Imagine writers at 80s zines like Maximum Rock-n-roll, Flipside, Forced Exposure, or Bucketfull of Brains defending radio pay‑to‑play. That would have been absurd, because those publications defined themselves against exactly that sort of industry corruption. Today’s so‑called ‘indie’ rock culture, by contrast, rarely challenges the underlying systems at all. Its rebellion is mostly cosmetic: gross, nihilistic gestures rather than any real structural opposition. It’s a degraded form of counterculture: it wears the costume of resistance while living in a mutually beneficial relationship with the same institutions it pretends to resist.
I say this as a 65 year old semi retired indie rocker who is much more interested in plain old regular culture rather than counterculture. I just think it's really funny what has happened.
I need to bet on this shit in the prediction markets.