it's the last week to see WATCHING at heft gallery
drop by wednesday thru saturday, 11am - 7pm 👾
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128 3D-printed tiles from earlier this year. one half of the block printed relief used to create the relic_01 diptych on canvas.
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The process records all the misalignments, mistakes, under-inked areas, and seams along the way.
The digital artwork stays perfectly stored on-chain.
The painting is an imperfect, human-scale relic. a record of every translation between code, machine, and me.
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i didn’t have access to an industrial press during the painting process. just gravity and some make-shift tools.
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...the digital image was split into a 16x16 tile grid. each tile mapping to a 256×256 mm 3d-printed section. composed into a diptych (4096x2048mm each)
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after material tests, tweaking printer settings, dealing with a number of major print failures, etc...
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It started with a lot of hand waving (3d sculpting in vr) and then translating that form into a 2d composition.
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1024×1024 pixels, 256 3D-printed plastic tiles, one big painting.
making relic_01 ↓
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Thank you to everyone that made it out to the opening night of WATCHING.
Attendance and reception of the work in the gallery has already exceeded all of my expectations.
And special thanks go out to the entire HEFT team. They worked overtime to produce the show. 👾
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worldbuilder is my latest drop with HEFT
1/1/64 fully on-chain artworks include a signed print
sale is now live 👾
fcfs
Browse the entire collection below ⬇️
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Stop by Heft Gallery
Nov 19, 6–9pm for HEFT SOLO IV: WATCHING
I’ll be showing a new body of large scale paintings that took me the better part of a year, alongside my 1/1/64 fully on-chain collection, worldbuilder.
RSVP below
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