I saw The Odyssey (🌟🌟🌟🌟🌟) a second time on Friday immediately after seeing it Thursday. This is the only time in the history of running this account that I’ve reviewed the same film back-to-back the day after its release. And after seeing The Odyssey a second time, I’m honestly ready for a third. Yes, I consider this one of the best films of the decade. Yes, I consider this the single best film of Christopher Nolan’s career. And yes, this is the film I think will win the Oscar for Best Picture, including Dune: Part 3 - and I say that as someone who has seen three minutes of Dune 3 & couldn’t believe his eyes. The Odyssey is quite frankly one of the best films I’ve ever seen.
Those of you who’ve followed me by now know how strongly I believe that movies are moments: long after we’ve seen a film, we don’t remember plot-lines, characters, or even how a film ends sometimes. We remember moments. I consider a “masterpiece” a film that is filled with moment after moment after moment. That is precisely what The Odyssey achieves: it gives us moment…after moment…after moment.
Upon rewatching a second time, albeit not in IMAX on 70 MM this go around, what stood out to me the most is that Nolan pulls off a different type of magic every time Odysseus and his men pull off to shore. First, it’s the Cyclops, which might honestly be the film’s best sequence. Then, it’s the mammoth warriors on Laestrygonians. Followed by Circe’s Island where Odysseus’s men are turned into animals. All of which is followed by a trip to Hades & then the Sirens’ Island. Each of these sequences demands something different from Nolan as a filmmaker. He’s forced to deploy different styles & techniques throughout- some utilize sound & practical effects more (the Cyclops) others have to literally navigate the sea (Sirens’ Island). But every last one of these sequences constitutes a moment. Strung together, you get a masterpiece. That’s all without mentioning the flashback sequences describing the fall of Troy, which, again, are fucking impossibly breathtaking.
The seminal moment of all the moments I just listed is Odysseus visiting Hades. Nolan primarily shot the Underworld in Iceland & upon rewatch, it’s this sequence that really took my breath away. It’s arguably the emotional core of the entire film outside of Odysseus’s final monologue to Penelope in the film’s last act. The way Sinon & Agamemnon rise from the dead & tell their stories is haunting & chilling while totally unforgettable. It’s one of my favorite sequences from any Nolan film ever. It’s also the best use of the score throughout the film.
I’ve had enough time & I’ve given enough thought- Hell, I’ve spent 6 hours watching this film in two days- and I truly consider The Odyssey to be as good as Gladiator, The Lord of the Rings, or any other epic of my lifetime. From the score to the cast to the final frame, I don’t think there’s anything about this movie I would change. The Odyssey might be the best film released since I started this account. At a minimum, it’s struck me the most in the immediate aftermath of my first two viewings.
Cinema lives.