OC | 褐色肌ウサギ姉妹の日常を描いています 『VISIONS 2027』掲載｜個人画集9月30日発売 ✉ haibeivision@gmail.com
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The point of the clear card is that it breaks the boundary between dimensions — carrying the bond between objects and my sisters from the object system into reality.
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Participating in the art book "VISIONS 2027."
My page is going live on the special website, Thank you for your continued support!
visions.pr-pixiv.net/2027/cr…
#VISIONS2027
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見本誌が届きました！すごく嬉しいです✨
9月26日発売です。
25日には特設ページも公開されますので、ぜひご覧ください！
応援してくださっている皆さん、本当にありがとうございます！ #VISIONS2027
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Lines from the picture—
In that town, the cemetery
was full of empty chairs —
headstones of ash and mortar.
“Why?”
“Perhaps so that the souls
still holding on
might have a place to sit.”
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Why this way? Characters and objects stacked together, as if they're made of the same matter. The way we relate to things changes how we move, how we hold ourselves — that's the quiet violence of objects.
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今回『VISIONS 2027 ILLUSTRATORS BOOK』に掲載させていただきました✨
応援ありがとうございます！
170名のアートブック『VISIONS 2027 ILLUSTRATORS BOOK』9/26発売📢
カバー：LAM（@ramdayo1122）
シリーズ累計42万部突破！
掲載クリエイター一覧🔽
prtimes.jp/main/html/rd/p/00…
#VISIONS2027
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Interestingly, what this piece engages with is "Abjection" — a state of being excluded, discarded, and left where boundaries begin to blur.
And in the recommendation feed, it seems to undergo a similar treatment: categorized, sidelined, tucked away somewhere not easily seen.
Perhaps some things were quietly assigned, from the very beginning, in a place where they were never meant to appear.
Reality, in a remarkably subtle way, has supplied the footnote that the work itself never wrote.
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