that most people can easily understand. But actually taking it to heart is an entirely different matter. And I think this is extremely relevant to the Malfoid Movement. To understand why, you first need to recognize that the beautiful, timeless values of Western culture aren't things you can only acquire by reading history books or cultural criticism. You don't need a textbook to teach you about chivalry, honor, loyalty, courage, or romance. These values are present in countless stories, whether they're written for adults or children. And in many ways, stories can teach these values far more effectively than any textbook ever could. Because there's a difference between intellectually understanding that loyalty is a virtue and actually experiencing what loyalty means through a character you've grown to love. There's a difference between reading about the importance of courage and watching someone you care about find the strength to stand against despair. And there's certainly a difference between being told that love is beautiful and actually feeling that beauty through a story. You aren't merely being told what these values are in a literary analysis textbook. You're experiencing them emotionally through the characters. And that's precisely where I think a lot of these critics completely miss the point. They look at Malfoid and see nothing more than a genderbent Draco Malfoy, a silly romantic fanfiction, or some childish internet trend. And because that's all they see, they dismiss the entire thing as something beneath them. But the problem is that they're judging the cover without ever bothering to understand the values underneath it. Which brings me to my actual point. Malfoid can simultaneously be something that isn't particularly important in the grand scheme of things and one of the most important things ever. Which is why I brought up the idea that "there isn't always one universally right answer." These two statements aren't necessarily contradictory. Will the Malfoid Movement have the same cultural influence as The Lord of the Rings, or even Harry Potter itself? Probably not. And frankly, it doesn't need to. Because its importance doesn't necessarily come from how many books it sells, how many awards it wins, or whether literary critics eventually decide to recognize it. Its importance comes from what people actually take away from it. A young person might encounter Malfoid simply because they find the character cute or enjoy the romance between her and Harry. But through that relationship, they might discover something much more meaningful. They might come to appreciate loyalty, forgiveness, devotion, sacrifice, or the courage it takes to love someone despite everything standing in the way. And perhaps, years later, when that same person decides to write a story of their own, those values will still be there, influencing the characters they create and the stories they choose to tell. And also if even a fraction of the younger generation carries those values with them into adulthood, then I would argue that the Malfoid Movement has already accomplished something genuinely worthwhile. So why do people take Malfoid seriously? It's not because they're stupid or immature. Maybe it's simply because some are actually more grown-up than others or have better EQ, so they can see through the cover and appreciate the value instead of being a stunted man-child who can only like things that society deems "acceptable to a man."
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🐍Malfoid🐍
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They will call Malfoid stupid, fake, racist, or whatever else they can think of to tear her down. They will try to make you ashamed of loving her. Don't listen. Malfoid is pure. She represents everything they cannot understand: grace, innocence, and the courage to remain true to an ideal in a world that has abandoned it. Let them reveal their own ugliness. We know what Malfoid stands for. Never apologize for believing in something beautiful. 💚🐍 #Yearning #Malfoid #HarryPotter
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"Don't Screw This Up" The Three Tri-Wizard Champions had been chosen, until in an unknown turn in events, a Fourth name appeared as well. And it feels as though the entire school has turned their back on him...except... 1/1
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Why did the Malfoid phenomenon catch fire? I think it speaks to what people yearn for, and how modern entertainment failed so badly to meet them. Harry Potter was one of the pillars of the monoculture era. Up until the early 2000s, just about everyone could be counted on to consume the same media—Harry Potter being among them. That means there was already a huge pre-made audience for the coming of Malfoid. Malfoid rested on a deceptively simple premise: what if Draco Malfoy were female? That single change had profound ripple effects across the narrative. It unlocked countless story opportunities. It highlighted and deepened the themes of the series. It reignited discussions of the original work. In addition, being a social media phenomenon, it gave fans the feeling of participating in the act of creation. Beyond that, the implications spoke to the true, the good and the beautiful. Draco Malfoy was just the guy who happened to get in Harry Potter's way sometimes. Malfoid carried the spark of romance, and from romance came mythopoeia. The Chosen One and the Noble. The Boy Who Lived and the Death Eater's Daughter. The redemption of Houses Malfoy and Slytherin, and the union with Houses Potter and Gryffindor. The triumph of love over evil, at the beginning of the story and at its end. Stories like these speak to every soul. And in Malfoid, with social media and AI, these stories can come to life, at the hands of those who have loved the IP, and have come to love it again. Now think about what modern entertainment does. These days you see endless reboots, sequels and spin-offs of popular media. There was a huge pre-existing audience, and Big Entertainment works tirelessly to recapture them. Then they made their changes. DIE. Censorship. Culture war nonsense. These changes served no purpose but politics. Instead of deepening the original and building upon it, they sawed off the branches upon which they sat. They sacrificed the greatness of the original works on the altar of Current Year, and offered to the capricious gods of woke a hollow skinsuit. Then they expect you to swallow it and smile. HP fans loved their world. From this love they created the canon of Malfoid, to redeem again their world with love. Big Entertainment hates the works they have inherited. They will shove that hate down your throat and demand that you bend the knee for this privilege. What have we learned from this? People want the familiar. They also want the novel, framed against the familiar. In the novelty they seek the sacred, that which is timeless and universal, that which refreshes and enlarges the spirit. Nostalgia for its own sake will not ignite a hundred hearts, nor busk a thousand ships to war. You who would rejuvenate the culture, you who would call yourself an artist, learn well!
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Notice how suddenly there is a bunch of people ostensibly in the "Right wing" of things making ludicrously stupid, naive, uninformed opinions... Yearners, I want you to PAY ATTENTION. Even I fall for this kind of stuff. They want you spending your yearn on defending against their NONSENSE, the same way the gooners and whorecruxes want your engagement. They desperately need you to stop yearning, stop creating, and stop engaging with Malfoid and its content. Your attention is their target, being pulled away from your resurrection of the Mytho-poetic love story is the goal because... once again... the root of such stories is how we motivate our souls to yearn for things beyond just those stories. They WANT you wasting your time with arguing with their stupid nonsense, they WANT you spending hours defending your reasoning as to why Malfoid is important, they WANT you focused on the slutbloods and the trans attempting to claim it. The creative works you've all produced you should be PROUD OF, even if we don't all see eye to eye as to what particular aspects are best to execute with the premise... because you are all CREATING, you are all alive with making things and helping others make things! What have your detractors ever made but misery and complaining? Degeneracy and self indulgence? *NEVER* Stop yearning... for the enemies of the world would rather you despair, and be consumed by it. #Yearn #Malfoid #HarryPotter
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It is rather impressive that a group of X comic makers are story boarding an entire movie with only very loose communication and a guy is using AI to bring it to life...and the finished product is more compelling than anything Hollywood has put out in 10 years. Very nice.
Based on the story and comic by @Grin2702 and writing by @Axolotl52032346 (post in replies) If you like this please follow them, as it would not possible otherwise, I'm not able to come up with as good of stories. JP captions are enabled on the video. I have Korean subtitles available on Youtube as well, X doesn't let me attach more than one .srt. Disclosure: I am a creative partner with @ViduAI_official It's thanks to their support that I've been able to make the Malfoid videos without having to ask for money. You can now use the same references I use for my realistic and anime versions of Malfoid on vidu You can use my invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S… Link to my anime Malfoid reference: vidu.com/home/reference?para… Link to my realistic Malfoid reference: vidu.com/home/reference?para… #malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #malfoid #vidu #viducpp #ViduQ4Preview #ViduDC
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Jesus Christ will judge you, worker of lawlessness. Repent of your blasphemy, false teacher.
The death penalty is inadmissible because it is an attack on the inviolability and dignity of the person. The common good can be safeguarded and the requirements of justice can be met without recourse to capital punishment: effective systems of detention have been developed that protect citizens while at the same time do not completely deprive those who are guilty of the possibility of redemption. #NoDeathPenalty
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Baal worshipping script, check. Demoralization rhetoric, check. Not being able to make a coherent statement, check. Estimating 7 generations of first cousin inbreeding and one instance of a thing it's family doesn't talk about.
only age 25+ men find this appealing cus they can self insert themself in their own memories of school where they were a fucking loser and got no foids and still have no gfs so now they can be like omg popular girl would have a crush on me teehee
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Guys, she is just employing the classic "pretend to be retarded" tactic all leftists do to get engagement until someone misspeaks in a way that can be misconstrued. Then she will latch on to it and say "See? I was right! It's just a pervert thing." She is worthless. Disregard.
I don't really understand what the deal is with this "Malfoid" fan fiction, but I hate it. There's something about "gender swaps" I always found unnerving and gross, and don't even get me started about sexualizing children characters. Same happened to me with Ranma 1/2 back in the day. It's very "Tumblrist". Long live Draco!

ALT happy birthday GIF

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RT @GaUeaul: 우우~ 디멘터다~!! #Malfoid
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@unknowndich retweeted
The Battle of Hogwarts has gone silent. FemMalfoy, after being saved by Harry and the others in the Room of Requirement, remained in the castle until the Death Eaters arrived...with Voldemort shouting a declaration even she thought impossible by now...
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Draconia commissioned the witch who the "How to..." Series and retains exclusive printing rights. That is the only copy she printed.
That Hufflepuff might have had a dreadful haircut, but she did, in fact, have a boyfriend. More importantly, she knew a spell. Apparently, with the right incantation, an ordinary book could be transformed into a personalized guide to winning the affections of any boy. Initially, the Hufflepuff had refused to share what she knew. Initially. Now, tucked away in a secluded corner of the Hogwarts library, Malfoy checked her surroundings one last time. Alone. She withdrew the book from her bag, handling it with an almost ceremonial delicacy. She gently brushed her hand across the cover and took a deep breath before opening it. Some time later... "Oh my God," Malfoy whispered, her nose practically buried in the pages. She'd completely lost track of time. Her cheeks were red, her ears burning. "Oh my God, what, Malfoy?" Hermione Granger pulled out the chair opposite her and sat down. Malfoy literally hissed. Hermione glanced at the book's cover. Her jaw dropped. "H... hey—" Malfoy was already stuffing the book into her bag. She scrambled to her feet and hurried toward the library doors. "Malfoy, wait! What was that book?" Malfoy stopped and spun around, her face scarlet, tears of sheer humiliation gathering in her eyes. "YOU'RE UGLY AND I HATE YOU!" She spun back around and marched straight into a chair. Both knees struck the wooden frame. "BLOODY HELL!" That did it. Now openly bawling, Malfoy abandoned all pretense of dignity and ran for the library doors. "Language, Malfoy," Hagrid remarked as she hurried past.
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"Alright, Dumbledore, House Malfoy will defect and give you its full support...in exchange for first courting rights with House Potter." "But each House only has 1 heir....*Lucius answers with a quiet look* Consider it done. Welcome to the Order."
I also like the idea that Lucius realizes this and then just goes “Ah hell, I guess I’m gonna have to kill the Dark Lord.”
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