父　福田康夫が、１０月２２日に身罷りました。 亡くなる前日まで外部の方と打合せを続けた、最期まで仕事に専念した９０年の人生でした。 　 　父が活動を続けることができたのは、お支え戴きました皆様のおかげです。 ご厚情に心から御礼申し上げます。 福田達夫

Siberman, ada kerentanan kritis baru yang perlu diwaspadai: PHP2SHELL. Kerentanan ini berkaitan dengan CVE-2026-109618 dan CVE-2026-109619 dengan skor CVSS 9,8 (Critical). Jika berhasil dieksploitasi, penyerang berpotensi melakukan Remote Code Execution pada server yang terdampak. BSSN melalui Gov-CSIRT dan Nat-CSIRT telah melakukan langkah antisipasi, mulai dari penyampaian peringatan dini, pemetaan aset yang berpotensi terdampak, notifikasi kepada instansi terkait, hingga penguatan kesiapsiagaan Tim Tanggap Insiden Siber. Kalau kamu mengelola server berbasis PHP, jangan tunda: ✅ Cek versi PHP yang digunakan ✅ Segera lakukan pembaruan ke versi yang telah diperbaiki ✅ Pastikan seluruh runtime PHP juga sudah diperbarui dan lakukan restart layanan ✅ Batasi akses atau isolasi sementara layanan jika diperlukan Jangan tunggu sampai celah dimanfaatkan. Cek, update, dan lindungi server kamu. #BSSN #JagaRuangSiber #KeamananSiber #CyberSecurity #PHP #PHP2SHELL #SecurityAdvisory #GovCSIRT #NatCSIRT

The FBI continues to warn about two critical security flaws in PHP, a programming language used to build many websites and online services. Attackers could exploit these vulnerabilities to break into systems, putting sensitive information and business operations at risk. Security updates are available and should be applied immediately. If you are a business owner or website operator, check whether your systems are affected. Contact your IT support team, website developer, or hosting provider for help identifying vulnerable systems and applying the necessary updates. The FBI urges organizations to take the following steps now: ➡️ If an immediate update is not feasible it is recommended that organizations take the system offline until it can be fully mitigated. ➡️ Immediately update affected PHP installations following the guidance on php.net. Inventory where PHP runs in your environment, prioritizing internet-facing systems and vendor products that bundle PHP. ➡️ Monitor web servers for suspicious activity, including PHP processes unexpectedly launching command shells or downloading files. Ensure appropriate process-monitoring capabilities are in place to help identify potential exploitation. ➡️ If you find signs of compromise, isolate affected systems, preserve your web server and PHP logs, and report it to your local FBI field office or ic3.gov. Those reports help us identify the actors involved and warn other organizations before they become victims. For the latest information on these vulnerabilities (CVE-2026-109618 and CVE-2026-109619), follow PHP’s announcements on php.net, CERT-EU Security Advisory 2026-018, and CISA’s Known Exploited Vulnerabilities catalog.

Discover Hong Kong Cinema at Jakarta Film Week 2026 🎬 From legendary kung fu action to contemporary stories, explore the diverse world of Hong Kong cinema! 🎟️ Full programme and tickets: @jakartafilmweek 📸 Full Post: instagram.com/p/DeizhVFCSTQ/

Speaking during Jakarta Film Week, the Hong Kong filmmaker reflects on the difficulties of training a new generation, the pleasure of producing and his hope that young audiences will enjoy discovering his earlier work. Sammo Hung has worked as an actor, director, producer and action choreographer. Asked which role brings him the greatest happiness, his answer is producing. Understanding the audience, however, has become harder. Speaking during an interview at Jakarta Film Week, Hung describes a growing distance between the filmmaking environment he once knew and the expectations of contemporary viewers. Earlier in his career, he says, he found it easier to understand what people wanted from his films. Today, that relationship feels less certain. It is a candid admission from a filmmaker whose work helped define the combination of martial arts, comedy and genre experimentation associated with Hong Kong cinema. For Hung, experience does not remove the challenge of making something that connects with a new generation. Yet his reason for bringing older films to Jakarta is straightforward. He wants young filmgoers to discover them, enjoy them and encounter something of the pleasure that went into their creation. In an additional conversation about his festival appearance, Hung says he hopes the screenings convey how much happiness filmmaking brought him and his collaborators decades ago. His wish is that audiences leave with an enjoyable experience and a renewed interest in cinema. Training needs somewhere to lead When the conversation turns to his Peking Opera training, Hung recalls a demanding and painful education. The conditions under which performers learn today, he says, differ considerably from those of his own childhood. But his concern goes beyond whether younger actors could endure the same discipline. He questions what opportunities await them after years of preparation. In mainland China, he suggests, martial arts training can still lead towards professional work. In Hong Kong, he sees fewer opportunities to turn those skills into a career in action filmmaking. That leaves him with a difficult question about taking on students. If someone spends several years training but cannot find work afterwards, what has the training ultimately offered them? Physical discipline may benefit their health, but a professional education also carries an expectation of employment. Hung worries about asking young people to invest years of their lives without a clear path into the industry. His comments place the future of action cinema in practical terms. The skills that make a performance possible must be matched by productions willing and able to use them. Character and story still come first Asked about the enduring appeal of his action comedies, Hung returns to the foundations of a film: its subject, characters and story. He does not suggest that making such work today is impossible. A strong subject and an interesting character can still provide a starting point. The difficulty lies in developing them into something audiences want to see. His answer resists the idea that a recognisable style can simply be repeated. Even when the physical vocabulary is familiar, a film still needs characters worth following and a story that sustains interest. For Hung, those were considerations when he made his earlier films, and they remain considerations now. What has changed is his confidence in knowing how audiences will respond. The distinction is especially relevant when older films continue to attract affection. Their survival does not necessarily make the next production easier to conceive. Enjoying life without announcing a farewell When asked about future projects, he says he has no immediate plan to make a new film and is enjoying being cared for by his wife. Work is not occupying his attention in the same way it once did. He leaves open the possibility of making something worthwhile in the future. His answer is a description of his present priorities, rather than a declaration that his filmmaking career has ended. The contrast with his earlier comments is revealing. Producing remains the role he identifies with the greatest happiness, while the challenge of understanding today’s audience makes returning to it a more complicated proposition. For the moment, he is content to enjoy his life and let audiences revisit work already made. Different collaborators, no single favourite A question about working with figures including Bruce Lee and Jackie Chan produces no ranking of favourite collaborators. Hung describes the people he worked with as distinct personalities who were nevertheless agreeable colleagues. Their differences are part of what he remembers. He also makes a point of distinguishing professional seniority. While some collaborators were his seniors, Jackie Chan and Yuen Biao were his juniors. Rather than choosing one person above the others, he acknowledges the individuality of each working relationship. Asked whether he is proud of what he has achieved, Hung says he is happy—and hopes more people will come to know his work. That hope connects his recollections of collaborators with the purpose of a festival encounter. For viewers discovering these films now, an established career can still be a new discovery. Revisiting films that tried something different When invited to select favourites from his own work, Hung discusses the films screening in Jakarta Film Week: "Encounters of the Spooky Kind", "Eastern Condors" and "The Bodyguard". What he emphasises is the satisfaction of attempting different kinds of filmmaking: a supernatural film, a war film and another approach to action and character. He remembers them as opportunities to try something distinctive, rather than treating his career as a single repeated formula. They are also the works he recommends to audiences encountering him in Indonesia. That interest in crossing genres is reflected in Jakarta Film Week’s own description of his work. The festival’s masterclass programme highlights his combination of martial arts with horror and comedy, alongside the influence of his choreography. But Hung’s hopes for the festival audience are less concerned with explaining his influence than sharing an experience. He wants younger viewers to see films made decades earlier and feel happy watching them. He wants them to understand that making those films was a source of happiness, too. After a conversation about changing tastes, difficult training and uncertain opportunities, that is the invitation he leaves with Jakarta’s filmgoers: to discover the work and enjoy it. Sammo Hung on Changing Audiences, the Future of Action Cinema and Finding Joy in His Films Check the article on by clicking on the image asianmoviepulse.com/2026/10/…

Jakarta Film Summit 2026 opened on October 20 at the Royal Glass House, Park Hyatt Jakarta, with Jakarta Governor Pramono Anung Wibowo outlining the city's ambition to strengthen its position as a regional film hub. In his opening remarks, Pramono highlighted Jakarta's urban infrastructure, economic growth and public transportation network as important foundations for attracting more productions, talent and investment. He also pointed to Busan, South Korea, as an example of how a city can develop a stronger international film-industry presence. Figures presented during his remarks placed Jakarta's economic growth at 5.52 percent and inflation at 2.7 percent, while public transport connectivity was said to have reached 93 percent of the city. International - Press Release 0… Running from October 20 to 22, Jakarta Film Summit brings together government representatives, financial institutions, investors, streaming platforms and film-industry professionals. The first two days focus on production policy, filming permits, incentives, financing and investment, with the stated aim of strengthening industry capacity and improving Jakarta's profile as an international production destination. International - Press Release 0… The opening-day programme concentrates on support for film production and access to shooting locations in Jakarta. It also includes an ASEAN Film Alliance Network session addressing talent development, financing and regional co-production opportunities. On October 21, the focus shifts more directly toward investment, including how film projects can prepare for funding, the role of banks and the use of audience data to assess financial risk. International - Press Release 0… The Summit concludes on October 22 with Jakarta Scouting Day, during which film commissioners and production houses will visit potential shooting locations including Pasar Rumput, Muara Angke Harbour, Kota Tua and the Bundaran HI Skydeck. The programme also features “The Two Cities”, a session with Hong Kong examining opportunities for collaboration between the two cities. Jakarta Film Summit 2026 Opens With Regional Film Hub Ambitions Check the article on by clicking on the image asianmoviepulse.com/2026/10/…

Meanwhile, in France. A pink cat, fire hoses, garbage, a flag, and road signs reading "Republic" and "Bastille." A beautiful shot.

Banyak yg tanya, profpic saya ini gimana bikinnya? Yg bikin ilustrator PP saya sebelumnya juga, namanya di IG: haekal.jpg. Lalu, banyak jg yg mau bikin. Ok, ini kami bagi template-nya ya. Silakan unduh di s.id/profpicasap26.