Visual Artist | Digital Creator | Exhibited: ArtBlocks Marfa Weekend 25, ETHDenver 26, ArsElectronica 21,NFT_NYC, CADAF ART NYC linktr.ee/unnikrishnamd

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Happy #TezosTuesday! This week, @AuRo404 (aka RubisCO) will collect 1000 tez worth of art from the replies and through her own exploring. 🔍 Share your work 👇 RubisCO came to Tezos for the tech, stayed for the community, and found ART along the way. She co-founded TTC in 2022 and added over 4k works to her personal collection.
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There are people who leave a mark on the world, and then there are people who change it entirely. Steve changed the world and so many lives in the process. He certainly changed my life forever. His spirit lives on in everything he created and everyone he inspired.
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'SRT 33 _snd [25and12pseudo random]' sound + visual 1/11 editions mp4 / 1280*1280 px / stereo sound "[Self-Rotated Torus] The sections of torus archetype are rotating around their centers." Equipped with generative microsound and procedural sound design. objkt.com/tokens/KT1CACgqGKz…
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À LA CARTE Flapjacks
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And as Carl Jung said, no matter how isolated you are and how lonely you feel, if you do your work truly and conscientiously, unknown friends will come and seek you.
“Go do something great and your network will instantly emerge.” — Naval Ravikant
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Lola Álvarez Bravo maintained friendships with a community of artists, including Frida Kahlo. 🎨 Kahlo and Álvarez Bravo shared a particularly close relationship, perhaps because of their turbulent marriages and limited female role models in their respective fields.
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📣 Now open! "Krasner and Pollock: Past Continuous" is the first major New York presentation devoted to either artist in more than 20 years. Featuring over 120 works, it is the first exhibition to look at the full arc of their careers together. 🎟️ Plan your visit and learn more → met.org/4e5xLvA
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That parrot has clearly been briefed. 🦜😊👇🏿
Just me and my very niche support system on a Monday #Monday #Humour #Art Artwork Credits: Manjit Bawa Lady with bird, 1999 Oil on canvas
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William Mapan, Études #344
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For Sonia Gomes, making is inseparable from living. In this episode of 'Meet the Artists', the Brazilian artist reflects on the materials, memories, and gestures that shape her work, from the fabrics and fragments that fill her studio to the personal histories embedded in every form. Watch the full film: bit.ly/46HD8Nq
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If you’d told me 10 years ago, when I was writing about technospirituality and the future of human-machine culture, and it all felt like a very niche conversation, that in 2026 the Pope would be tweeting about AI and the need to safeguard humanity… well, of course I would have believed you. That was kind of the point of Technelegy. (By the way, I fully appreciate his intention here, but disagree with much of the premise. I have a feeling we’d do more to safeguard humanity by acknowledging how deeply human life and culture have always been shaped by technology — and proceeding accordingly — rather than reinforcing the old trope of humans versus algorithms.)
In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.
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Blue Screen of Death by @dangiuz was made to exist in two states. In Marfa, the digital work will be paired with a 30 × 40-inch acrylic UV print inside an LED light-boxed float frame. Part of Before It’s Gone, the new 8NAP Masters Series curated by @SteveMiller
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Spent a lovely morning in the #Peechi Vazhani reserve, trekking in the dense moist deciduous & semi evergreen forest & learning about its biodiversity. The @keralaforestdep does a great job of ecotourism, employing local youth as guides & watchers. @vdsatheesan @KeralaTourism
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Think you know Roy Lichtenstein? We'll see about that. Roy Lichtenstein: Like New opens to Members on October 8 and the public on October 11. — Artworks: © Estate of Roy Lichtenstein/DACS 2026
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the story lives in the metadata (+links) Lagrange Bend Tuesday, October 6th, 12pm EST @opensea x @artblocks_io 2 days.
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we are all swordcat
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