OPEN CALL: Looking for the most compelling digital artists working right now. We’re curating upcoming exhibitions for Exhibition Muse, streamed globally across thousands of Muse Frames. Comment an artist you’d like to see exhibited, or yourself.

Some news!: I've joined @ArtBasel as the Global Head of Zero 10. 💥 I'll be focused on building Zero 10 into a year-round global platform, deepening relationships across the art and technology communities, and creating new opportunities for artists, galleries, collectors, institutions, and brands to engage with the space. I'm excited to build on the incredible foundation @eli_schein has created and to continue working together as we take Zero 10 into its next chapter. If you have thoughts, critiques, accolades, or ideas for Zero 10, I'd love to hear from you. Please DM me!

What a weekend! A huge thank you to everyone who made the launch of The Liminal Review 2026 at @Tate Modern possible. Seeing so many members of the Lumen community come together to celebrate the breadth of art created with technology made this a particularly special moment for us. We are deeply grateful to our Jury member and event curator Annie Bicknell, and to the team at @Tate for bringing The Evolving Studio to life and creating such an incredible space for these practices and conversations. To our author, Dr @RachelMFalconer @GoldsmithsUoL, thank you for the insight and dedication that you brought to this work, and for your continued support for those in this ecosystem. Our thanks also go to Supporting Partner and Key Contributor: Onassis ONX, and to Prodromos Tsiavos for joining us in person for the launch and sharing his perspective during our panel conversation. To our Technology Partner @museframe, and especially Dyl, for proving the screens that enabled us to share our finalists’ work so beautifully throughout the day. It was a joy to welcome Lumen Prize Award Winners @CuteCircuit and @CaballeroAnaMa back to share their work, alongside our panellists and moderators @AlexEstorick, Marsha Bradford and Val Ravaglia, who brought so much to the day’s conversations. And finally, to every contributor who lent their voice to this year’s Review, and every artist who trusted us with their work: thank you. 2,225 submissions from 82 countries sit behind this research. This weekend gave us the opportunity to bring some of those ideas into the room and celebrate the community behind them. We'll be sharing more content from the day throughout the week so keep your eyes on our social channels for that. The Liminal Review 2026 is officially out in the world 👇 lumenprize.org/the-liminal-r… Evolving Studio, @Tate Photographer: Guillaume Valli #LumenPrize #TheLiminalReview #TateModern #ArtAndTechnology #TLR26

I'm going to try and onboard 500+ new collectors to digital art this month Here's how I plan to do it:

RT @stifpower: Waiting at the Airport can be long and boring 😤 that has been changed at LHR 😎 Now You can relax & enjoy amazing Art thx to…

Every space tells a story. Muse Frame transforms homes, hotels and workplaces into living galleries with museum quality digital art, thoughtfully curated to become part of the architecture.

plate tide #1 by Shohei Fujimoto on Muse Frame. A hypnotic moving-image work exploring vibration, particles, and invisible structures through cymatic motion and sound. Available now on Sedition.

Pausa by SARES (@sares_at) displayed on Muse Frame. Built through meditation, biometric capture, and generative systems, the collection explores perception, stillness, and transformation through immersive moving-image environments. Available now on Sedition.

W-V:RR:002:2 by RYAK on Muse Frame. Part of the new WAVES: Rhythmic Resonance release exploring rhythm, motion, and resonance through hypnotic moving-image systems. Available on Sedition.

We close this program with Sasha Stiles (@sashastiles), whose work explores what it means to be human in a more-than-human age. Curated by Farrah Carbonell (@FARRAHXYZ) for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. Sasha Stiles is an award-winning Kalmyk-American poet, artist, and researcher working at the intersection of language and computation. She reimagines poetry as a form of living intelligence, synthesizing text and technology, memory and imagination. Through projects such as Technelegy and Cursive Binary, Stiles reveals artificial intelligence as fundamentally a linguistic technology. Language becomes a system that generates meaning across human and machine cognition, expanding the role of poetry within contemporary digital art. Her work has been honored by the Prix Ars Electronica and the Lumen Prize, and exhibited internationally, including at MoMA, Art Basel, and Gucci. As the final presentation, her work brings this program to a point of convergence—where language, system, and presence meet, and where the question of what it means to be human remains open. Across this program, a range of women artists comes into view, working across disciplines while advancing distinct approaches to image, language, and system.

Linda Dounia (@LindaDouniaR) Curated by Farrah Carbonell @FARRAHXYZ for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. Linda Dounia is an artist working across AI, archives, and the politics of memory. Her practice examines how fragmented and uneven datasets shape what can be generated, seen, and remembered. In Once Upon A Garden, she reconstructs speculative histories of extinct and endangered flora in West Africa using AI trained on incomplete and often colonial records. The work reflects both the potential and the limitations of AI as a system shaped by human memory. Her practice approaches AI as a system that reveals the biases embedded in data, while proposing personal archives as a way to address absence and erasure. Dounia was named to the TIME100 AI list in 2023 and received the Mozilla RISE25 Award in 2024. Her work has been exhibited internationally, including PST ART at the California African American Museum, KIKK Festival, Bright Moments Paris, and ART X Lagos. Developed in collaboration with @FellowshipAi, @artxcode_io, and Alejandro Cartagena @halecar2.

Christy Lee Rogers (@ChristyLeeRoger) Curated by Farrah Carbonell @FARRAHXYZ for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. Christy Lee Rogers is a visual artist known for her modern-day Baroque approach, working across still and moving image. Through a distinctive underwater technique, she uses light and refraction to construct painterly compositions often compared to the dramatic intensity of Caravaggio and Rubens. Her work centers on the human figure in suspension—bodies choreographed within water, moving between control and surrender. Through this, she explores vulnerability, sensuality, and the tension between chaos and beauty within the human condition. Raised on the island of Oʻahu, Hawaiʻi, her practice is shaped by a lifelong engagement with the ocean. Water functions not only as subject, but as medium and environment—holding a cinematic and atmospheric presence throughout her work. Her work has received international recognition, including the Sony World Photography Awards Open Photographer of the Year (2019), and she has been a two-time finalist for the Contemporary Talents Award from the Fondation François Schneider. Her collaborations include Apple and Lavazza, and her underwater works inspired by Avatar: The Way of Water were developed in collaboration with James Cameron and Disney.

María Sánchez Curated by Farrah Carbonell @FARRAHXYZ for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. María Sánchez is an interdisciplinary artist working across drawing, painting, poetry, and movement-based practice. Her work explores the architecture of the psyche through a synthesis of psychoanalysis, mysticism, and technology. Blending traditional and digital processes, she creates human-like forms shaped through gesture, fragmentation, and constructed language—where identity emerges as something unstable and continuously reconfigured. Her work has been exhibited internationally, including La Luz de Jesus Gallery (Los Angeles), the Rema Hort Mann Foundation (New York), and solo presentations in London and Berlin.

OONA (@madebyoona) Curated by Farrah Carbonell @FARRAHXYZ for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. OONA is an anonymous conceptual artist working across performance and moving image. Her practice operates through a constructed presence, where identity is staged, mediated, and continuously renegotiated. Using the body as both interface and instrument, she examines the intersections of technology, finance, gender, and control—revealing how systems shape visibility and authorship. Her work holds these tensions without resolving them. Since 2021, her work has been presented internationally, including Art Basel Miami, The Metropolitan Museum of Art, Proof of People (London and New York), Vellum (Los Angeles), and Avalanche Summit (Barcelona). Her work is held in private and public collections.

Iskra Velitchkova (@pointline_) Curated by Farrah Carbonell @FARRAHXYZ for @artandvault, in collaboration with @museframe and @theHUGart. Powered by @Art_Domains. Iskra Velitchkova is an artist working across generative systems, technology, and perception. With a background in data visualization and philosophy of technology, her practice is grounded in an inquiry where questions take precedence over answers. She uses generative methods to explore the relationship between nature and intention through algorithms and randomness, asking whether technology can meaningfully respond to human questions. Her work engages concepts of distance, emergence, and perception—examining how computational systems reshape authorship and the formation of meaning. Her recent body of work, I See Generative, introduces a focus on “narrative logic” within generative systems, where meaning is shaped through selection and structure rather than scale. Operating through restraint, her work positions generative art as a space of perception rather than spectacle. Her work has been exhibited internationally, including London, Paris, New York, and Art Basel, with collaborations spanning Kate Vass, Bright Moments, Feral File, and Unit London. Her work has been auctioned at Sotheby’s and Christie’s New York.