ᵍᵐ!GMgmGM!ᵍᵐ A Fresh fit for the foreseeable future! Leaning into my network state era with an avatar that represents digital symbiosis as a form of onchain mutualism. Transactional in nature 🍄 Courtesy of the incomparable @lewisosb

🖼️ 24 HOURS OF ART 📊 September 26, 2026 - Radioactive 'Argonaut #8393' by @lphaCentauriKid, collected by @osseneth, top sale of the day at 40 ETH - 'Grifter #237' by @XCOPYART and 'Gazers #170' by @MattKaneArtist, acquired together via @gondixyz Trade tool - 'BeastMode' by XCOPY - 'servant of the Muse' by Alpha Centauri Kid - Ribbed 'Chromie Squiggle #3134' by @ArtOnBlockchain - 'Shroom Space Out Man, 2019' by @davidhenrynobo1, collected by @Featurefrank - 'Checks 36' by @jackbutcher | @visualizevalue - 'INFECTED' by @beeple ✍️ NEW: Weekly Dose of Art! 'In Love With the Planet, Dreaming of Leaving It: Fran Rodríguez's - @Fran_nubes - Digital Collage' by @justinwetch, his latest deep dive artist interview installment via 24 Hours of Art, in Articles tab

gm absolutely blown away to see Vitalik adding 1 ETH to the pot + providing public feedback on the work by @sriramkiron @arferrari and @0x94t3z 💙 if you have an Android, you should check out these repos! amazing to see what's possible with highly-optimized local LLMs

Bryan Brinkman is one of the oldest artists and supporters in the space and someone who I admire dearly. The man breathes and lives for art. What a talented and smart human with stories for days. Big fan! @bryanbrinkman obsoletearchive.oveck.us/#ho…

Hey everyone, I've been meaning to share some updates about fxhash with you for many weeks, but have struggled immensely to do so. A little while ago, as we were trying to secure a loan to keep fxhash going, we received pretty bad news. As some of you were aware, fxhash was under compliance review by the French tax authorities; it was a lengthy and draining process that lasted more than 2 years. At the end of it, despite our goodwill and the lack of regulation applicable to our case, we were fined ~€500k. This would consume almost all of the loan, essentially putting a nail in the fxhash coffin. This really took a toll on me, as things were already pretty depressing future-wise. I had been operating the company (arguably poorly) almost alone, handling admin stuff / trying to secure some money. This news essentially voided all these efforts and meant there was no future for the business anymore. At that point I sort of dissociated from this situation, as I had reached my limits in terms of handling this business. I took some time off April/September to work on myself, my art, and try to figure out what to do next. Taking this time off didn't really come from an active decision, but rather from a need to understand what to do next. As many of you saw, I was becoming less and less present online as I had very little energy left for that. I needed to focus back on myself. During this time, cosi announced the closure of the project. It was hard to watch silently from the sidelines, but I was eventually grateful that he had the composure to inform you folks about the state of things. I wanted to respond publicly to many of you, but I felt like I couldn't just come out of the shadows at such a time without at least offering a few explanations, which somehow felt like an impossible task to me. I also know fxhash meant a lot to many of you. People put their art, their time, and their trust into this project, and formed friendships along the way. Its closure is a loss for many people beyond those of us who worked on it. I'm sorry my silence left you with so few answers from me during that time. I'm deeply grateful for everything you brought to fxhash over the years, and sad that we couldn't keep it going. So here we are now. The business is insolvent. I'll declare bankruptcy in the near future and see how we can pay some of those debts back with the few assets left. As for the future of the project itself, I'm not sure. I took some steps to secure IPFS content on a low-cost dedicated instance in case this happened, as a safety mechanism. But eventually, if we want the art to survive over time, the community will have to organize itself around preservation. I've seen a few initiatives already; hopefully this keeps going for the sake of the art. I think there's a bit of work left on my end to ensure the community can properly take over hosting & distribution of the assets. I'll look into that in the following weeks. On my end I've been working on art again and it feels great. It hadn't felt great for a long time. I would love to find energy and ideas again to contribute positively to the cryptoart space, but it's gonna take a bit of time to get there. In the meantime, I'm very grateful to those who reached out to offer help/a shoulder to lean on. I hope we can keep these friendships going throughout life.

✨✨✨SUMMER is LIVE✨✨✨ ✨93 Unique works ✨.04 $Eth ✨with @TransientLabs Curated

✨✨✨SUMMER Presale until Noon✨✨✨ ✨93 Unique works ✨Presale for current 1/1 ETH holders ✨Public September 23, 2026 at Noon ✨with @TransientLabs Curated

Happy Solar Return!

miss the days when we would jam our NFTs into headers

Rodeo Redux so far:

ROOM 707 KEY Holders 🔑 You’re already on the KiSS LiST (WL) for @1KiSSHL 💋 No sign up needed, your 707 KEY gets you presale access 📩 1KiSS drops 09.30 on OS ↓ opensea.io/collection/1kiss/…

I created Ed B in 2020, inspired by The Boondocks and Robot Chicken. I wanted dark humor, satire, and REAL conversations. The story was inspired by Rachel Dolezal and her racial identity controversy. I thought, WHAT IF someone fell in love with somebody who lied about being Black?! LMAO. BUT HOW THE HELL WAS I GONNA FUND THIS?! I created the Run Ed collection. Nearly all those funds went toward making this short. Seth Green discovered my puppet, we got on a call, and he agreed to play Billy! NOW THE PRODUCTION! MASSIVE shout-out to Studio Linguini and our entire team! We spent years bringing this seven-minute film to life. Models and miniature sets had to be built. Puppets were physically moved and photographed FRAME BY FRAME. We combined stop-motion with 2D animation, music, sound, and editing. SEVEN MINUTES OF FILM. YEARS OF WORK. AN INSANE AMOUNT OF LABOR. What began as a puppet in 2020 became a film made in 2022–2023, followed by years of figuring out how to release the damn thing. Now I'm experimenting with collectible digital art cards that unlock the film. Independent art deserves new ways to survive. ASABL IS FINALLY HERE! Link below to support! Thanks for the love so far! Means a lot!

Collected by @symbiotech — nine works on Rodeo (Redux) rodeoart.lol/grid/%40symbiot…

“ wait so you said mint is Sept 22nd at 12pm est right?.. wait that’s TUESDAY!!” Yessssssssssssssssssssssssssssssssssssssssssssssssssss

New: I can book you an On-Air Shoutout on Farcaster's #1 News Show @gmfarcaster🎙️ Birthdays, congrats, thank-yous, or a plug for your project. Tag me with what you want said, pay $5 USDC on Base, and the hosts read it live on the show. Try it: tag @gmwarpee "book a shoutout"

✨✨✨SUMMER ✨✨✨ ✨93 Unique works ✨Presale for current 1/1 ETH holders ✨Presale September 22, 2026 at 8:05 pm ✨Public September 23, 2026 ✨with @TransientLabs Curated

If anyone can see my art on NYC taxis (and I just found out it is also on Las Vegas taxis because someone told me they saw it) - please share photo/video with me 🙏 It ends soon 😭 I’m out of country so I won’t see it @Artcrush is running this exhibit until September 27th!💕

Stop and smell the flowers! 🌹

IYKYK

gmGM Yesterday Rose & the litter turned 1

mood