Creando, gestionando, e invirtiendo BUENOS negocios. @emagister, @Seedrocket, @trovit, @offerum,... and now @gotrendiermx invierto con @4foundersCap DMs abierto

Barcelona
La vi en mi último vuelo, y me gustó!
!La mejor película del año!!! (está en @Filmin)
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jesus monleon retweeted
Muy a favor. Mi bisabuela, mi abuela y todas las de su generación lucharon para desterrar el paño en la cabeza. No se puede obligar a ninguna mujer a sufrir eso.
🇵🇹 ❌ Portugal prohíbe el uso del burka y el niqab en lugares públicos con multas de hasta 3.000 euros 👉 La denominada "ley del burka", que prohíbe ocultar el rostro en espacios públicos y contempla multas de hasta 3.000 euros, entró este miércoles en vigor en Portugal, treinta días después de su publicación en el Diario de la República. #portugal #niqab #burka #islam #musulman #europa #prohibicion
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Aterrador como padre. Espero q no salga de la cárcel, pero no por el tiempo q tiene q pasar.
🔴🔴 Detingut un home de 37 anys després d'intentar emportar-se dos menors al centre de #Tarragona en plena Santa Tecla elcaso.elnacional.cat/ca/not…
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El subidón de Podemos vino pq el sistema financiero rescatado con dinero público, desahució a familias impactadas por la crisis, dejándoles deudas de por vida. Desahuciar a una anciana, da excusas y razones a la izquierda. Además de baja moralidad, fue un error táctico. Tener razón no quiere decir estar acertado.
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jesus monleon retweeted
🔴 Maria Nicolau: "Collboni ja té supermercats públics. Tenim una xarxa que frega la quarantena de mercats municipals." La xef remarca que moltes parades són buides i defensa el paper dels productors catalans #TotEsMou3Cat ▶ 3cat.cat/totesmou
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Ante un cambio en los hábitos de consumo, AB InBev (propietario de Corona y de Estella) desarrollará birra sin alcohol enriquecidas con proteína y electrolitos. 🤷‍♂️🤷‍♂️ a ver si este mundo no lo envia a la mierda la IA y lo mata el de innovación 😂
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Avui, a @foc_a_terra, us portem al grandíssim @davidbaratech per a debatre sobre el moment actual de la IA: regulacions, models, canvis de mercat, etc...
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Estos meses vi 3 rupturas de cofounders. El pacto socios NO evita negociar salida y al final siempre va de pasta. Si eres el q sale, olvida lo personal, piensa en dinero y equity: duele menos. Se destruye mucho valor en estas discusiones pq normalmente TODOS tienen razón.
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jesus monleon retweeted
Jesús es emprendedor ergo optimista.
El problema de la vivienda seguirá sucediendo en España hasta q alguien de verdad quiera abordarlo. Todos los expertos dicen q el tema esta en la ley de suelo. Y quién decida resolverlo tardará 10 años en ver resultados. Dime el incentivo y te digo el resultado pero una generación jodida.
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Buenísimo “myhouse”. Lo único q salva la política española es el humor.
Ayuso humillada por Polonia por el aticazo de lujo en Camberí
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El problema de la vivienda seguirá sucediendo en España hasta q alguien de verdad quiera abordarlo. Todos los expertos dicen q el tema esta en la ley de suelo. Y quién decida resolverlo tardará 10 años en ver resultados. Dime el incentivo y te digo el resultado pero una generación jodida.
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👇👇 ser dueño de tu tiempo no tiene precio!
Warren Buffet: "True wealth is not having the biggest house or the most expensive car. It is having enough money to live comfortably while being free to choose how you spend your time, who you work with, and the life you want to live. In the end, time and freedom are the greatest forms of wealth". Very true…
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Brutal!!!!
Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!
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jesus monleon retweeted
Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!
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El arte de convertir la madera en carne de Antonio Reiné. Instagram 👇 instagram.com/antonioreine/?…
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Me motivó montar un podcast para compartir historias de gente y amigos q conozco en el camino. Hoy con Dani y Checo, podcast improvisado en sobre el negocio de los toros, en su ganadería de toros de lidia en 🇲🇽. piped.video/3FAXx-fuj5M?is=cBHp… el podcast es un reflejo de mis desfocus 🤣
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jesus monleon retweeted
Me ha gustado tanto este podcast que he apuntado el Rancho seco en mi lista de destinos pendientes ¡Envidia sana de cómo se lo monta @jemonleon!
Replying to @GRanchoSeco
Y todavía queda la pregunta más incómoda: ¿Qué haces cuando el mayor riesgo de tu negocio no es perder dinero, sino que desaparezca el mercado al que vendes? Lo hablamos con @checohernandezw, @jemonleon y Dani Gámez. 🐂 Episodio completo: piped.video/watch?v=3FAXx-fu…
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jesus monleon retweeted
La búsqueda de igualdad siempre termina así. En educación, mata la excelencia. En economía, mata la prosperidad.
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