We're getting ready for October with a tale as old as time ... what would you do if the girl you fell in love with was a mermaid? This siren of the sea is calling a young Dennis Hopper in NIGHT TIDE. Live watch party on 10/2 at 9AM.

RT @HighDefDiscNews: It’s so great to hear screenwriter John August — known for GO [1999] — discussing the story he had already written. He…

Draft is being used by professionals. A free screenwriting software with collaboration? Sign me up. draft.pulptime.com

I just finished a rewrite of Paradise Lost while using Pulp Time Draft, and I granted my production team view access so they could keep up with changes while I wrote over the weekend. Look but don’t touch! draft.pulptime.com

When this is happening my friendly advice is to make distance between you and the rapidly growing chasm. Just fyi.

Still the best version of A Star Is Born. 💯

Start a watch party on Pulp Time. Keep it private with friends or open it up to the public and make some new ones. Then decide if you want to publish it for later listening. Have your thoughts, comments, and opinions heard on dozens of titles.

The important thing to remember: so many AI filmmakers are also traditional ones. AI is just the tool, the camera, they choose to shoot with. Upon the announcement of BOSS, check out KIND by @jennykrakovsky. Just because you create AI does not mean you can’t shoot practical.

This is all that matters.

I made a VERY dark comedy about virtue signalling.  KIND premiered at Edinburgh International Film Festival at the weekend selected in competition for the Thelma Schoonmaker Prize. Let me know what you think?! Feedback welcome. #shortfilm #darkcomedy #comedy #horror #indiefilm #indiefilmmaking #cinematography #femaledirector

When director Matthew Wilder did his commentary track on Regarding the Case of Joan Of Arc, he shared that all of the dialogue delivered by Nicole LaLiberte (Joan) was taken straight from the real trial's transcript. This is a masterclass on modern adaptation.

There's nothing that these two can't do. "Play that Funky Music White Boy" Til you die!

We just added dozens of new titles available for streaming, watch parties, and commentary tracks. 👀

This was a wildly interesting filmmaker commentary, excuse the pun. Having the actress Nicole LaLiberté present with director Matthew Wilder was super illuminating.

Episode XX.

We are LIVE watch party on Pulp Time for one of my all time favorite films, Starstruck (1982, Gillian Armstrong). Join the clubhouse and see one of the best movies of the 1980s -- putting on a show! pulptime.com/watch-parties

Werner Herzog says he wrote the screenplay for his new film Bucking Fastard in just five days. “I never spent more than a week writing a screenplay. The screenplay for the film I shot here, Bucking Fastard, was written in 5 days.” He added that his wife was his witness. Herzog also has a strict NO STORYBOARDS and NO VIDEO VILLAGE rule. “Storyboards are for cowards,” he told the Directors Guild, “for those who lack imagination.” He has never allowed a video village on his sets and says he has never once done a reshoot. “It is not even in my dictionary.” And Herzog does NOT discuss motivation with his actors. “I do not like to have long conversations with actors about motivation and what their childhood traumas might have been.” He calls it “Actors Studio nonsense.” And if a scene fails five times? He rewrites the dialogue on the spot in about twenty seconds.

It’s here. The first AI feature film to screen in theatres. The first AI feature film by a female filmmaker. Not a collection of shorts. A feature film. Not a studio. One woman with a laptop. Not a paid PR campaign. An organic social movement. I didn’t just make a film. We made history. Together. Because I never for a second thought this was about me. It’s much much bigger than me. The era of waiting for permission is over. I’m living proof. And that makes some people mad. Because there are no gatekeepers where there are no gates. BOSS (2026). Coming soon to a theatre near you.

An updated score gives new spirit to an old movie, making it accessible to all audiences. This is the power that music has. Listen to the @tomandandy score for Metropolis, available on Pulp Time.

What movie is Oscar watching?