john mcvicar retweeted
« Ce n’est pas la jeunesse lycéenne qui casse et qui agresse les forces de l’ordre, ce sont des militants d’extrême gauche et des racailles. La majorité des lycéens préférerait travailler sereinement dans leurs établissements. »
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1/ 100 YEARS AGO TODAY: LARRY ELLISON, OCTOBER 7TH, THE RUSSIAN EMPIRE, HOLLYWOOD, TALKING PICTURES, SOCIETAL SUBVERSION, AND ASSASSINATION—WAS SAM WARNER, ONE OF THE FOUNDERS OF WARNER BROS., MURDERED? ▪️THE BEGINNING▪️ 99 YEARS AGO yesterday, on October 6, 1927, Hollywood's first talkie "The Jazz Singer", produced by Warner Bros., premiered to tremendous fanfare. The New York Times reported on the tremendous standing ovation. Irving Berlin cried. Frank Capra called it a once-in-a-lifetime experience. The revolution was on. One problem: none of the 4 Warner Brothers was there to witness any of it. Sam Warner, the man who pushed for it, believed in it, and worked for it, had died the day before. Let's back up. That was 99 years ago yesterday. 100 YEARS AGO YESTERDAY, a whole year previous, on October 6, 1926, the daughter of Sam Warner (actual name Szmuel Wonsal), founding member of Warner Brothers, was born. He and his wife, Lina Basquette, name her Lita after Charlie Chaplin's wife Lita Grey. As we just saw, in exactly 1 year, Sam Warner would be dead. ▪️RUSSIAN EMPIRE AND THE WARNER BROS.▪️ Szmuel Wonsal, along with his brothers Hirsz (Harry), Aaron (Albert), and Jacob (Jack) were jewish immigrants from the Russian Empire who came as part of the larger 2-million person wave of jewish migrants from 1881-1924. In addition to the entrepreneurship of jews like the Wonsal/Warner brothers, these jewish migrants disproportionately brought with them socialism (Victor Berger), Bolshevism/communism (Alexander Bittelman), anarchism (Emma Goldman), labor activism & violence (Louis Buchalter), and gambling, prostitution & liquor rackets (Arnold Rothstein), to name just a very few. Indeed, these jewish immigration waves & the social instability they brought 1 were part of the driving force behind the 1924 Johnson-Reed Immigration Act that severely restricted further immigration from Eastern Europe. After years in the film business on the east coast, the Wonsal/Warner brothers moved out west and founded Warner Bros. Pictures Inc. in 1923. However, we shall see they weren't necessarily squeaky clean entrepreneurs, themselves, and carried with them the seeds of social subversion as well. More on this in a bit. In 1921, they had become some of the first members of the Mount Olive Freemason lodge, which was known as the masonic lodge to the motion picture industry. In 1925, Warner Bros., led by Sam Warner, acquired a brand new technology developed by Western Electric's Bell Laboratories called Vitaphone. It was a sound-on-disc system. Sam was the visionary who saw its potential and pushed for its adoption into motion pictures. That brings us back to 1927's "The Jazz Singer," the result of Sam's enormous exertions and force of will, who pushed for it against some objections from his Brothers. ▪️NATURAL DEATH...OR WAS IT ASSASSINATION?▪️ However, the stress & strain of bringing this technology to the silver screen ended up costing Sam his life, and on October 5, 1927—99 years from yesterday—he allegedly succumbed to an infection and died. His brothers, aware of the impending doom, bolted from New York before the premier of "The Jazz Singer" to rush to his side. They didn't make it in time. Sam had developed abscesses in his teeth, that spread to his jaw and then to his brain. Surgeons operated on him, but to no avail. He just kept getting worse until he succumbed (tragically for him, penicillin would be discovered just one year later). At least that was the story until Hollywood's 1977 50th anniversary celebration of "The Jazz Singer." It was there that Cass Warner (granddaughter of Harry Warner & mother of "Yellowstone" star Cole Hauser) met William Demarest (one of the original actors in "The Jazz Singer") who dropped a bombshell on her: Sam had been murdered by his brothers. She recounted the tale in her 1993 memoir, "Hollywood Be Thy Name": [Begin Excerpt] "They killed him!" he whispered urgently. "They killed Sam." Before I could say anything, he continued, "I worked with Sam. He was a good man. He didn't agree with what they wanted him to use the medium of film for, so they got rid of him." I felt privy to a very deep secret and urged him to continue. I sensed his urgency to share this with a relative of Sam's he could trust. He continued, "Sam didn't die of natural causes. He went in for a very simple operation. The doctor was paid to make it look like his death was unavoidable. Sam wouldn't agree to what they wanted, so they got rid of him. They killed Sam." I asked who "they" was. He said, "They wanted to use the film for propaganda purposes and Sam would have nothing to do with it, so they got rid of him." I felt the weight of carrying this untold story lift from him. He was relieved of the guilt from not saying something sooner. Later, I felt like I was part of a mystery plot—a true-life mystery—an angle that no one yet knew about. The burden he had carried for fifty years was now transferred to me. We talked for a few more minutes and I noted that he had NOT been drinking. [End Excerpt] ▪️SMUT & CENSORSHIP▪️ What might Demarest have been talking about? What direction did the brothers want to take the studio in over Sam's wishes? We won't really ever know, but perhaps there are clues. "The Jazz Singer" is a movie that centers around a jew who forsakes the old ways and instead decides to go live a life of show business and assimilate into American life and culture. It highlights one of the central tensions of jewish life in America that is still an open question: do jews assimilate into their host nation, or do they continue to retain their jewish nationality and identity above all others? Maybe Sam Warner was on the side of assimilation, as reflected in his choice of movie for the first Talkie? Indeed, he married a Catholic girl and had a family with her. Now, let's look at the direction in which his brothers would soon take the studio. After Sam's death, the studio pushed on and produced a string of hits including a rather notorious movie called "Gold Diggers of 1933," Starring Dick Powell, Joan Blondell, Ruby Keeler, and Ginger Rogers. "Gold Diggers" was notable for its extremely risqué content and for accelerating the adoption of more strict censorship standards over Hollywood, known as the Production Code. Most of the major studios were owned and run by jews, and Americans were not keen to be overrun by smut disguised as entertainment, like their counterparts in Weimar Germany were. The movie began with a musical number "We're In The Money," sung by Ginger Rogers and an entire chorus line of girls wearing strategically placed gold coins. In 1933, there was no such thing as a bikini or even a 2-piece swimming suit. Yet there was an entire chorus line of girls essentially dressed in bikinis made of gold coins and singing about money. Hard to imagine something more jewish! Lol The movie's "climactic" number pushed the envelope even further. "Pettin' In The Park" featured nudity, implied nudity, explicit lyrics, a sexually horny baby-turned-young-boy, along with open encouragement to engage in fornication en masse. The number ends with a woman's chastity armor being cut open with a can opener (see video clips below). Warner Bros. tried to get around the censorship it knew the movie would face by sending strategically edited final cuts to different jurisdictions, but in the end it only convinced Americans that the Hollywood jews needed to be reined in. The entire story treats chorus girls, wealthy men, sexual attraction, gold-digging, seduction and unmarried romantic relationships with a distinctly comic attitude. The women are often the sexually and socially aggressive characters rather than being punished or looked down on for such behavior. That kind of presentation became harder after 1934, when the Production Code required illicit sexual behavior to be treated as morally problematic instead of funny or glamorous. The movie's actual content won't seem shocking to you by today's standards. What will perhaps mildly shock you is how "forward" it is for the 1930s. It will seem out of place amongst the rest of the 1930s movies you're more familiar with like "Wizard Of Oz" and "Gone With The Wind," which came after the Production Code started being enforced. For those who NOTICE and engage in PATTERN RECOGNITION, the degeneracy of the content will all make sense to you. Was this the direction that Sam Warner hesitated to take the studio in? Was this the propaganda his brothers wanted that he resisted? ▪️LITTLE BROTHER JACK WARNER▪️ Assassination is not a thing to be treated lightly, nor is it an action that typically materializes out of thin air. It's usually accompanied by other unsavory actions, like BETRAYAL & GREED, for example. Was any of that present with the surviving Warner Bros.? Well, in 1956, little brother Jack brought a deal to his two remaining older brothers Harry & Albert to sell the company to a Boston Banker named Serge Semenenko (also an immigrant from the Russian Empire). Harry & Albert thought they were all cashing out, but Jack actually had a secret side deal with Semenenko. After the sale went through, Jack bought back his shares, making himself the largest shareholder. He then crowned himself the president of the new "brotherless" Warner Bros. When his brother Harry found out about the swindle from Hollywood's trade magazine "Variety," he had a heart attack and then a stroke, leaving him to walk with a cane for the rest of his life. Albert and Harry never spoke to Jack again. But it gets worse. Due to other interpersonal intrigues, which you can go read about, Jack Warner fired his own son, Jack Jr., from Warner Bros. and had him thrown out of the studio. They never reconciled or spoke again. However, what goes around comes around. In 1967, Jack sold a controlling stake in the studio and was then muscled out of the company despite assurances that he'd be retained. Too bad, so sad. Jack died in 1978. The assassination allegation came to Cass in 1977, and to my knowledge she was never able to confront her great Uncle Jack about it. WHITHER ASSASSINATION? When you're talking about assassination by family, you're talking about betrayal of the worst sort. Cain-killed-Abel stuff. I find it interesting that it was Jack who was initially by Sam's side in California, while Harry and Albert were in New York taking care of preparations for "The Jazz Singer" premier. Jack insisted on staying behind with Sam, and missing the big event. Given what you know now about Jack's (lack of) love for family, does that sound like him? Predictably, Sam made Jack go, telling Jack he (Sam) if he okay and would follow right behind. Certainly, Jack knew this would be how it played out. Jack reached New York only to almost immediately turn around to go back to his dying brother. Jack would get the news of Sam's death when his train back passed through Chicago. IOW, Sam was (in)conveniently absent at the actual time of death. That's a lot of travel, all for nothing. Unless it wasn't all for nothing. For his part, the estranged Jack Jr. didn't believe Demarest's 1977 allegation, saying, "Bill Demarest was a wonderful guy who could not hold his liquor and when loaded indulged in flights of fancy. This murder plot is based on an oversoaked imagination. Some pretty dreadful things happened at Warner Brothers, but this was not one of them." Of course, as we saw, Cass Warner emphasized that Demarest was completely sober and had not been drinking when he told her his suspicion. ▪️EPILOGUE▪️ Warner Bros. has figured prominently in the news over the last year as it's been the object of a bidding war between Netflix and the jew Larry Ellison, the largest private donor to the IDF. The sale of Warner Bros. Discovery has been granted final approval and will now be rolled into the larger Ellison family ecosystem of Skydance, Paramount, CBS, CNN, Annapurna Pictures, Tiktok and every channel & property under those umbrellas. What's ironic is that in 1926 Paramount head Adolph Zukor had offered Sam Warner a deal as an executive producer at Paramount if he brought Vitaphone with him. Sam, not wanting to take any more of Harry Warner's refusal to move forward with using sound in future Warner films, agreed to accept Zukor's offer, but the deal died after Paramount lost money in the wake of Rudolph Valentino's sudden surprise death. On August 15, 1926, Valentino collapsed and was taken to the hospital. Only 6 weeks previously, he'd had an attack of stomach pain that he pushed through, not considering it serious. This time, he underwent emergency surgery for a perforated ulcer mimicking appendicitis. Afterward, he developed peritonitis and died of the resulting infection. It's eerily similar to how Sam would go less than 2 months later. Sam allegedly had an ongoing tooth abscess problem that grew increasingly worse until he had to be hospitalized. Then he underwent surgery, after which the infection spread, soon killing him. Was it all just a cohencidence? Did a remarkably similar scenario between two closely connected men played out at nearly the same time? Or did somebody maybe think that Valentino's story sounded like a great way to hide a murder? I guess we'll never know. In the meantime, enjoy your October 7th™️ coverage, courtesy of the jewish-Larry Ellison-IDF media empire. Maybe this was always the way things were going to end up. But I can't help but wonder how the trajectory of Warner Bros., and indeed Hollywood, might have been different had Sam Warner survived. [Select sources in the next tweet]
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john mcvicar retweeted
The kosher ummah continues to unite against Yemen! Saudi and Syria are discussing the deployment of Syrian troops to Yemen to join the counteroffensive against Ansar’Allah, per U.S. officials who told Axios. The same Sunni supremacists currently destroying Sudan and Syria, now seek to resume the Saudi led genocide in Yemen since 2015.
How are the Arab gulf states invested in the genocide in Gaza and illegal occupation of the West Bank? Check out the Jared Kushner and Trump’s fund Affinity partners, which has investments in the Shlomo group (an Israeli ship building company) and Phoenix investment firm, which is a major owner in Elbit systems, Israel’s largest arms company. Affinity partners is funded by Saudi Arabia ($2 billion) and millions more have been invested by UAE and Qatar. Phoenix holdings also ensures the construction of illegal settlement in the West Bank.
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Just like yesterday... 100 years ago, but you will taste afresh the poisonous parallels with our present day circumstances. As always, @BasedSamParker has, and his interesting historical write up here will captivate you for a few minutes. The degradation, deception, and treachery within will hardly seem antiquated...
1/ 100 YEARS AGO TODAY: LARRY ELLISON, OCTOBER 7TH, THE RUSSIAN EMPIRE, HOLLYWOOD, TALKING PICTURES, SOCIETAL SUBVERSION, AND ASSASSINATION—WAS SAM WARNER, ONE OF THE FOUNDERS OF WARNER BROS., MURDERED? ▪️THE BEGINNING▪️ 99 YEARS AGO yesterday, on October 6, 1927, Hollywood's first talkie "The Jazz Singer", produced by Warner Bros., premiered to tremendous fanfare. The New York Times reported on the tremendous standing ovation. Irving Berlin cried. Frank Capra called it a once-in-a-lifetime experience. The revolution was on. One problem: none of the 4 Warner Brothers was there to witness any of it. Sam Warner, the man who pushed for it, believed in it, and worked for it, had died the day before. Let's back up. That was 99 years ago yesterday. 100 YEARS AGO YESTERDAY, a whole year previous, on October 6, 1926, the daughter of Sam Warner (actual name Szmuel Wonsal), founding member of Warner Brothers, was born. He and his wife, Lina Basquette, name her Lita after Charlie Chaplin's wife Lita Grey. As we just saw, in exactly 1 year, Sam Warner would be dead. ▪️RUSSIAN EMPIRE AND THE WARNER BROS.▪️ Szmuel Wonsal, along with his brothers Hirsz (Harry), Aaron (Albert), and Jacob (Jack) were jewish immigrants from the Russian Empire who came as part of the larger 2-million person wave of jewish migrants from 1881-1924. In addition to the entrepreneurship of jews like the Wonsal/Warner brothers, these jewish migrants disproportionately brought with them socialism (Victor Berger), Bolshevism/communism (Alexander Bittelman), anarchism (Emma Goldman), labor activism & violence (Louis Buchalter), and gambling, prostitution & liquor rackets (Arnold Rothstein), to name just a very few. Indeed, these jewish immigration waves & the social instability they brought 1 were part of the driving force behind the 1924 Johnson-Reed Immigration Act that severely restricted further immigration from Eastern Europe. After years in the film business on the east coast, the Wonsal/Warner brothers moved out west and founded Warner Bros. Pictures Inc. in 1923. However, we shall see they weren't necessarily squeaky clean entrepreneurs, themselves, and carried with them the seeds of social subversion as well. More on this in a bit. In 1921, they had become some of the first members of the Mount Olive Freemason lodge, which was known as the masonic lodge to the motion picture industry. In 1925, Warner Bros., led by Sam Warner, acquired a brand new technology developed by Western Electric's Bell Laboratories called Vitaphone. It was a sound-on-disc system. Sam was the visionary who saw its potential and pushed for its adoption into motion pictures. That brings us back to 1927's "The Jazz Singer," the result of Sam's enormous exertions and force of will, who pushed for it against some objections from his Brothers. ▪️NATURAL DEATH...OR WAS IT ASSASSINATION?▪️ However, the stress & strain of bringing this technology to the silver screen ended up costing Sam his life, and on October 5, 1927—99 years from yesterday—he allegedly succumbed to an infection and died. His brothers, aware of the impending doom, bolted from New York before the premier of "The Jazz Singer" to rush to his side. They didn't make it in time. Sam had developed abscesses in his teeth, that spread to his jaw and then to his brain. Surgeons operated on him, but to no avail. He just kept getting worse until he succumbed (tragically for him, penicillin would be discovered just one year later). At least that was the story until Hollywood's 1977 50th anniversary celebration of "The Jazz Singer." It was there that Cass Warner (granddaughter of Harry Warner & mother of "Yellowstone" star Cole Hauser) met William Demarest (one of the original actors in "The Jazz Singer") who dropped a bombshell on her: Sam had been murdered by his brothers. She recounted the tale in her 1993 memoir, "Hollywood Be Thy Name": [Begin Excerpt] "They killed him!" he whispered urgently. "They killed Sam." Before I could say anything, he continued, "I worked with Sam. He was a good man. He didn't agree with what they wanted him to use the medium of film for, so they got rid of him." I felt privy to a very deep secret and urged him to continue. I sensed his urgency to share this with a relative of Sam's he could trust. He continued, "Sam didn't die of natural causes. He went in for a very simple operation. The doctor was paid to make it look like his death was unavoidable. Sam wouldn't agree to what they wanted, so they got rid of him. They killed Sam." I asked who "they" was. He said, "They wanted to use the film for propaganda purposes and Sam would have nothing to do with it, so they got rid of him." I felt the weight of carrying this untold story lift from him. He was relieved of the guilt from not saying something sooner. Later, I felt like I was part of a mystery plot—a true-life mystery—an angle that no one yet knew about. The burden he had carried for fifty years was now transferred to me. We talked for a few more minutes and I noted that he had NOT been drinking. [End Excerpt] ▪️SMUT & CENSORSHIP▪️ What might Demarest have been talking about? What direction did the brothers want to take the studio in over Sam's wishes? We won't really ever know, but perhaps there are clues. "The Jazz Singer" is a movie that centers around a jew who forsakes the old ways and instead decides to go live a life of show business and assimilate into American life and culture. It highlights one of the central tensions of jewish life in America that is still an open question: do jews assimilate into their host nation, or do they continue to retain their jewish nationality and identity above all others? Maybe Sam Warner was on the side of assimilation, as reflected in his choice of movie for the first Talkie? Indeed, he married a Catholic girl and had a family with her. Now, let's look at the direction in which his brothers would soon take the studio. After Sam's death, the studio pushed on and produced a string of hits including a rather notorious movie called "Gold Diggers of 1933," Starring Dick Powell, Joan Blondell, Ruby Keeler, and Ginger Rogers. "Gold Diggers" was notable for its extremely risqué content and for accelerating the adoption of more strict censorship standards over Hollywood, known as the Production Code. Most of the major studios were owned and run by jews, and Americans were not keen to be overrun by smut disguised as entertainment, like their counterparts in Weimar Germany were. The movie began with a musical number "We're In The Money," sung by Ginger Rogers and an entire chorus line of girls wearing strategically placed gold coins. In 1933, there was no such thing as a bikini or even a 2-piece swimming suit. Yet there was an entire chorus line of girls essentially dressed in bikinis made of gold coins and singing about money. Hard to imagine something more jewish! Lol The movie's "climactic" number pushed the envelope even further. "Pettin' In The Park" featured nudity, implied nudity, explicit lyrics, a sexually horny baby-turned-young-boy, along with open encouragement to engage in fornication en masse. The number ends with a woman's chastity armor being cut open with a can opener (see video clips below). Warner Bros. tried to get around the censorship it knew the movie would face by sending strategically edited final cuts to different jurisdictions, but in the end it only convinced Americans that the Hollywood jews needed to be reined in. The entire story treats chorus girls, wealthy men, sexual attraction, gold-digging, seduction and unmarried romantic relationships with a distinctly comic attitude. The women are often the sexually and socially aggressive characters rather than being punished or looked down on for such behavior. That kind of presentation became harder after 1934, when the Production Code required illicit sexual behavior to be treated as morally problematic instead of funny or glamorous. The movie's actual content won't seem shocking to you by today's standards. What will perhaps mildly shock you is how "forward" it is for the 1930s. It will seem out of place amongst the rest of the 1930s movies you're more familiar with like "Wizard Of Oz" and "Gone With The Wind," which came after the Production Code started being enforced. For those who NOTICE and engage in PATTERN RECOGNITION, the degeneracy of the content will all make sense to you. Was this the direction that Sam Warner hesitated to take the studio in? Was this the propaganda his brothers wanted that he resisted? ▪️LITTLE BROTHER JACK WARNER▪️ Assassination is not a thing to be treated lightly, nor is it an action that typically materializes out of thin air. It's usually accompanied by other unsavory actions, like BETRAYAL & GREED, for example. Was any of that present with the surviving Warner Bros.? Well, in 1956, little brother Jack brought a deal to his two remaining older brothers Harry & Albert to sell the company to a Boston Banker named Serge Semenenko (also an immigrant from the Russian Empire). Harry & Albert thought they were all cashing out, but Jack actually had a secret side deal with Semenenko. After the sale went through, Jack bought back his shares, making himself the largest shareholder. He then crowned himself the president of the new "brotherless" Warner Bros. When his brother Harry found out about the swindle from Hollywood's trade magazine "Variety," he had a heart attack and then a stroke, leaving him to walk with a cane for the rest of his life. Albert and Harry never spoke to Jack again. But it gets worse. Due to other interpersonal intrigues, which you can go read about, Jack Warner fired his own son, Jack Jr., from Warner Bros. and had him thrown out of the studio. They never reconciled or spoke again. However, what goes around comes around. In 1967, Jack sold a controlling stake in the studio and was then muscled out of the company despite assurances that he'd be retained. Too bad, so sad. Jack died in 1978. The assassination allegation came to Cass in 1977, and to my knowledge she was never able to confront her great Uncle Jack about it. WHITHER ASSASSINATION? When you're talking about assassination by family, you're talking about betrayal of the worst sort. Cain-killed-Abel stuff. I find it interesting that it was Jack who was initially by Sam's side in California, while Harry and Albert were in New York taking care of preparations for "The Jazz Singer" premier. Jack insisted on staying behind with Sam, and missing the big event. Given what you know now about Jack's (lack of) love for family, does that sound like him? Predictably, Sam made Jack go, telling Jack he (Sam) if he okay and would follow right behind. Certainly, Jack knew this would be how it played out. Jack reached New York only to almost immediately turn around to go back to his dying brother. Jack would get the news of Sam's death when his train back passed through Chicago. IOW, Sam was (in)conveniently absent at the actual time of death. That's a lot of travel, all for nothing. Unless it wasn't all for nothing. For his part, the estranged Jack Jr. didn't believe Demarest's 1977 allegation, saying, "Bill Demarest was a wonderful guy who could not hold his liquor and when loaded indulged in flights of fancy. This murder plot is based on an oversoaked imagination. Some pretty dreadful things happened at Warner Brothers, but this was not one of them." Of course, as we saw, Cass Warner emphasized that Demarest was completely sober and had not been drinking when he told her his suspicion. ▪️EPILOGUE▪️ Warner Bros. has figured prominently in the news over the last year as it's been the object of a bidding war between Netflix and the jew Larry Ellison, the largest private donor to the IDF. The sale of Warner Bros. Discovery has been granted final approval and will now be rolled into the larger Ellison family ecosystem of Skydance, Paramount, CBS, CNN, Annapurna Pictures, Tiktok and every channel & property under those umbrellas. What's ironic is that in 1926 Paramount head Adolph Zukor had offered Sam Warner a deal as an executive producer at Paramount if he brought Vitaphone with him. Sam, not wanting to take any more of Harry Warner's refusal to move forward with using sound in future Warner films, agreed to accept Zukor's offer, but the deal died after Paramount lost money in the wake of Rudolph Valentino's sudden surprise death. On August 15, 1926, Valentino collapsed and was taken to the hospital. Only 6 weeks previously, he'd had an attack of stomach pain that he pushed through, not considering it serious. This time, he underwent emergency surgery for a perforated ulcer mimicking appendicitis. Afterward, he developed peritonitis and died of the resulting infection. It's eerily similar to how Sam would go less than 2 months later. Sam allegedly had an ongoing tooth abscess problem that grew increasingly worse until he had to be hospitalized. Then he underwent surgery, after which the infection spread, soon killing him. Was it all just a cohencidence? Did a remarkably similar scenario between two closely connected men played out at nearly the same time? Or did somebody maybe think that Valentino's story sounded like a great way to hide a murder? I guess we'll never know. In the meantime, enjoy your October 7th™️ coverage, courtesy of the jewish-Larry Ellison-IDF media empire. Maybe this was always the way things were going to end up. But I can't help but wonder how the trajectory of Warner Bros., and indeed Hollywood, might have been different had Sam Warner survived. [Select sources in the next tweet]
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john mcvicar retweeted
Today is the third anniversary of the Oct. 7 attacks in which Israel deployed the Hannibal Directive, killed its own soldiers and civilians, and then blamed Hamas.
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The size of the false flag is always directly proportional to the size of the crimes they need to hide, and the crimes now are 10x what they were on 9/11/2001.
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Danke! 🙏🏻 Es wird Zeit, dass sich endlich jemand für Frieden einsetzt!
Keine 24 Stunden nach der Konstituierung geht es los. Wir beantragen eine Friedensinitiative und eine Sondersitzung des Landtages. Schluss mit dem Krieg, Schluss mit den Zahlungen an die Ukraine!
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This is insane... Whitney Webb exposes the history of Palantir. Palantir started as a DARPA project. It was going to completely destroy our constitutional protections so it was quietly taken out of government and rebranded as a private company to do the EXACT same thing.
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Michigan Senate candidate Mike Rogers has argued that people whose names appear in the Epstein files should be protected from public exposure if there’s no evidence they committed a crime. Some of the wealthy donors who have helped finance Rogers’ Senate campaigns are among those named in the records... A Detroit Metro Times review found that at least seven donors whose names appear in the released files have given nearly $4.7 million since 2023 to Rogers’ campaign, committees raising money for him, his leadership PAC, or GLCF, an outside super PAC that has spent millions supporting his Senate bids. - via @metrotimes
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Johann Wolfgang von Goethe, my favourite German genius, exposed Newton's masonic lies in his “Theory of Colours” (written in 1810). Yet, academia still teach the Jewish materialistic theories of particles and waves of light.
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WATCH: ANSAR ALLAH RELEASE 12 MINS OF FOOTAGE STRIKING SAUDI BACKED FORCES IN TAIZ AL-MA’AFER & AL-MAWASIT DISTRICTS
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Your elected "leaders" don't listen to you. WHO are they beholden to? Find out here...every ballot in the country. Another incredible resource from @leahfiles
It has been months in the making, but today I launched the 2026 Midterms Candidate Due Diligence website. midterms.theleahfiles.com For far too long we have not had a comprehensive side-by-side picture of who is funding our candidates, who pays for them to get elected, their stance on issues we care about, and many more important factors. So, I built what I could not find: a page for every single person on your ballot, showing exactly who is paying for them. Pick your state and you get your voting rules, issues on your specific ballot this midterm, a map of your congressional districts, the measures on your ballot and what they actually do, and a profile on all 2,517 candidates for governor, Senate and House. For each candidate it shows where their money came from and who wrote the checks, what outside groups spent for them and against them, the companies and nonprofits they own out of their own financial disclosure, and where they stand on the issues with the vote or the quote behind it. Every number links back to the filing it came from. If something is missing or something is wrong, tell me and I will fix it. Finalizing some of the smaller elections now, but it's 80% done. It is free and the site doesn't ask for donations. But if you would like to support my work you can subscribe to my Substack (link in bio) or buy me a coffee at buymeacoffee.com/theleahfile… I hope you enjoy!
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Merci à notre jeunesse de France, très nombreuse aujourd’hui à Cournon-d’Auvergne, pour le sommet de l’élevage. Pour rendre à la France sa prospérité et défendre son avenir, nous aurons besoin de vous ! 🇫🇷
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Jennica Pounds posted as an independent investigator. In July 2026 she became a Special Government Employee at the Department of War. The Pentagon confirmed it. She did not tell her followers. That same month she dropped a long thread on Candace Owens, Erika Kirk, and the Charlie Kirk case, defending the Tyler Robinson narrative and framing Owens’ coverage as a dehumanization campaign. It landed the day an NCRI report made the same argument. Andrew Kolvet and Bill Ackman boosted it like they had just stumbled on it. Owens’ claim is that this was not organic. A person already on the department’s payroll used a personal account to police a podcaster who was attacking the official story, and nobody was told. She is also pointing at paid clipping farms as the distribution layer: funded campaigns built to flood the timeline, rattle people, and lock in one version of events. She just showed how fake and gay everything is!
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The HoIocaust did not happen. The Germans did not call for the total extermination of the J8ws. But the J8ws DID call for the total extermination of the ARYANS. See the TRUTH! START NOTICING!
Ryan
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"...Rothschild... That is why we'll never see Epstein's client list." - Charlie Kirk, 🇺🇸 CHARLIE KIRK WAS RIGHT THE OPENLY SATANIC EASTERN EUROPEAN OCCULT SATANIST ROTHSCHILD FAM RUNS IT ALL (modern israel/ukraine, Federal Reserve, ECB, BIS, and Epstein Island)
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john mcvicar retweeted
Candace showed us an excellent chart today on the show. Those names, that company, that server oh my!
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Mark Lombardi was operating in the same space as Casolaro. He too was suicided. His art leaves a smoking gun to the network.
Whitney Webb is explaining how Palantir was built. It is the same story Danny Casolaro died chasing, and Israel and Robert Maxwell are in the middle of it. Casolaro was found dead in a Martinsburg hotel bathtub on August 10, 1991. Wrists slashed a dozen times. Ruled a suicide. He had told his brother that if he turned up dead, it would not be an accident. The files for the book he called The Octopus were gone. What he was tracking was not one scandal. It was a network. The Inslaw/PROMIS theft. Iran-Contra. BCCI. The October Surprise allegations. Arms and intel cutouts like Cabazon-Wackenhut. A bankruptcy judge had already found the Justice Department obtained Inslaw's enhanced PROMIS by "trickery, fraud and deceit." That ruling was later tossed on jurisdiction, not on the facts. The allegation that stuck was that the software was backdoored and sold or given to foreign governments so intelligence services could read the databases it sat on. Israel was at the front of that list. Webb's Palantir history is that pattern, a decade later, with some of the same people. John Poindexter was the highest-ranking Reagan official indicted over Iran-Contra. After 9/11 he was put in charge of DARPA's Total Information Awareness, a dragnet built to fuse commercial and government data and predict crime and terror before they happened. Congress defunded it in 2003 after the backlash. The same year Peter Thiel incorporated Palantir. Richard Perle introduced Thiel and Alex Karp to Poindexter. Perle had already been caught in the 1970s passing classified material to the Israeli embassy, and he later had deep ties to Netanyahu's first government. Karp has said the CIA was the intended client from the start. In-Q-Tel, the CIA's venture arm, was an early backer. Palantir engineers were at Langley every other week in the early years. PROMIS was the 1980s case-management system allegedly turned into a spy tool. The claim Casolaro was chasing, and that Webb has documented, is that Robert Maxwell helped move the bugged version. A trapdoor was planted so Israeli intelligence could read any database the software touched, and Maxwell was the salesman who carried it to governments and institutions abroad. Palantir Gotham is the 2000s version of the same job. Stitch the databases. Surface the hidden links. Sell pre-crime as predictive policing. Same function. Private letterhead. So the constitutional fight Congress already won does not have to be refought. The part most people miss is at the end of the clip. Webb says CIA CIO Alan Wade, who helped shape the early Palantir product and had been inside the TIA world, teamed with Christine Maxwell on a homeland-security program called Chiliad. Christine is Robert Maxwell's daughter. The Maxwell family did not stop at Ghislaine. Robert Maxwell was tied to the PROMIS distribution story. His daughter shows up later on pre-crime software with a CIA official out of the same surveillance program Palantir was built to replace. So the chain runs like this. Stolen DOJ software in the 1980s. Robert Maxwell and Israeli intelligence on the backdoored version. Iran-Contra figures. Then the same Iran-Contra figure running TIA. Then a Maxwell daughter and a TIA-linked CIA official on pre-crime software. Then Palantir as the scaled private version, introduced by a man already tied to Israeli intelligence channels. Casolaro was trying to map the first half. He never got to the second half. Palantir did not exist yet. His files disappeared. The architecture did not. The Octopus was a thesis about a standing network that builds surveillance software, routes it through private cutouts, and uses Iran-Contra-era operators and Israeli intelligence partners to keep it off the books. PROMIS was tentacle one. Robert Maxwell was the courier. TIA was the failed government version. Palantir is tentacle two. The software Casolaro died investigating, after it learned to survive a congressional ban by becoming a company.
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Anyone who wasn't sure if TPUSA had been taken over by Israel, as several former employees have said, this should convince them. Charlie Kirk must be spinning in his grave seeing what creepy Erika Kirk & her Kosher handlers have done to Turning Point. Laura Loomer is a Zio-nutob that Charlie would have never featured at a TPUSA event.
I feel so sorry for Charlie. Unbelievable.
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🚨🇮🇱 Rothschild satanic modern israel isn't our ally It's our most aggressive, psychotic enemy of all time.
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