Toonami Kid and Forklift Philosopher “A boy has the right to dream.” Hexagons are the Bestagons.
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Dariusz had allowed D to ride his Reaper Jetbike earlier. He explained he too had a cybernetic implant called a SHIV seated at the nape, where his helmet meet his spinal ridge. But he did not have the SPINE implant nor undergo the psychological tests to become a Cutter. (Cont)
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He sat with the ANI Agent Pilot D and answered her questions about who he was and his people. The first fact was that he was a traveler from somewhere else. He was not an expert on theoretical physics to say if the answer was an alternative dimension, reality, or timeline. (Cont)
Made with AI
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Bone Warriors and Stone Soldiers are held in equal value onboard the Czarnygród. Both are essential and it is not uncommon for pairings to occur. In fact this is encouraged to reduce any friction between the positions as each can reach the other a different mindset. (Cont)
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Dariusz mentioned the Bone Warriors, who focused on defense and fortifying, the opposite of a Stone Soldiers offense and expansion doctrine. He decided to use the term military police to describe this role. Dariusz showed a hologram of his lover who served in the ranks. (Cont)
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He was a Stone Soldier, meaning it was his duty and responsibility to be a vanguard, a frontline fighter when not exploring the Corpse Galaxy. His rifle seemed wirelessly connected to the generator on his back, where what sounded like faint voices could be heard. (Cont)
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He formally introduced himself as Dariusz Kamiński of the Czarnygród. That ship was both his home and the arc of his people from threats of what he called the Corpse Galaxy. The Czarnygród was a blessing and a curse for it protected the crew at a cost. (CONT)
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VoidStatic retweeted
Before digital art, we cut down trees to make paper for artists. Nobody called their drawings “slop” or accused them of destroying the planet.
Now some of those same people see AI art and suddenly every tool needs an environmental audit.
It’s fair to question AI’s impact. Let’s be honest about the tools that came before it too.
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VoidStatic retweeted
In 2016, Canada made MAID (euthanasia) available.
In 2024, over 16,000 Canadians (95% of whom were White Canadians) died through MAID, more than the number of gun homicides in the US.
This is terrifying.
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VoidStatic retweeted
Pope Leo: "deporting them is not Christian-like"
Bishop: "they are not refugees, they're invaders who want to Islamize Europe. They want to destroy Europe's religion and culture"
I'll have to side with the Bishop here.
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VoidStatic retweeted
Art 🎨
假日午後🍺
prompt:
The scene depicts a woman and a man in their twenties preparing dinner in the small, cluttered kitchen of a Japanese-style apartment, exuding a realistic and relaxed everyday atmosphere.
The girl stands in front of the gas stove, leaning slightly back, holding an open silver can of beverage in one hand and tilting her head back to drink. Her eyes are comfortably squinted, and her face shows a relaxed expression after a busy day, with a few small beads of sweat on her forehead. Her other hand hangs naturally at her side, her posture unpretentious and very natural.
She wears a simple low-cut, spaghetti-strap tank top and dark gray sweatpants, standing barefoot on the kitchen floor. Her proportions are soft and realistic, conveying a sense of fullness and life. Her hair is casually tied in a low bun, with a few stray strands of bangs and loose hair framing her face.
On the left side of the scene, a man, shirtless, draped in a towel, and wearing shorts, is frying a circle of half-cooked dumplings on a very narrow gas stove and counter. The dumplings are neatly arranged in a radial pattern, with a small amount of oil and browning marks in the pan, and wooden chopsticks casually resting on the rim. The kitchen counter is cluttered with dumpling wrappers, condiment bottles, cooking oil, large plastic bottles, empty cans, and other food packaging. Used dishes are piled up beside the sink.
Behind the scenes is the narrow layout of an old-style Japanese apartment. Open cabinets are piled with bowls, plates, tea bags, snack wrappers, and a red kettle. The door to the back room is open, revealing a small room, window, curtains, office chair, mattress, and some miscellaneous household items.
The composition uses a slightly downward, ultra-wide-angle close-up, with a touch of cartoonish perspective exaggeration. The gas stove and frying pan in the foreground are large, and the figure is positioned slightly to the right of center, creating a strong sense of being "peeking into everyday life from the kitchen doorway."
The low-contrast warm color palette features off-white walls, light wood floors, and pale blue-green clothing as the main colors. Natural indoor lighting and soft shadows avoid overly refined or ornate elements, preserving a realistic sense of clutter and everyday life. The image is rich in detail.
Composition: 2:3 vertical format, full-body figure, the entire kitchen environment is captured in the frame.
No text, no logo, no watermark.
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