The Official $VIBES and ‘To $10’ page. Follow for VIBES spaces and Pulsechain intel. Uniting the community for glory.
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I’ve believed this for many years now — that every human action is indelibly recorded on the universal blockchain. If you waste your precious time on earth focused on extracting pennies from other people’s pockets and stealing from the cookie jar, or spending countless days of your life learning skills to take advantage of other’s naivety rather building a foundation of trust and community collaboration that ultimately benefits the community as a whole, the universe is clocking your every move and recording it.
We haven’t (yet) got advanced enough to crack the code of the universal records management system but we do recognise patterns. We get clues by what is heard by all in public spaces — little ticks of bragging, or presenting facts out of context (they can’t help it). Small bits of information we can piece together like “I’ve got 250 wallets” reveal the patterns forming, indelibly recorded on the parallel human blockchain.
We don’t have to waste time following every move, we don’t have to know every wallet address. We just have to know that the human making all these wallets has wasted countless hours of his precious time on earth attempting to obfuscate his moves in an attempt to move nefariously in the shadows.
I’m a visionary, a creative — it’s why I only operate from one public wallet, no side wallets, no bundles. I simply don’t have time. It takes away from my time to move towards my goal: to leave this earth with a legacy I’m proud of — a vision indelibly forged into the universal ledger.
I build my brand on transparency and ‘good positive vibrations’. Vibrations that go out and ripple in that universal info storage machine.
It’s ironic to me that the very people who try to undermine my integrity and brands on pulsechain like GIGA and Vincent, who I’ve had personally targeting me for ‘maximum extraction’ and vocally sabotaging my integrity in public spaces, are masters of looking for loopholes in the system to gain advantage.
Both spending inordinate amounts of time taking ‘chump change’ (for both of them) directly out of my back pocket to enrich themselves. And for what… to gain a tiny financial advantage in exchange for the label of ‘liar’ and being outed as ‘untrustworthy’. But more importantly as per the repost, selling their souls to the devil and forever damaging their karmic record.
These two are just two of the many who operate to extract rather than uniting to build strong foundations where we work together to create good vibes. The septic tank of Pulsechain is full of these cockroaches. Somehow these two, chose to crawl out of that tank and become visible, scuttling across our timelines and in public spaces.
Many in spaces mock the VIBES chart but actually part of my mission is already accomplished: to out and stand up to the bullies, the liars, the manipulators, the extractors and the cockroaches.
The extractors and those who have stolen from the cookie jar think they are winning. They are sad and pathetic human specimens who have already lost the game of life — actions they thought were giving them that piss poor advantage are now forever fused for the universe to one day reveal what losers they really are.
When humans one day crack the key to the universal blockchain, where their karmic record of duplicity, penny pinching and wasted time on earth is stored, they will be revealed. For now we can only watch the patterns and the ripples they create.
For those few remaining with good hearts, clean consciences and creative drive —
Keep the good vibes flowing y’all and unite to build the vision.
🚨: NASA Physicist Thomas Campbell states the universe tracks every human decision to measure individual spiritual growth.
This system operates like a cosmic feedback loop, testing whether our avatars choose love over chaos.
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Women around the world respond to recent images that have surfaced featuring Pulsechain’s @iambroots
$VIBES #pulsechain
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$VIBES holders know how to party
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Twerking $VIBES
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ATTENTION INTERPOL … Breaking news @RichardHeartWin spotted undercover on the continent of Africa
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African $VIBES
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Drummin up da $VIBES
Ten years ago a 12-year-old from Dnipro sat down and played like he’d already lived a few lives behind the kit. Most people only ever saw the clips. This is the full solo. 🥁
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She didn’t out-dance the room. She out-phrased it.
Same class. Same song. Same Ralph Beaubrun choreography to (I’ve Had) The Time of My Life. Everyone hits the counts. Only one person makes the camera feel late.
Célandine Payet isn’t doing harder steps. The routine isn’t built for tricks. It’s commercial groove: weight shifts, hip rolls, open arms, clean direction changes. The difficulty is elsewhere — turning a class combination into a sentence.
Most dancers execute. They place the foot, lift the arm, wait for the next eight. She connects. Weight arrives before the step lands. One arm path finishes as the next begins. There is almost no dead space. That is why she looks like she is floating. Not elevation. Continuity.
Her real advantage is musicality. She does not glue herself to the count. She rides the phrase. When the song opens, the torso and arms widen. When it settles, the movement shrinks without losing groove. She is not dancing on the music. She is letting the music travel through her.
Watch the mechanics and the illusion breaks in a useful way. The isolations start from the center, not from a decorative hip or a decorative chest. The knees stay softly available, so the bounce never turns into stamping. The shoulders stay quiet. The force is enough to draw a line, then it releases. A lot of dancers add energy to stand out. She subtracts it, and becomes clearer.
That is the difference inside a crowded frame. Other people in the room are sharper, bigger, more athletic. She is cleaner. The eye stays because it does not have to jump from broken piece to broken piece. The movement holds together.
Even the smile belongs to the choreography. It arrives with the open phrase and leaves with it. She does not perform at the lens. She includes it, then returns to the song.
So the clip is not really about beauty first, technique second. Beauty gets the first second. Technique keeps the rest: core-led isolation, early weight transfer, unforced arms, and phrasing that turns steps into music.
Everyone else did the routine.
She made it look inevitable.
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Got da Flow $VIBES
What an incredible dancer! Every move gave me chills, and honestly, she deserves nothing less than a perfect 10! 👏🔥
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Gangam $VIBES
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Big $VIBES
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Afrotwerk $VIBES
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