I told Opus 5.5 to make a motion graphics ad for our Kickstarter, one it would be proud to put on its own portfolio.
No After Effects. No timeline. Every frame is code.
Here's what it came back with 👇
LOOK WHAT WE FOUND THIS WEEK!!!!!!!!!!
- PRIMAL DECODE, by @AkkrinCA (#140)
- Fantastic Creatures, by @FerCaggianoArt (#97)
- GREEN WORLD, by @muichirooart (At Least the Sea Stayed)
Certified interesting.
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“We’ve gone through this process to separate us from the artist itself. You’re just getting hit with content.”
For @adhd143, Kento moves in the opposite direction: putting the artist, their personality, and their story back at the center of collecting. ↓
Meet the Artist ✦ @rheaplex
Rhea Myers is an artist, hacker, and writer who has used blockchain as an artistic medium since 2014. She creates art to understand a world gripped by anxieties about technology and culture.
▼ Context Collapse (Pastels)
for Stories We Tell Online
✦ now live ✦
Stance
by @emailyedelman
How little of a person do we need to recognize them?
Abstracted candid photographs until only the human figure's gesture remains.
Curated by @micolmicolmicol
for Stories We Tell Online.
Exhibited in Linz on 9 September and on view in an internet café in Vienna on 23 September.
Art Reveal
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▼ Stance.1
▼ Stance.2
What does Web Nostalgia mean to artists who were there from the beginning?
For Kento Season 1: Web Nostalgia, @UBERMORGEN_COM —founded by lizvlx and Hans Bernhard in 1995—contributed two works: Menstalgia and UBER2000.
Diela Maharanie’s work is immediately recognizable: bright colors, saturated patterns, and dreamlike characters that carry a quiet sense of mystery.
She is part of Kento Season 01: Web Nostalgia.
@dielamaharanie
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