$50,000 in prizes for the best AI ads. 🏆 The OpenArt Ad Awards are here. 15 awards. $15K for Ad of the Year. Open worldwide. Make a 30-sec+ ad with OpenArt and submit between Sep 10 - 30. Presented by OpenArt, with Model Co-Sponsors @alibaba_cloud, @BytePlusGlobal and @MiniMax_AI, and Creative Partners @MachineCinemaAI and @WonderStudiosX

We were at Brandweek Atlanta last week! ✨ Six workshops, countless conversations, and a room full of incredible marketers and creatives exploring what’s possible with AI. A huge thank you to everyone who stopped by the OpenArt Clubhouse, created with us, and shared ideas with our team. Such a great few days with the @Adweek community. We’ll be back at Adweek HQ for Advertising Week — see you in NYC! 🚀 #OpenArt #Clubhouse #Brandweek #CreativeAI #GenerativeAI

08 - Ink Motion Prompt: Exactly 10 seconds. Tactile mixed-media stop-motion photographed completely overhead: real female hands, watercolor paper, graphite, black fineliner, watercolor and metallic-gold paint. Bright contemporary Chinese illustration with stained-glass segmentation. The physical painting gradually begins to move while remaining visibly watercolor on paper. Open sketchbook on warm neutral table with pencils, fineliners, brushes, ceramic palette and pigment. Only two slender female hands visible. Central Chinese-style girl: long pink hair, soft smile, V-sign, round fan, white cross-collar top, pink Mamian skirt, gold sash, floral hairpin and lotus stained-glass halo. Paifang left; blue-tiled pavilion and koi pond right; misty mountains behind; two Ruyi clouds above; arched Chinese framing and crabapple branches. 0:00-0:02: Pencil touches paper and rapid stop-motion builds the entire composition in loose graphite. 0:02-0:04: Black fineliner replaces graphite with decisive contours and stained-glass compartments; halo closes and subtly rotates a few millimeters. 0:04-0:07.5: Watercolor arrives in rhythmic jumps - pink hair, yellow cloud, vermilion Paifang, blue pond with koi, gold sash, second cloud, blossoms, mountains and sky. Real pigment blooms and pools. Painting begins finishing itself just before brush touches it; flowers bloom early and koi swim away. 0:07.5-0:09: Metallic-gold details hit halo, hairpin and sash; final gold dot makes painted world take one tiny breath. Hair lifts, branches sway, mist moves, koi circle, cloud drifts and girl changes V-sign into a tiny wave. 0:09-0:10: Hands withdraw; camera pulls up to reveal complete page. Everything becomes still except one final koi ripple. 90-degree macro overhead, subtle push-in during making, tiny macro emphasis on gold, elegant pullback at end. Preserve paper fibers, graphite tooth, ink pooling, real watercolor capillary edges/granulation and reflective metallic gold. Movement remains painted, never clean digital animation. No CGI morphing, glowing particles, holograms, digital brush strokes, extra fingers, malformed hands, disappearing supplies, photoreal character emerging from page, text, logos or watermark

07 - 2D Animation Prompt: Exactly 10 seconds. High-energy pure 2D anime in a bright modern illustration style: bold clean black outlines, flat vibrant colors, minimal cel shading, rounded characters and fluid hand-drawn motion. A boy and his equally large pet jump into a river that becomes a natural waterslide, launches them into the ocean and reveals a joyful underwater world. Same boy and same animal pet throughout; pet is approximately the boy's size with identical markings, colors and proportions. No wardrobe changes or duplicates. 0:00-0:02: Aerial dive into sunny green river valley. Boy hugs pet and jumps into turquoise water; current catches them instantly. 0:02-0:04: They rocket downstream side-by-side, banking around curves, ducking branches and bouncing over waves; camera races inches above water. 0:04-0:05.5: Camera swings into boy POV. River rushes beneath; pet slides beside camera with huge delighted expression, then disappears over the edge - only sky ahead. 0:05.5-0:07: Both launch high above sparkling ocean. Camera swings underneath; pet spins. Extreme close-up on boy's eyes reflecting ocean; blue reflection expands into frame as he hits water. 0:07-0:09: Seamless underwater POV with dolphin beside camera, waving octopus, tiny seahorse and friendly stingray overhead; pet swims through scene. 0:09-0:10: Burst through surface, boy laughing with soaked pet piggyback; dolphin surfaces; whip-tilt into brilliant sky; sparkling droplet catches sun -> white flash. Aerial dive -> follow cam -> water-level tracking -> whip pan -> POV rush -> mid-air orbit -> eye transition -> underwater POV -> surface burst -> sky tilt. Use anticipation, squash/stretch, clean arcs and brief graphic smears. Water stays stylized turquoise with graphic foam and sparkles. Bright summer daylight only. No dark scenes, danger, fear, 3D, photorealism, dialogue, distorted anatomy, extra limbs, text, logos or watermark

06 - 3D Cartoon Prompt: Exactly 10 seconds, 16:9. Premium cinematic 3D animated fantasy adventure on a lush tropical island. Warm, playful feature-animation quality. A boy thinks a giant dragon is chasing him and a white baby dragon, then discovers it is simply the baby's parent. One young boy with messy dark hair and simple tropical adventure clothes. One small white baby dragon, rounded and puppy-like, small enough to carry. One enormous elegant green-and-gold adult dragon. Keep proportions and colors identical; boy and baby << adult dragon. Same colorful woven ball connects opening and ending. 0:00-0:02: Low jungle fly-through into clearing above turquoise ocean. Boy and baby dragon play with woven ball. Giant shadow crosses; adult dragon rockets overhead, wings filling sky. 0:02-0:05: Boy grabs baby and runs. Fast frontal tracking through jungle; he jumps a log, slides under leaves, giant wings flash overhead and a heavy dragon foot lands nearby. He dives into a cave. 0:05-0:07: Sudden quiet. Boy hides behind rock as huge dragon eye fills cave entrance. Baby wiggles free and runs toward it. 0:07-0:09: Baby leaps onto adult's nose; adult goes cross-eyed, baby licks its face. Boy realizes the truth and cautiously touches the lowered nose. 0:09-0:10: Match cut to warm beach: boy and baby play with same ball while adult rests peacefully by ocean. Low fly-through -> overhead reveal -> fast chase -> restrained cave suspense -> baby follow-cam -> intimate reunion -> beach match cut. Adult never actually attacks; urgency is parental searching. Baby is delighted throughout. Real weight, wing air displacement and reactive vegetation. No fire breathing, magic, violence, horror, weapons, dialogue, duplicated characters, malformed wings/limbs, costume drift, text, logos or watermark.

05 - Dream Logic Prompt: Exactly 10 seconds. Ultra-photorealistic first-person mixed-reality film. In one cozy creative workspace, a creator physically pulls digital geometry from a laptop; it spreads through reality, becomes a black cyan wireframe universe, then tears open to release a lush tropical garden back into the room. Same wooden desk, brown mug, smartphone, white binders, Lenovo laptop with red-backlit keyboard and 3D viewport, pothos vines, warm lamp, large window, leafy trees and white building outside. Preserve spatial relationships throughout. 0:00-0:02: Right hand reaches through laptop screen, pixels stretching like membrane, and pulls out a small black polygon with cyan wireframe edges. 0:02-0:04: Both hands stretch it like digital fabric; it expands into a mesh that digitizes laptop, vine, window frame and desk wherever it touches. 0:04-0:06: Hands rip mesh apart; camera plunges into a vast black wireframe universe. Hands become neon-green skeletal wireframes, pushing geometry aside; briefly knock away one realistic tan sneaker. 0:06-0:08: Hands grab the digital world and physically tear it like fabric. Golden sunlight and dense vegetation burst through: monstera, vines, ferns, moss, orchids, roots, mist, pollen and droplets. 0:08-0:10: Eruption throws camera back into the original office. Same room, now overgrown. Real hands lower; one leaf on laptop briefly turns cyan wireframe, then organic again. Cut. Grounded handheld -> increasingly involved close movement -> fast spatial acceleration in digital world -> vegetation physically pushes camera backward -> restrained handheld ending. Transformations happen through touch, occlusion and physical tearing, never cross-dissolves. Plants have real weight and collisions. Same hands and room. Accurate fingers. No portal ring, generic holograms, magical sparkles, cartoon plants, teleport dissolves, random UI, text, logos or watermark. Keep the tan sneaker beat.

04 - Shot on Memory Prompt: Exactly 10 seconds. Authentic black-and-white 35mm archival footage of a lively French city street in 1955, as if shot by a European newspaper cameraman and rediscovered decades later. It must feel genuinely observed in 1955, not modern footage with a vintage filter. 0:00-0:03: Start abruptly on a busy cobblestone street with weathered facades, cafe awnings, kiosks, bicycles, period lamps and 1950s Citroen cars. Handheld camera follows a newspaper boy rushing through pedestrians; he passes close and briefly throws focus off. 0:03-0:06: Spontaneous pan to sidewalk cafe. Cyclist crosses foreground; focus catches up late. Waiter carries coffees, a suited man reads a newspaper, smoke drifts through light. Quick crooked insert of hands turning a page, then spinning bicycle wheels on wet stones. 0:06-0:10: Return to street, following children before accidentally catching a perfect layered moment: black Citroen, pedestrians, cyclists, cafe tables, smoke and newspaper boy deep background. A woman glances at lens; film flickers and ends with an abrupt physical cut. Human-operated 35mm news camera: imperfect pans, slight shake, clipped compositions, foreground obstructions, brief focus hunting and natural motion blur. Organic coarse grain, dust, scratches, gate weave, frame jitter, exposure breathing, soft edges and subtle light leaks that vary frame to frame. Everything must belong convincingly to France in 1955: clothing, hair, bicycles, cars, cafe furniture, storefronts, lamps, ads and architecture. Faces should look ordinary, not contemporary fashion models. No modern vehicles, sneakers, eyewear, smartphones, LED lighting, road markings, signage, architecture, gimbals, drones, artificial slow motion or modern cinematic soundtrack.

03 - Anime Energy Prompt: Exactly 10 seconds. Pure top-tier 2D hand-drawn Chinese fantasy animation - razor-sharp linework, layered cel shading, saturated transparent color, expressive ink splashes and explosive deformation frames. No 3D or photorealism. A black-haired swordsman battles a gigantic nine-headed serpent on a storm-lashed sea cliff. Protagonist: long ink-black hair, cold expression, dark-blue water-drop forehead mark, battle-damaged gray/blue/white flowing robe, sword on back. Signature spirit-monkey movement: all-fours sprinting, wall rebounds, hand vaults, aerial rolls and abrupt directional changes; cyan-gold-red afterimages. Enemy: one mountain-thick black-scaled nine-headed serpent with crimson pupils and ghostly green toxic energy; heads attack constantly from different directions. 0:00-0:02: Camera races inches above wet stone as he sprints under a snapping head, cartwheels up cliff, rebounds between attacking necks and slashes while dodging poison. 0:02-0:05: He launches from a serpent head and ricochets between all nine at impossible speed; ape-shaped ink afterimages follow. Two heads are severed and remain on the ruined cliff. 0:05-0:07.5: Seven heads counterattack. He falls upside down, forms a seal and strikes the cliff; hundreds of cyan-gold-red lightning sword trails erupt upward like Chinese calligraphy as stone fractures and ocean bursts through. 0:07.5-0:10: No slowdown. He rebounds head -> pillar -> cliff -> serpent -> sky, then delivers one vertical divine sword-light that eliminates the remaining heads. Serpent collapses; seawater erupts; he lands on a shattered pillar in the storm. Pseudo-one-shot energy: ground track -> whip -> orbit -> FPV chase -> extreme push -> vertical drop. Stay inside the fight, favor MS/MCU and aggressive low angles. Effects are visibly drawn, not simulated; environmental damage persists. 60fps hand-drawn look. No slow motion, hit-stop, charging poses, passive enemy, 3D, UE5, Pixar look, realistic gore, dialogue, UI, text, logos or watermark.